Filtering by
- All Subjects: Poetry -- English
- All Subjects: Poets -- English
- All Subjects: Science history
- Creators: Looser, Devoney
Juxtaposing Sanditon, The Woman of Colour, and Owen Castle provides insight into how Austen was working within a set of established literary traditions, while creating ways to disrupt some of its problematic elements. This project looks at conventions of the mixed-race female characters in five ways. To begin, I discuss the mixed-race heroine and the compulsion to define her place of origin. Second, I consider the convention of describing mixed-race heiresses' rights to their inheritance. An analysis of the significance of naming mixed-race heiresses follows. I discuss literary conventions of the betrayal of mixed-race females. Lastly, I explore the common use of black maid figures in novels of this era to advance social critique against prejudice. Comparative analysis of Austen with other novels featuring mixed-race heroines in this era allows us to reach new understandings of Sanditon. Austen's unfinished last novel is shown to question the power of fortune, to undermine the orthodoxy of categorizing race and ethnicity, and to unsettle the hierarchy among characters of different races and ethnicities.
The first chapter, using texts by Sir William Hamilton, Hester Piozzi, and Priscilla Wakefield, argues that in the late eighteenth century important aspects of volcanoes, like their impact upon human life and their existence through time, were beginning to be defined in texts ranging from the scientific to the educational. The second chapter focuses on works by Sir Edward Bulwer-Lytton and Charles Lyell to demonstrate the ways that volcanoes were stripped of metaphysical or symbolic meaning as the nineteenth century progressed. The third chapter contrasts the 1883 eruption of Krakatoa with Constance Gordon-Cumming’s travels to Kīlauea. The chapter shows how even towards the end of the century, trying to connect human minds with the process of volcanic phenomenon was a substantial challenge, but that volcanoes like Kīlauea allowed for new conceptions of volcanic action. The last chapter, through a post-apocalyptic novel by M. P. Shiel, shows how volcanoes were finally beginning to be categorized as a primary agent within the environment, shaping all life including humanity. Ultimately, I argue that the change in thinking about volcanoes parallels today’s shift in thinking about global climate change. My work provides insight into how we imagine ecological catastrophes like volcanic eruptions or climate change in the past and present and what that means for their impact on people.
This edition includes an author-associated bookplate and inscription, "To G--n W---s. April 24 1871." Bookseller has penciled in "To Golden Winnings." 1st Ed. Austin, Poet Laureate of Eng. Austin's Copy with the book plate of his wife on front cover" (obscured by glued on card slip).
This edition includes the author's gift inscription, "To Anne Dickinson With Kindest Wishes from Eliza Cook".
This edition has a gift dedication from the author's nephew to Edmund Gosse, suggesting he once owned the book. Dedicatation, "Mr. Edmund Gosse in remembrance of my Uncle Philip James Bailey Sep: 1902 F. CC."
This edition includes handwritten annotations to subscription lists. Many of the annotations are regarding numbers of copies, additional subscribers, etc.
This edition includes two flat signatures of William Morris, one is dated "8th of June 1802".
This editor's gift inscription appears to be to Jessie Benton Evans (1866-1954), "To Mrs. Evans from the Editor 1907". The bookplate in the volume is from Benton's Memorial Library.