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- All Subjects: African American Studies
- All Subjects: Islamic studies
- Creators: Moore, Moses
Description
This thesis discusses the intersection of Christian and Blues exegesis and hermeneutics in the life and lyrics of Eddie "Son" House, a Baptist and Methodist preacher and Blues singer who was born in Lyon, Mississippi. It is intended as a biographical case study that highlights and explores the complex and multifaceted relationship between Black Protestant Preaching and Blues Singing/Preaching. In doing so, it critically appropriates Religious Studies theoretical and methodological considerations, orientations, and insights--particularly those from Charles Long and Paul Ricoeur--to examine the life, artistry, ministry, and lyrics of House in light of his expressed religious orientations and dual, often conflicting roles as a Christian Minister and Blues Preacher.
ContributorsBroyles, Michael (Author) / Moore, Moses (Thesis advisor) / Ali, Souad (Committee member) / Anderson, Lisa (Committee member) / Arizona State University (Publisher)
Created2013
Description
Historically, colonizers, immigrants, and enslaved Africans served as carriers of Islamic culture to Puerto Rico, and today, that Islamic element is often unassumingly intertwined with the Puerto Rican culture. Using Bourdieu's concept of habitus as the framework, this dissertation engages customs and mannerisms of Puerto Ricans to reveal the imprint and legacy of Muslim Spain and the Islamic heritage of West Africa in Puerto Rico. It makes a study of the Spanish language to include vocabulary, proverbs, songs, and games that carry vestiges of Arabic language and culture. Most importantly, it also addresses an inherited religious and cultural tradition rooted in the history and legacy of Islam and Christianity and the human experience of cultural and religious phenomena of conflicts within Medieval Spain. Of particular focus, Fiestas de Santiago Apóstol in Loíza, Puerto Rico (a Moor and Christian celebration in honor of St. James, the Moor Slayer) offer a uniquely different expression. The celebration not only displays remnants of cultural and religious practices influenced by several world traditions such as folk Catholicism, Santería, Espiritismo, and Islam, but embraces the Vejigantes character which symbolizes the Muslim. The implications of these celebrations attest to a historically covert Muslim presence or at least a less biased conceptualization by the Puerto Rican people regarding Muslims. Unlike Medieval Spain, where Muslims were deemed invaders from 711-1600's, the religious, cultural, and political history of Puerto Rico does not suggest a deeper legacy of conflict that includes Islam as an adverse religious and cultural tradition.
ContributorsSaez, Lourdes (Author) / Gallab, Abdullahi (Thesis advisor) / Moore, Moses (Committee member) / Ali, Souad (Committee member) / Arizona State University (Publisher)
Created2017
Description
This dissertation takes the material culture of New Orleans’ Spiritual Churches as its point of the construction and application of academic categories in studies of religions of the African diaspora. Because I am interested in what emic explanations reveal about scholarly categories and methods, a dialogic approach in which I consult practitioners’ explanations to test the appropriateness of academic categories is central to this work. Thus, this study is grounded in an ethnographic study of the Voodoo Spiritual Temple, which was founded and is operated by Priestess Miriam Chamani, a bishop in the Spiritual Churches. The Spiritual Churches first emerged in the early twentieth century under the leadership of Mother Leafy Anderson. Voodoo, Pentecostalism, Spiritualism, and Roman Catholicism have been acknowledged as their primary tributary traditions. This study examines the material culture, such as statues and mojo bags, at the Voodoo Spiritual Temple as it reflects and reveals aspects of Temple attendees’ world views. In particular, material culture begins to illuminate attendees’ understandings of non-human beings, such as Spirit and spirits of the dead, as they are embodied in a variety of ways. Conceptions of Spirit and spirits are revealed to be interconnected with views on physical and spiritual well-being. Additionally, despite previous scholarly treatments of the Spiritual Churches as geographically, socially, and culturally isolated, the material culture of the Voodoo Spiritual Temple reveals them to be embedded in transnational and translocal cultural networks.
ContributorsBilinsky, Stephanie (Author) / Moore, Moses (Thesis advisor) / Astor-Aguilera, Miguel (Committee member) / Bruner, Jason (Committee member) / Arizona State University (Publisher)
Created2016