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Josh Oxford wrote the Luminous Mysteries Rosary Sonata in 2022 on commission from the violinist Esther Witherell. The piece continues in the Rosary Sonata tradition begun by Heinrich Biber while also incorporating contemporary composition styles and violin techniques, most notably the use of dynamic scordatura. The formidable challenges involved in

Josh Oxford wrote the Luminous Mysteries Rosary Sonata in 2022 on commission from the violinist Esther Witherell. The piece continues in the Rosary Sonata tradition begun by Heinrich Biber while also incorporating contemporary composition styles and violin techniques, most notably the use of dynamic scordatura. The formidable challenges involved in realizing the written score make the provision of a performance guide with a semi-tablature notation of the violin part all but essential. This document serves as a guide to future performers of the Luminous Mysteries Rosary Sonata. The paper provides the historical background for its composition, supplies information from the composer regarding Biblical allusions in the piece, and suggests solutions to common technical difficulties. The appendix consists of the semi-tablature violin part with at-pitch notation from the composer and as-fingered notation from the author.
ContributorsWitherell, Esther (Author) / McLin, Katherine (Thesis advisor) / Meyer, Jeffery (Committee member) / Saucier, Catherine (Committee member) / Arizona State University (Publisher)
Created2024
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This study catalogues symphonies for wind band from the origin of the genre in the late eighteenth century through 2014. Wind bands include any mixed wind group of eight or more players. Works using the word "symphony" or its derivatives in the title are included in the study.

This study catalogues symphonies for wind band from the origin of the genre in the late eighteenth century through 2014. Wind bands include any mixed wind group of eight or more players. Works using the word "symphony" or its derivatives in the title are included in the study. A total of 1342 works that fit these criteria were identified. An annotated bibliography (Appendix A) includes detailed information about 695 of these works. Such information was not available for an additional 621 wind band symphonies; consequently, these works are listed in a second appendix that includes a list of sources for each work so that future researchers might investigate them further. The final appendix lists 26 wind band symphonies that are no longer available based on the author's current sources.

The titles included in this study were found by examining many repertoire resources for the wind band, including previous studies of wind band symphonies and more comprehensive repertoire resources like the Heritage Encyclopedia of Band Music and the website "The Wind Repertory Project." Details of each piece in the annotated bibliography were found in their scores whenever possible. Contact with composers and publishers, through both their websites and direct correspondence, played a major role in this part of the study. The classified bibliography in this document sorts all of these sources categorically for easy reference. All parts of this document are intended as tools for conductors wishing to research or program symphonies for wind band.
ContributorsPease, Andrew Donald (Author) / Hill, Gary W. (Thesis advisor) / Bailey, Wayne (Committee member) / Reber, William (Committee member) / Saucier, Catherine (Committee member) / Rogers, Rodney (Committee member) / Arizona State University (Publisher)
Created2015