Matching Items (33)
Description
The majority of Black D/deaf female students who enter college do not obtain college degrees; as many of them drop out of college citing irreconcilable differences with faculty, staff and peers (Barnartt, 2006; Williamson, 2007). Although, many of these inequities are being addressed in current scholarship, traditionally social scientists have analyzed issues of race, gender, class, sexuality or disability by isolating each factor and treating them as if they are independent of each other (Thornton Dill & Zambrana, 2009). This qualitative dissertation study investigates the everyday lives of Black D/deaf female students on a college campus. The study is based on data gathered during four focus group interviews with twenty-two total participants and fifteen individual semi-structured interviews. Interviews were videotaped and conducted in either spoken English or sign language depending on the preference of the participant. Interviews conducted in sign language were then interpreted to spoken English by the researcher, and subsequently transcribed. The study sought to explore identity and individual agency, microaggressions and marginality on campus, and self-determination. Analysis focused critically on the women's understanding of their intersecting identities, their perception of their college experience and their persistence in college. The data revealed a seemingly "invisible" space that women occupied either because of their deafness, race, gender or social class status. Even though the women felt that that they were able to "successfully" navigate space for themselves on their college campus, many experienced more difficulty than their peers who were White, male or hearing. The women developed strategies to negotiate being part of both the deaf and hearing worlds while on their college campus. However, they frequently felt excluded from the Black hearing culture or the White deaf culture.
ContributorsChapple, Reshawna (Author) / Romero, Mary (Thesis advisor) / Artiles, Alfredo J. (Committee member) / Gustavsson, Nora (Committee member) / James, Stanlie M (Committee member) / Arizona State University (Publisher)
Created2012
Description
This dissertation takes the material culture of New Orleans’ Spiritual Churches as its point of the construction and application of academic categories in studies of religions of the African diaspora. Because I am interested in what emic explanations reveal about scholarly categories and methods, a dialogic approach in which I consult practitioners’ explanations to test the appropriateness of academic categories is central to this work. Thus, this study is grounded in an ethnographic study of the Voodoo Spiritual Temple, which was founded and is operated by Priestess Miriam Chamani, a bishop in the Spiritual Churches. The Spiritual Churches first emerged in the early twentieth century under the leadership of Mother Leafy Anderson. Voodoo, Pentecostalism, Spiritualism, and Roman Catholicism have been acknowledged as their primary tributary traditions. This study examines the material culture, such as statues and mojo bags, at the Voodoo Spiritual Temple as it reflects and reveals aspects of Temple attendees’ world views. In particular, material culture begins to illuminate attendees’ understandings of non-human beings, such as Spirit and spirits of the dead, as they are embodied in a variety of ways. Conceptions of Spirit and spirits are revealed to be interconnected with views on physical and spiritual well-being. Additionally, despite previous scholarly treatments of the Spiritual Churches as geographically, socially, and culturally isolated, the material culture of the Voodoo Spiritual Temple reveals them to be embedded in transnational and translocal cultural networks.
ContributorsBilinsky, Stephanie (Author) / Moore, Moses (Thesis advisor) / Astor-Aguilera, Miguel (Committee member) / Bruner, Jason (Committee member) / Arizona State University (Publisher)
Created2016
Description
Modern and contemporary African American writers employ science fiction in order to recast ideas on past, present, and future black culture. This dissertation examines Afrofuturism’s cultural aesthetics, which appropriate devices from science fiction and fantasy in order to revise, interrogate, and re-examine historical events insufficiently treated by literary realism. The dissertation includes treatments of George Schuyler, Ishmael Reed, Octavia Butler, Colson Whitehead, Nalo Hopkinson, and Chicana/ofuturism.
The original contribution of this research is to highlight how imagination of a posthuman world has made it possible for African American writers to envision how racial power can be re-configured and re-negotiated. Focusing on shifting racial dynamics caught up in the swirl of technological changes, this research illuminates a complex process of literary production in which black culture and identity have been continuously re-interpreted.
In the post-war and post-Civil Rights Movement eras African American writers began reflecting on shifting racial dynamics in light of technological changes. This shift in which black experience became mechanized and digitized explains how technology became a source of new African American fiction. The relationships between humans and their external conditions appear in such futuristic themes as trans-human anamorphosis, cyberspace, and digital souls. These thematic devices, which explore humanity outside its phenotypic boundaries, provide African American writers with tools to demystify deterministic views of race. Afrofuturism has responded to the conceptual transformation of humanity with a race-specific scope, locating the presence of black culture in a high-tech world.
Techno-scientific progress has provided important resources in contemporary theory, yet these theoretical foci too seldom have been drawn into critical race discourses. This discrepancy is due to techno-scientific progress having served as a tool for the legitimation of scientific racism under global capitalism for centuries. Responding to this critical lacuna, the dissertation highlights an under-explored field in which African American literature responds to techno-culture’s involvement in contemporary discussions of race. Rather than repeat nominal assumptions of Eurocentric modernity and its racist hegemony, this dissertation theorizes how modern techno-culture’s outcomes—such as information science, genetic engineering, and computer science—shape minority lives, and how minority groups appropriate these outcomes to enact their own liberation.
The original contribution of this research is to highlight how imagination of a posthuman world has made it possible for African American writers to envision how racial power can be re-configured and re-negotiated. Focusing on shifting racial dynamics caught up in the swirl of technological changes, this research illuminates a complex process of literary production in which black culture and identity have been continuously re-interpreted.
In the post-war and post-Civil Rights Movement eras African American writers began reflecting on shifting racial dynamics in light of technological changes. This shift in which black experience became mechanized and digitized explains how technology became a source of new African American fiction. The relationships between humans and their external conditions appear in such futuristic themes as trans-human anamorphosis, cyberspace, and digital souls. These thematic devices, which explore humanity outside its phenotypic boundaries, provide African American writers with tools to demystify deterministic views of race. Afrofuturism has responded to the conceptual transformation of humanity with a race-specific scope, locating the presence of black culture in a high-tech world.
Techno-scientific progress has provided important resources in contemporary theory, yet these theoretical foci too seldom have been drawn into critical race discourses. This discrepancy is due to techno-scientific progress having served as a tool for the legitimation of scientific racism under global capitalism for centuries. Responding to this critical lacuna, the dissertation highlights an under-explored field in which African American literature responds to techno-culture’s involvement in contemporary discussions of race. Rather than repeat nominal assumptions of Eurocentric modernity and its racist hegemony, this dissertation theorizes how modern techno-culture’s outcomes—such as information science, genetic engineering, and computer science—shape minority lives, and how minority groups appropriate these outcomes to enact their own liberation.
ContributorsKim, Myungsung (Author) / Lockard, Joe (Thesis advisor) / Lester, Neal (Committee member) / Holbo, Christine (Committee member) / Arizona State University (Publisher)
Created2017
Description
Media is a powerful tool used to reflect and affect change in society. Within this study, a brief historical context is provided of roles African Americans in film were traditionally cast in. By employing Critical Race Theory (CRT), cultural capital, and NewBlackMan frameworks, I analyzed how Black male film directors and producers depicted race, class, gender within the Black film boom of the early 2000s. I examined the depictions of educational outcomes of the characters within films utilized in this study. My results display progress that still needs to be made in breaking down traditional gender roles, how race needed to be more critically examined, and how educational outcomes of the characters were not realistic. I also provide suggestions for conducting media studies through the discipline of education in the future.
ContributorsWilliams, Jernine (Author) / Margolis, Eric (Thesis advisor) / Brayboy, Bryan (Committee member) / Sandlin, Jennifer (Committee member) / Arizona State University (Publisher)
Created2010
Description
In this study, I examined how African American students in a church youth group constructed ethnic and spiritual identities as they engaged with community literacy practices. Arizona's small, scattered population of African Americans is reflected within participants' multi-ethnic schools where they describe feelings of being almost invisible to school agents and peers. Listening to students, I came to deeply understand how they struggled with cultural isolation and racial discrimination. The growing tensions with state immigration reform only magnified those feelings as participants perceived the ban on ethnic studies to be another attempt to exclude them from school curriculums. By using utilizing four identity types, I gained greater insights into participants' negotiation of ethnicity and spirituality. Drawing from critical race theory, I utilized counter-storytelling to not only recapture participants' experiences with social injustice, but also to illustrate how the youth group empowers the students to become activists. Resisting the paralyzing effects of racial stereotypes, participants emerged as essayists, artists, orators, and spoken word poets.
ContributorsNicholson, Cynthia Salley (Author) / Paris, Django (Thesis advisor) / Nilsen, Alleen (Committee member) / Stanfield, John H. (Committee member) / Arizona State University (Publisher)
Created2011
Description
ABSTRACT Moving beyond Form: Communicating Identity through Dance chronicles the journey of investigating my personal creative process in dance. This was a search for strategies to empower myself creatively, enabling me to move beyond the limitations of a prescribed form or style of dance and communicate ideas that were relevant to me. But on a deeper level, it was an exploration of my capacity to self-define through movement. The challenge led me to graduate school, international study with world-renowned choreographers and to the development of a holistic creative practice, Movement to Meaning. The aim of this creative practice is to express internal awareness through movement, thereby enabling the mover to dance from an internal reference point. In my research, I utilized Movement to Meaning to re-contextualize Sandia, a traditional-based dance that is indigenous to various Mande subgroups in West Africa. This project culminated in a choreographic presentation, Ten For Every Thousand, which was performed in October 2010 at the Nelson Fine Arts Center at Arizona State University in Tempe, Arizona.
ContributorsDavis, Omilade (Author) / Vissicaro, Pegge (Thesis advisor) / Dove, Simon (Committee member) / Sunkett, Mark (Committee member) / Arizona State University (Publisher)
Created2010
Description
This thesis looks at the 1842 Supreme Court ruling of Prigg v. Pennsylvania, the events leading up to this case, and the subsequent legislative fallout from the decision. The Supreme Court rendered this ruling in an effort to clear up confusion regarding the conflict between state and federal law with regard to fugitive slave recovery. Instead, the ambiguities contained within the ruling further complicated the issue of fugitive slave recovery. This complication commenced when certain state legislatures exploited an inadvertent loophole contained in the ruling. Thus, instead of mollifying sectional tension by generating a clear and concise process of fugitive slave recovery, the Supreme Court exacerbated sectional tension. Through an analysis of newspapers, journals, laws and other contemporary sources, this thesis demonstrates that Prigg v. Pennsylvania and the subsequent legislative reactions garnered much attention. Through a review of secondary literature covering this period, a lack of demonstrable coverage of this court case emerges, which shows that scant coverage has been paid to this important episode in antebellum America. Additionally, the lack of attention paid to this court case ignores a critical episode of rising sectional tension during the 1840s.
ContributorsCoughlin, John (Author) / Schermerhorn, Calvin (Thesis advisor) / O'Donnell, Catherine (Thesis advisor) / Whitaker, Matthew (Committee member) / Arizona State University (Publisher)
Created2010
Description
“(Dis)Locating the Sensual: Black Queer Placemaking in Brooklyn, New York” investigates the impact that gentrification has on Black queer subject formations and Black queer public culture. My research explores the interplay between social oppressions, the Black quotidian queer body, and lived sensations within two Black queer bars located in the epicenter of white middle class gentrification in Brooklyn, New York: Langston’s Brooklyn and Happiness Lounge. In doing so, my project expands Western conceptions of space while charging feminist and queer theories to explore interpersonal and personal dimensions of lived experiences that are conditioned by modes of normalization set by white supremacy. I use archival research and ethnographic methods to explore the way that Black queer people utilize space and the spatial dimensions that happen in and across the spaces they regularly occupy. I also collect and examine building information, such as the owners’ respective rental agreements, building permits, documented building violation(s), and incurred fees by the owners to understand who owns the land, who manages the properties, and the role of the state in regulating space. Additionally, “(Dis)Locating the Sensual” analyzes three analytic memos from my ethnographic fieldnotes including desire, spatial performance, and sensations to apprehend the implications of performance on a Black queer sense of place. Taken together, this data renders a complex picture of Black queer place-making that both resists and exceeds the structural constraints of racial capitalist expansion. My work both dialogues with and contributes to fields that are rarely drawn into conversation: Urban geography and Black queer studies. By analyzing sensations, nostalgia, and atmosphere within Langston’s and Happiness Lounge, I chart the ways in which gentrification continues to displace physical Black queer social spaces and impact the atmospheres and sensations that are unique to their vanishing social spaces. I introduce Black queer spatiality as a method that is informed by tracing Black LGBT spatial sensations and atmospheres; this analytic enables the linking of physical spatio-historical processes of extraction to the sensual geographic experiences that are emplaced in Black queer social spaces.
ContributorsMillhouse, Ricardo (Author) / Bailey, Marlon M (Thesis advisor) / Shabazz, Gregg R (Committee member) / Fonow, Mary M (Committee member) / McHugh, Kevin (Committee member) / Arizona State University (Publisher)
Created2021
Description
How do Queer Black Women make sense of their experiences within educational settings? How do they engage in space-making? How do educational settings protect Black Queer Women's bodies? Through a series of in-depth interviews with individuals that identify as, are labeled by others as, or previously identified as Queer Black Women, I found that participants understood their lived experiences intersectionality and understood their experiences in educational settings as critical to their self-development. Participants described race, sexuality, and gender as overlapping systems of oppression that negatively affected their experiences within educational settings. Not only did participants experience discrimination due to their race or gender, but also due to their sexuality. This seen and/or invisible identity leads them to experience multiple axes of oppression, not only inflicted by peers and teachers, but also the institutions. The findings have implications for theories of intersectionality and queer of color critique.
ContributorsMelendez-Mayfield, Amina (Author) / Charron-Chenier, Raphael (Thesis advisor) / Lopez, Vera (Committee member) / Garcia, Rocio (Committee member) / Arizona State University (Publisher)
Created2022
Description
Community advocates, scholars, and global social justice activists often undervalue the knowledge produced in marginalized, minoritized, and subjugated subaltern communities, diminishing the efficacy of equity-focused interventions and inhibiting collective work. This thesis articulates and theorizes the concept of community wisdom as an uncharted technology of knowledge production. Similarly, the literature review illuminates comparable concepts noted as subjugated and resistant knowledges which are distinctive to those oppressed by societal structures of power and privilege. As such, an argument locates resilience, agency, and resistance as constitutive attributes essential to how marginality intuitively devises strategies to survive and sometimes thrive as outsiders, sometimes referenced as deviants, in Western society. Hence, Hotter Than July: The Radical Promise of Community Wisdom and Black Queer Worldmaking in Detroit centers on the lived experiences and survival praxis of Black queer-identified people in Detroit by employing grounded theory methodology to examine and identify its point(s) of resonance. Thus, this research seeks to theorize the concept of community wisdom, identify where the technology is located within Detroit’s Black queer community; and articulate its relevance to critical social and justice theories; and applicability with the local to global social justice movement. By examining these inquiries, community wisdom provides an opportunity to renovate long-standing organizing archetypes by increasing recognition and respect for the capacity of subjugated knowledges to generate radical possibilities and promises from the margins.
ContributorsJenkins, Jr., Johnny L. (Author) / Ward, Mako (Thesis advisor) / Ore, Ersula (Committee member) / Bailey, Marlon M (Committee member) / Arizona State University (Publisher)
Created2023