Matching Items (381)
Description
The end of the nineteenth century was an exhilarating and revolutionary era for the flute. This period is the Second Golden Age of the flute, when players and teachers associated with the Paris Conservatory developed what would be considered the birth of the modern flute school. In addition, the founding in 1871 of the Société Nationale de Musique by Camille Saint-Saëns (1835-1921) and Romain Bussine (1830-1899) made possible the promotion of contemporary French composers. The founding of the Société des Instruments à Vent by Paul Taffanel (1844-1908) in 1879 also invigorated a new era of chamber music for wind instruments. Within this groundbreaking environment, Mélanie Hélène Bonis (pen name Mel Bonis) entered the Paris Conservatory in 1876, under the tutelage of César Franck (1822-1890). Many flutists are dismayed by the scarcity of repertoire for the instrument in the Romantic and post-Romantic traditions; they make up for this absence by borrowing the violin sonatas of Gabriel Fauré (1845-1924) and Franck. The flute and piano works of Mel Bonis help to fill this void with music composed originally for flute. Bonis was a prolific composer with over 300 works to her credit, but her works for flute and piano have not been researched or professionally recorded in the United States before the present study. Although virtually unknown today in the American flute community, Bonis's music received much acclaim from her contemporaries and deserves a prominent place in the flutist's repertoire. After a brief biographical introduction, this document examines Mel Bonis's musical style and describes in detail her six works for flute and piano while also offering performance suggestions.
ContributorsDaum, Jenna Elyse (Author) / Buck, Elizabeth (Thesis advisor) / Holbrook, Amy (Committee member) / Micklich, Albie (Committee member) / Schuring, Martin (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsMatthews, Eyona (Performer) / Yoo, Katie Jihye (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-25
ContributorsHoeckley, Stephanie (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-24
Description
This study examined the influence of childhood aggression, peer exclusion and associating with deviant peers on the development of antisocial behavior in early adolescence. To gain a stronger understanding of how these factors are associated with antisocial behavior and delinquency, multiple alternative pathways were examined based on additive, mediation and incidental models. A parallel process growth model was specified to assess whether early childhood aggression and peer exclusion (in 1st grade) and intra-individual increases in aggressive behaviors and exclusion through childhood (grades 1 to 6) are predictive of associating with deviant peers (in 7th grade) and antisocial behavior (in 8th grade). Based on a sample of 383 children (193 girls and 190 boys), results showed the strongest support for an additive effects model in which early childhood aggression, increases in aggression, increases in peer exclusion and associating with more deviant peers all predicted antisocial behavior. These findings have implications for how children's psychological adjustment is impacted by their behavioral propensities and peer relational context and the importance of examining developmental processes within and between children over time.
ContributorsEttekal, Idean (Author) / Ladd, Gary W (Thesis advisor) / Eggum, Natalie D (Committee member) / Thompson, Marilyn S (Committee member) / Arizona State University (Publisher)
Created2011
ContributorsMcClain, Katelyn (Performer) / Buringrud, Deanna (Contributor) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-31
Description
Electrophoretic exclusion is a counter-flow gradient focusing method that simultaneously separates and concentrates electrokinetic material at a channel entrance utilizing electric and fluid velocity fields. However, its effectiveness is heavily dependent on the non-uniform field gradients about the entrance. This work assesses the capability of electrophoretic exclusion to capture and enrich small molecules and examines the channel entrance region both quantitatively and qualitatively to better understand the separation dynamics for future design.
A flow injection technique is used to experimentally evaluate electrophoretic exclusion of small molecules. Methyl violet, a cationic dye, and visible spectroscopy are used to monitor flow and electrophoretic dynamics at the entrance region resulting in successful capture and simultaneous enrichment of methyl violet at the channel interface. Investigation of the entrance region is performed using both experiment data and finite element analysis modeling to assess regional flow, electric fields, diffusion, convection, and electrophoretic migration. Longitudinal fluid velocity and electric field gradient magnitudes near the channel entrance are quantified using Particle Tracking Velocimetry (PTV) and charged fluorescent microspheres. Lateral studies using rhodamine 123 concentration monitoring agree qualitatively with simulation results indicating decreased gradient uniformity for both electric and fluid velocity fields closer to the channel wall resulting in a localized concentration enhancement at lower applied voltages than previously observed or predicted. Resolution interrogation from both a theoretical assessment and simulation construct demonstrate resolution improvement with decreased channel width and placement of an electrode directly at the interface. Simulation resolution predictions are in general agreement with early experimental assessments, both suggesting species with electrophoretic mobilities as similar as 10-9 m2/(Vs) can be separated with the current design. These studies have helped evolve the understanding of the interface region and set the foundation for further interface developments.
A flow injection technique is used to experimentally evaluate electrophoretic exclusion of small molecules. Methyl violet, a cationic dye, and visible spectroscopy are used to monitor flow and electrophoretic dynamics at the entrance region resulting in successful capture and simultaneous enrichment of methyl violet at the channel interface. Investigation of the entrance region is performed using both experiment data and finite element analysis modeling to assess regional flow, electric fields, diffusion, convection, and electrophoretic migration. Longitudinal fluid velocity and electric field gradient magnitudes near the channel entrance are quantified using Particle Tracking Velocimetry (PTV) and charged fluorescent microspheres. Lateral studies using rhodamine 123 concentration monitoring agree qualitatively with simulation results indicating decreased gradient uniformity for both electric and fluid velocity fields closer to the channel wall resulting in a localized concentration enhancement at lower applied voltages than previously observed or predicted. Resolution interrogation from both a theoretical assessment and simulation construct demonstrate resolution improvement with decreased channel width and placement of an electrode directly at the interface. Simulation resolution predictions are in general agreement with early experimental assessments, both suggesting species with electrophoretic mobilities as similar as 10-9 m2/(Vs) can be separated with the current design. These studies have helped evolve the understanding of the interface region and set the foundation for further interface developments.
ContributorsKeebaugh, Michael (Author) / Hayes, Mark (Thesis advisor) / Ros, Alexandra (Committee member) / Buttry, Daniel (Committee member) / Arizona State University (Publisher)
Created2015
ContributorsHur, Jiyoun (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-01
ContributorsZaleski, Kimberly (Contributor) / Kazarian, Trevor (Performer) / Ryan, Russell (Performer) / IN2ATIVE (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-28
ContributorsDelaney, Erin (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-18
Description
ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory.
ContributorsRich, Angela Marie (Contributor) / Novak, Gail (Pianist) (Performer) / Buck, Elizabeth Y (Thesis advisor) / Hill, Gary W. (Committee member) / Holbrook, Amy (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2010