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- All Subjects: Songs (High voice) with piano
ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
Description
The manner in which land and water are used and managed is a major influencing factor of global environmental change. Globally, modifications to the landscape have drastically transformed social and ecological communities. Land and water management practices also influences people's vulnerability to hazards. Other interrelated factors are compounding problems of environmental change as a result of land and water use changes. Such factors include climate change, sea level rise, the frequency and severity of hurricanes, and increased populations in coastal regions. The implication of global climate change for small islands and small island communities is especially troublesome. Socially, small islands have a limited resource base, deal with varying degrees of insularity, generally have little political power, and have limited economic opportunities. The physical attributes of small islands also increase their vulnerability to global climate change, including limited land area, limited fresh water supplies, and greater distances to resources. The focus of this research project is to document place-specific - and in this case island-specific - human-environmental interactions from a political ecology perspective as a means to address local concerns and possible consequences of global environmental change. The place in which these interactions are examined is the barrier island and village of Ocracoke, North Carolina. I focus on the specific historical-geography of land and water management on Ocracoke as a means to examine relationships between local human-environmental interactions and environmental change.
ContributorsPompeii, Brian J (Author) / Bolin, Bob (Thesis advisor) / Boone, Christopher (Committee member) / Lukinbeal, Christopher (Committee member) / Arizona State University (Publisher)
Created2014
Description
The call for an Inter-Civilizational Dialogue informed by cosmopolitical forms of Comparative Political Theory as a way to address our unprecedented global challenges is among the most laudable projects that students of politics and related fields across the world have put forth in centuries. Unfortunately, however, up until this point the actual and potential contributions of the Indigenous or 'Fourth' World and its civilizational manifestations have been largely ignored. This has clearly been the case in what refers to Indigenous American or Abya-Yalan cultures and civilizations. The purpose of this dissertation is to acknowledge, add to, and further foster the contributions of Indigenous American cultures and civilizations to the emerging fields of Comparative Political Theory and Inter-Civilizational Relations. Guided by a cosmopolitical concern for social and environmental justice, this work adds to the transcontinental and transdisciplinary effort to decolonize knowledges and practices by offering socio-ecologically balanced alternatives beyond the crisis of globalized Western modernity. This work draws on three broad Indigenous traditions, Mesoamerican, Andean, and Native North American, to offer some historical and contemporary examples of the many possible ways in which the recovery, revalorization, and revitalization of Indigenous modes of thought, practice, organization and planning can contribute to foster forms of comparative political theorizing that address the challenges of a global age bedeviled by the confluence of social and environmental crises of an unprecedented scale and scope. The dissertation first introduces comparative political theory as a framework for the inter-civilizational dialogue, arguing that Indigenous contributions have been marginalized and must be considered. Part I then focuses and elaborates on specifically Mesoamerican contributions; Part II is dedicated to Andean contributions; and Part III to Native North American contributions. The dissertation closes with a brief reflection of how Indigenous American contributions can help us address some of our most crucial contemporary global challenges, especially in what concerns the construction of cosmopolitical alternatives built on post-anthropocentric forms of socio-ecological justice.
ContributorsFigueroa Helland, Leonardo Esteban (Author) / Doty, Roxanne L (Thesis advisor) / Ashley, Richard K. (Committee member) / Mitchell, Michael J. (Committee member) / Killsback, Leo (Committee member) / Arizona State University (Publisher)
Created2012
Description
Following harsh economic and political reforms in the 1990s, Peru became a model of a neoliberal state based on natural resource extraction. Since then social and environmental conflicts between local communities and the extractive industry, particularly mining corporations, have multiplied resulting in violent clashes and a shared perception that the state is not guaranteeing people's rights. At the crossroads of the struggle between mining corporations and local communities lay different ways of living and relating to nature. This research concerns water conflict in an urban mining setting. More precisely, this research critically analyzes water conflict in the city of Arequipa as a backdrop for revealing what water injustices look like on the ground. With one million inhabitants, Arequipa is the second largest city in Peru. Arequipa is also home to the third largest copper mine in Peru. On June 2006, social organizations and political authorities marched in protest of the copper mine's acquisition of additional water rights and its use of a tax exemption program. In the aftermath of large protests, the conflict was resolved through a multi-actor negotiation in which the mine became, through a public-private partnership, co-provider of urban water services. Through a unique interdisciplinary theoretical approach and grounded on ethnographic methods I attempt to expose the complexity of water injustice in this particular case. My theoretical framework is based on three large fields of study, that of post-colonial studies, political ecology and critical studies of law. By mapping state-society-nature power relations, analyzing structures of oppression and unpacking the meaning of water rights, my research unveils serious water injustices. My first research finding points to the existence of a racist and classist system that excludes poor and marginal people from water services and from accessing the city. Second, although there are different social and cultural interpretations of water rights, some interpretations hold more power and become hegemonic. Water injustice, in this regard manifests by the rise in power of the economic view of water rights. Finally, neoliberal reforms prioritizing development based on the extractive industries and the commodification of nature are conducive to water injustices.
ContributorsRoca Servat, Denisse (Author) / Bolin, Bob (Thesis advisor) / Fonow, Mary Margarent (Committee member) / Romero, Mary (Committee member) / Arizona State University (Publisher)
Created2012
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02