Matching Items (382)
Description
The end of the nineteenth century was an exhilarating and revolutionary era for the flute. This period is the Second Golden Age of the flute, when players and teachers associated with the Paris Conservatory developed what would be considered the birth of the modern flute school. In addition, the founding in 1871 of the Société Nationale de Musique by Camille Saint-Saëns (1835-1921) and Romain Bussine (1830-1899) made possible the promotion of contemporary French composers. The founding of the Société des Instruments à Vent by Paul Taffanel (1844-1908) in 1879 also invigorated a new era of chamber music for wind instruments. Within this groundbreaking environment, Mélanie Hélène Bonis (pen name Mel Bonis) entered the Paris Conservatory in 1876, under the tutelage of César Franck (1822-1890). Many flutists are dismayed by the scarcity of repertoire for the instrument in the Romantic and post-Romantic traditions; they make up for this absence by borrowing the violin sonatas of Gabriel Fauré (1845-1924) and Franck. The flute and piano works of Mel Bonis help to fill this void with music composed originally for flute. Bonis was a prolific composer with over 300 works to her credit, but her works for flute and piano have not been researched or professionally recorded in the United States before the present study. Although virtually unknown today in the American flute community, Bonis's music received much acclaim from her contemporaries and deserves a prominent place in the flutist's repertoire. After a brief biographical introduction, this document examines Mel Bonis's musical style and describes in detail her six works for flute and piano while also offering performance suggestions.
ContributorsDaum, Jenna Elyse (Author) / Buck, Elizabeth (Thesis advisor) / Holbrook, Amy (Committee member) / Micklich, Albie (Committee member) / Schuring, Martin (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsMatthews, Eyona (Performer) / Yoo, Katie Jihye (Performer) / Roubison, Ryan (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-25
ContributorsHoeckley, Stephanie (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-24
ContributorsMcClain, Katelyn (Performer) / Buringrud, Deanna (Contributor) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-31
Description
This research focuses upon the intersection of social complexity and leadership among commoners in complex societies as expressed through mortuary ritual. I study how ideology, materialized through treatment of the deceased body, was a potential source of power among commoners in ancient Maya society and how this materialization changed through time. Mortuary data are drawn from mid-level settlements of the Belize River Valley, located in western Belize within the eastern Maya lowlands. The primary research question addresses whether mid-level leaders in the Belize River Valley targeted certain human bodies for ancestral veneration through tomb re-entry and ritual interaction with skeletal remains. The ritual-political strategy of mid-level leaders is measured using archaeothanatology, an analysis of grave taphonomy based on forensic data, to reconstruct cultural beliefs about death based on treatment of deceased bodies, radiogenic strontium isotope analysis to reconstruct residential history, and analysis of dental metrics to assess biological kinship. While preservation of osseous material was poor, results indicate that the frequency of disarticulated and secondary burials was higher in eastern structures than in other locales, although eastern structures were not the only loci of these types of deposits. Overall, it does not seem like secondary burials were regularly and purposefully created for use as ritual objects or display. Radiogenic strontium isotope data enrich this analysis by showing that eastern structures were not a burial locale exclusive to individuals who spent their childhood in the Belize Valley. Data from upper-level eastern structures also suggests that within that part of society local birth did not guarantee interment in a local manner; perhaps the social network created during one's life shaped treatment in death more than residential origin. Biological distance analyses were inconclusive due to missing data. Comparison of mortuary practices to nearby regions shows distinct mortuary patterning across space and time. This is consistent with reconstructions of ancient Maya sociopolitical organization as regionally diverse and moderately integrated.
ContributorsNovotny, Anna (Author) / Buikstra, Jane E. (Thesis advisor) / Carr, Christopher (Committee member) / Robin, Cynthia (Committee member) / Astor-Aguilera, Miguel (Committee member) / Tiesler, Vera (Committee member) / Knudson, Kelly J. (Committee member) / Arizona State University (Publisher)
Created2015
Description
Federal legislation prioritizes the repatriation of culturally unidentifiable human remains to federally-recognized Indian tribes that are linked geographically to the region from which the remains were removed. Such linkages are typically based on a Eurocentric notion of the exclusive use and occupancy of an area of land - a space-based approach to land use. Contemporary collaborations between anthropologists and indigenous communities suggest, however, that indigenous patterns of land use are better characterized as place-based and are therefore more complex and fluid than is reflected in current legislation. Despite these insights, space-based approaches remain common within archaeology. One example is the inference of territorial behavior from the presence of monuments within the archaeological record.
Drawing on osteological and mortuary data derived from a sample of Adena mounds located in northern Kentucky, this dissertation adopts a place-based approach in order to evaluate the archaeological association between monumentality and territoriality. The relative amounts of skeletal and phenotypic variability present at various spatial scales are quantified and compared and the degree to which mortuary and phenotypic data exhibit spatial structure consistent with the expectations of an isolation-by-distance model is assessed.
Results indicate that, while burial samples derived from some mounds exhibit amounts of phenotypic variability that are consistent with the expectations of a territorial model, data from other mounds suggest that multiple groups participated in their construction. Further, the general absence of spatial structure within the phenotypic data suggests that the individuals interred in these mounds are perhaps better characterized as representing an integrated regional population rather than localized groups. Untested archaeological inferences of territoriality may therefore mischaracterize regional population dynamics. In addition, these results suggest that the prioritization criteria for the repatriation of culturally unidentifiable human remains may merit revision.
Drawing on osteological and mortuary data derived from a sample of Adena mounds located in northern Kentucky, this dissertation adopts a place-based approach in order to evaluate the archaeological association between monumentality and territoriality. The relative amounts of skeletal and phenotypic variability present at various spatial scales are quantified and compared and the degree to which mortuary and phenotypic data exhibit spatial structure consistent with the expectations of an isolation-by-distance model is assessed.
Results indicate that, while burial samples derived from some mounds exhibit amounts of phenotypic variability that are consistent with the expectations of a territorial model, data from other mounds suggest that multiple groups participated in their construction. Further, the general absence of spatial structure within the phenotypic data suggests that the individuals interred in these mounds are perhaps better characterized as representing an integrated regional population rather than localized groups. Untested archaeological inferences of territoriality may therefore mischaracterize regional population dynamics. In addition, these results suggest that the prioritization criteria for the repatriation of culturally unidentifiable human remains may merit revision.
ContributorsSeidel, Andrew Colin (Author) / Carr, Christopher (Thesis advisor) / Stojanowski, Christopher M (Thesis advisor) / Buikstra, Jane E. (Committee member) / Aguilera, Miguel (Committee member) / Arizona State University (Publisher)
Created2019
ContributorsHur, Jiyoun (Performer) / Lee, Juhyun (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-01
ContributorsZaleski, Kimberly (Contributor) / Kazarian, Trevor (Performer) / Ryan, Russell (Performer) / IN2ATIVE (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-28
ContributorsDelaney, Erin (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-18
Description
ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory.
ContributorsRich, Angela Marie (Contributor) / Novak, Gail (Pianist) (Performer) / Buck, Elizabeth Y (Thesis advisor) / Hill, Gary W. (Committee member) / Holbrook, Amy (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2010