Matching Items (33)
Description
The issue of sex trafficking has been heightened the last several years but has deep history with racial injustice. Black women are disproportionately the victims of sex trafficking and criminalized in prostitution. However, within nonprofit agencies that help provide services and resources to these Black women, the women providing services do not proportionality represent the population being served. To investigate this problem of the lack of diversity and representation within antitrafficking organizations, the research conducts interviews with several Black women who are working for an antitrafficking organization. This study highlights the importance of representation within an organization to have better outcomes and participation of services without tokenizing the Black woman being hired. The research connects the individual experiences of being a token within an organization with the racial roots of sex trafficking to highlight the importance of representing the individuals being served. In order to accomplish this, the research employs qualitative interpretive research methods through semi structured interviews. It employs a critical race feminist theory approach to data analysis to show how Black women in antitrafficking organizations are tokenized but struggling to balance being the most likely to represent the women they are trying to serve.
ContributorsTomlinson, Madeleine (Author) / Behl, Natasha (Thesis advisor) / Smith-Cannoy, Heather (Thesis advisor) / Redeker-Hepner, Tricia (Committee member) / Arizona State University (Publisher)
Created2023
Description
For decades, engineering scholarship has presented data to address the underrepresentation of Black womxn in the engineering doctoral community. American Society of Engineering Education (ASEE)’s Engineering by the Numbers Report (2021) statistically showed that only 57 Black womxn out of 10,037 scholars received engineering doctorates in 2021. Engineering scholars have theorized about constructs ranging from whiteness to explain the system, to doctoral socialization to explain the culture, to retention explain the experiences. Yet, even with the plethora of scholarship, the problem of underrepresentation has remained consistent with limited action towards change from the faculty, the program, or the institution. Therefore, I aim to address this problem by cultivating emotional resonance toward action within the engineering community regarding engineering doctoral program underrepresentation for Black womxn. Using Arts-Based Research (ABR) and Black Feminist Thought (BFT), this dissertation illustrates the engineering PhD spirit-murdering experiences of Black womxn. Six Homegirls intellectually contributed to this study by sharing their time and experiences through artistic expressions and homegirl conversations. Through the lens of BFT’s matrix of domination, the composite blog shows that spirit-murdering for these Homegirls: 1) is a targeted act that is dehumanizing 2) occurs because of the aloof nature and capitalist ideals of the engineering academy, and 3) causes further conflict in negotiating identities as Black, woman, professional, researcher, and student. Leaning on BFT’s grounding as an Afrocentric methodological approach, the composite poem illustrates that these Homegirls: 1) have a common, understood epistemology because of their shared experiences of being Black and woman in their current, multi-layered social locations, 2) identify strongly with their positionality and values while describing their outsider-within status, and 3) experience spirit-murdering in an emotional, intellectual, and spiritual way that then results in physical manifestations. Rooted in BFT’s ethic of caring, the hip-hop mixtape’s progression describes homegirl’s spirit-renewal tactics as: 1) owning their professional identity, 2) dispelling projected biases, stereotypes, and aggressions, 3) calling out inequities in their interpersonal relationships and program culture, 4) learning to set boundaries to protect themselves, and 5) standing on their ways of knowing and being.
ContributorsNicole, Fantasi (Author) / Coley, Brooke C. (Thesis advisor) / Bekki, Jennifer (Committee member) / Holly, Jr., James (Committee member) / Arizona State University (Publisher)
Created2023
Description
Over 150 years since the abolition of slavery, African Americans still lack equal access to education and other quality of life markers. However, a slow increase in African American students pursuing and obtaining higher education demonstrates the progress of African American academic success. Although still not at an equitable level, this progress, and the voices of success are often muted by the majoritarian narrative of African American student failure. This research focuses on African American student success and examines the specific socio-cultural characteristics and processes that shape the ways in which African American students develop their own counter-narratives to persist and gain access to higher education. This study utilizes narrative inquiry in the form of interviews, artifacts collection and student-drawn identity maps to understand the factors that influence the development of counter-narratives. The primary research questions included: What narratives did African American students tell themselves to help them persist in school, attain a high school diploma and pursue higher education? How did they develop their narratives? How did their narratives influence their educational experiences? Five African American students who attended an elite public university in the southwest United States participated in four to five interviews ranging from six to ten hours in total. Through the analysis of their stories, the importance of culture and context were clear. Specifically their social support systems including their parents, siblings, teachers and mentors, significantly influenced their identity development and human agency. The findings also point to a critical path forward: if society commits to supporting African American student success, then shine a light on stories of persistence and potential rather than shortcomings and failures.
ContributorsFreeman, Stacey Vicario (Author) / Kozleski, Elizabeth B. (Thesis advisor) / Fischman, Gustavo (Thesis advisor) / Artiles, Alfredo (Committee member) / Arizona State University (Publisher)
Created2016
Description
The world of speculative fiction infuses the soul with the hope of the imaginary. My dissertation examines Afrofuturistic liminal imaginary space and the ways it is experienced as life-giving spaces. The imaginary and the aesthetics it births are formularies for art forms that speak to the hope of a transformed future. Speculative fiction, although in the realm of the imaginary, is an enlivened approach to express in the present collective possibilities and hopes of the people within those very imagined futures. During the past three decades, particularly, Black speculative fiction has been increasingly at the core of the new cultural productions of literature, film, horror, comics, fantasy, and music which tell the story of African descendant people. Afrofuturism is an analytic for exploration of the liberative revisioning of Black humanity in the face of persistent practices of structural injustice. My project presents the phenomenological exploration of Black Speculative Thought (ST) as it comes alive through artistic liminal spaces of Afrofuturist comic and science fiction conventions. I argue that Black imaginary liminal spaces such as Comicon Culture offer respite, renewal, and locales for creative resistance to thwart persistent alienation and nihilism of Black humanity. Furthermore, it is within these spaces where intersubjective agency can be taken up as a countermeasure to the existential realities and dominant hegemonic existences of everyday life. I examine the process, events, and experience of Black imaginary as it comes alive as potentiated hope for alternative futures. My intention is to marshal the theoretical specters of Critical Afrofuturism, Africana Philosophy, and Womanist Thought in this task.
ContributorsYoung-Scaggs, Sakena De (Author) / Martinez, Jacqueline M (Thesis advisor) / Anderson, Lisa M. (Committee member) / Anokye, Akua D (Committee member) / James, Stanlie M (Committee member) / Arizona State University (Publisher)
Created2019
Description
“Her Brown Body Is Glory: A Legacy of Healing Forged Through Sisterhood and
Dance” fondly captures the process of creating the evening length dance project, Her
Brown Body Is Glory (HBBIG). This document addresses many themes, such as
liminality, rites of passage, trauma in the African American community (like the effects
of Dr. Joy DeGruy Leary’s “Post Traumatic Slave Syndrome (PTSS) theory), and
provides a perspective of healing rooted in dance, rituals, and community. This research
focuses on dance being the source of intervention to create sisterhood among African
American women of many shades. Throughout the creation of this dance project, the
choreographer and dancers collaboratively generated experiences to cultivate a space of
trust, vulnerability, sisterhood, and growth. The use of written, verbal, and movement
reflection supported this creative process as the main source of ritual to check in with
self, building community amongst the dancers, and generating choreography. The
insertion of these sisterhood rituals into the production became the necessary element of
witness for the audience to experience an authentic and moving performance of Her
Brown Body Is Glory.
Dance” fondly captures the process of creating the evening length dance project, Her
Brown Body Is Glory (HBBIG). This document addresses many themes, such as
liminality, rites of passage, trauma in the African American community (like the effects
of Dr. Joy DeGruy Leary’s “Post Traumatic Slave Syndrome (PTSS) theory), and
provides a perspective of healing rooted in dance, rituals, and community. This research
focuses on dance being the source of intervention to create sisterhood among African
American women of many shades. Throughout the creation of this dance project, the
choreographer and dancers collaboratively generated experiences to cultivate a space of
trust, vulnerability, sisterhood, and growth. The use of written, verbal, and movement
reflection supported this creative process as the main source of ritual to check in with
self, building community amongst the dancers, and generating choreography. The
insertion of these sisterhood rituals into the production became the necessary element of
witness for the audience to experience an authentic and moving performance of Her
Brown Body Is Glory.
ContributorsThomas, Hannah Victoria (Author) / Jackson, Naomi (Thesis advisor) / White, Marcus (Committee member) / Hunt, Kistin (Committee member) / Nascimiento, Eliciana (Committee member) / Arizona State University (Publisher)
Created2020
Description
Over the last four centuries, Black women have been overwhelmingly understood, imagined, and defined through a Eurocentric and oppressive lens. The Eurocentric or white lens places pseudo-characteristics on Black women that inaccurately describe them. The qualities ascribed to Black women are rooted in racial ideologies that benefit and progress the interest of White supremacy. This history has placed Black women in tension with institutionalized medicine, discouraging them from seeking or using healthcare resources. Without trust in a system positioned to heal, treat, and prevent health ailments, Black women cannot dialogue with those that are a part of that system. Paulo Freire argues that "dialogue is the encounter between men, mediated by the world, in order to name the world (Freire, 2000, p. 90)." By centering Black women and their voices, I envision (re)naming the world. Understanding how Black women from Lincoln County, Mississippi describe their health and bodies sheds light on their daily experiences that facilitate self-care, womanhood, and identity. This dissertation covers three related studies that are addressing: 1) how Black women from Mississippi see their bodies outside of deficit health, 2) how Black women’s sisterhood has been a collective effort to build womanhood and health, and how societal stereotypes can interfere or damage the progress of sisterhood, and 3) the importance of allowing for Black women’s ways of knowing to create liberatory data collection methods that represent who they are and their truth. I examine these dynamics using a mixed-methods approach including community-based participatory research and rapid ethnographic assessment sampling techniques (e.g., working with a community advisor), semi-structured interviews, Sister-girl Talks (focus groups), participant observation, and autoethnography. The results of the three-study mixed methods dissertation has both theoretical and practical implications for understanding the vital role that Black women need to play bring healing to their health in both healthcare settings (e.g., clinics) and healthcare planning (health evaluation programs and interventions.
ContributorsMitchell, Charlayne (Author) / Slade, Alexandra (Thesis advisor) / SturtzSreetharan, Cindi (Thesis advisor) / Davis, Olga I (Committee member) / Ore, Ersula J (Committee member) / Wutich, Amber (Committee member) / Arizona State University (Publisher)
Created2021
Description
As African-American college attainment has consistently lagged in comparison to the European-American community, this quantitative study examined the relationship between the racial identity statuses and academic motivation styles of African-American college students. More specifically, the Multidimensional Inventory of Black Identity (MIBI) (racial centrality, private regard, & public regard) was utilized to discover the racial identity statuses, and the Academic Motivation Scale (AMS) (extrinsic & intrinsic academic motivation) was employed to determine the academic motivation styles of African-American college students. Approximately 211 African-Americans (81% women) were recruited via a Facebook group, which is a designed private space for African-American college professionals and students. The results revealed a propensity towards greater levels of Extrinsic Academic Motivation (EAM) while higher levels of Racial Centrality and Private Regard rendered positive relationships with EAM. Further, greater levels of Public Regard was shown to have a negative relationship with EAM, whereas greater levels of Public Regard was shown to have a positive relationship with Intrinsic Academic Motivation (IAM). These findings provide further implications for research concerning the American K-12 curriculum and American media sources regarding their impacts on the racial identity statuses and academic motivations of African-American college students and African-American K-12 students. Keywords: racial identity, MIBI, academic motivation, AMS, K-12, curriculum, American, media, African-American, socialization, community development
ContributorsAnderson, Vincent (Author) / Knopf, Richard (Thesis advisor) / Ferguson-Colvin, Kristin (Committee member) / Larsen, Dale (Committee member) / Robertson, Stacie (Committee member) / Arizona State University (Publisher)
Created2021
Description
The purpose of this study was to understand Black students within the Class of 2023 at Cleveland Heights High School (CHHS) motivation for pursuing a post-secondary education through the lens of Critical Race Theory (CRT), Community Cultural Wealth (CCW) and Counter-storytelling. CHHS is identified as a comprehensive high school where students have access to a rigorous, engaging curriculum that will prepare them for college and career. CHHS is located on the East side of Cleveland and has a predominately Black student population. Despite the district and CHHS efforts to cultivate a college going culture, the college enrollment rate is around 46 percent. This study utilized a qualitative Critical Race Methodology (CRM) as a guiding framework in order to negate the deficit thinking stereotype that U.S society has unjustly placed on Black students in their pursuit of higher education. CRM in education challenges biological and cultural deficit stories through counter-storytelling, oral traditions, historiographies, etc., (Solórzano & Yosso, 2002, p.37). Utilizing this framework allowed Black students to see their life experiences as a source of value and a beneficial asset. By understanding students’ motivations for pursuing a postsecondary education will in turn help build systems of support as they prepare to tackle perceived post-secondary barriers. Study participants are a part of the Gaining Early Awareness and Readiness for Undergraduate Program (GEAR UP). The students that participated in the study met the following criteria: participate in Gear Up, Black male or female, and first or second-generation college student. This study utilized an action research framework. In order to gain a better understanding of how college and career readiness workshops impacts students understanding and motivations to pursue a postsecondary education; students participated in a five-week long college and career readiness summer program. Students created personal narratives through the lens of counter-narrative storytelling. Counter-narratives are important means to document and share how race influences the educational experiences of people of color (Miller et al., 2020, p.273). The findings were analyzed using verbatim participant responses and four major themes emerged. The implications of this findings and recommendations for future research are provided in the final chapter.
ContributorsDaniel, Carmen C (Author) / Fischman, Gustavo (Thesis advisor) / Graves-Wolf, Leigh (Committee member) / Tefera, Adai (Committee member) / Arizona State University (Publisher)
Created2021
Description
Traditional jazz refers specifically to iterations of New Orleans style jazz since its beginnings in the early 20th century. It has been labelled "Dixieland," "Classic Jazz," "New Orleans jazz," "Trad," or "Our Kind of Music (OKOM)" among other names. As a scholar-performer, I learned this style of music in my undergraduate studies in Provo, Utah and later taught it as a graduate student in Phoenix, Arizona. This research grows out of the challenges I encountered mediating between the academic institution, the non-academic tradition, and student needs. Combining musicological methods such as historiography and artifact analysis with reflexive ethnography and performance pedagogy more typical of other disciplines, I consider how educators might represent traditional jazz in a more culturally responsible way. To begin, I reference historical newspapers and oral histories to show how the labels of “Dixieland” and “traditional jazz” have evolved over time and taken on a variety of associations. Specifically, I note how the word “Dixieland” is problematic for the ways it reinforces nostalgic fantasies of the “old south” and prevents African Americans from participating without the oppressive and offensive stereotypes created by white minstrel entertainers. I then consider how prominent figures have established their authority to speak for traditional jazz by looking at several pedagogical artifacts for the style of traditional jazz drumming. I highlight how each of these artifacts’ authors present the subject and color their audience’s view of traditional jazz. Having analyzed these methods of genre definition, I discuss the tenuous place of traditional jazz within university jazz programs and its potential futures through interviews I conducted with jazz educators. These interviews focus on teaching traditional jazz within the academy and the potential for the jazz ensemble as a site of scholar-performer interdisciplinary collaboration. Finally, following models of reflexive ethnography established by ethnomusicologists leading world music ensembles, I analyze my own experience teaching traditional jazz ensembles. My synthesis of methods from musicology, ethnomusicology, music education, and jazz performance departments serves as an important bridge between these disciplines, and in turn, improves jazz instruction, offers insight into genre definition, and illuminates how institutional structures shape the subject.
ContributorsWiggins, Zachary Thomas (Author) / Wells, Christi Jay (Thesis advisor) / Norton, Kay (Committee member) / Solís, Ted (Committee member) / Arizona State University (Publisher)
Created2021
Description
Black queer women and nonbinary people (BQWNB) living with mental distress are an important sub-group in the Black community in need of greater attention in mental health research. However, the majority of health research about the Black community focuses on Black cisgender men who have sex with men and people who have or are at risk of having HIV/AIDS. To expand the knowledge about BQWNB, I applied critical and transformative approaches to understand mental distress. Using a Black queer feminist mental health framework and transformative healing justice lens, this phenomenological qualitative study set out to explore and describe how BQWNB living with mental distress navigated their mental health and wellbeing with a sample of 17 participants. Data were collected using one-on-one audio-recorded semi-structured interviews. There were three major findings that emerged from participants’ narratives: (1) contributors to mental distress, (2) impacts of mental distress, and (3) positive responses to mental distress. Contributors to mental distress included individual and collective trauma experiences, embodying strength and independence, and experiencing stereotypes about their sexual and multiracial identities. The impact of mental distress resulted in lowered quality of life and reported self-harmful thoughts and behaviors. Finally, positive responses to mental distress included body, mind, and spirit and community-centered responses as well as resistance to cultural norms and expectations and non-disclosure as a form of self-preservation. These findings led to an integrative (not) being-in-distress framework and a new critical approach to mental health and healing that informed anti-oppressive social work research, practice, and education.
ContributorsThomas, DeShay (Author) / Holley, Lynn C (Thesis advisor) / Jackson, Kelly F (Committee member) / Mendoza, Natasha (Committee member) / Arizona State University (Publisher)
Created2021