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- All Subjects: Songs (High voice) with piano
ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
Description
A void exists in public administration, criminology, and criminal justice research as it relates to the study of power in American policing agencies. This has significant ramifications for academia and practitioners in terms of how they view, address, study, and interpret behaviors/actions in American policing agencies and organizations in general. In brief, mainstream research on power in organizations does not take into account relationships of power that do not act directly, and immediately, on others. By placing its emphasis on an agency centric perspective of power, the mainstream approach to the study of power fails to recognize indirect power relationships that influence discourse, pedagogy, mechanisms of communication, knowledge, and individual behavior/actions. In support of a more holistic inquiry, this study incorporates a Foucauldian perspective of power along with an ethnographical methodology and methods to build a greater understanding of power in policing organizations. This ethnography of an American policing organization illuminates the relationship between the exercise of power and the objectification of the subject through the interplay of relationships of communication, goal oriented activities, and relationships of power. Specifically, the findings demonstrate that sworn officers and civilian employees are objectified distinctly and dissimilarly. In summary, this study argues that the exercise of power in this American policing organization objectifies the civilian employee as a second class citizen.
ContributorsBentley, Paul C (Author) / Catlaw, Thomas (Thesis advisor) / Musheno, Michael (Committee member) / Lucio, Joanna (Committee member) / Arizona State University (Publisher)
Created2013
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
ContributorsMartorana, Gabrielle (Performer) / Olarte, Aida (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-20
Description
Anderies (2015); Anderies et al. (2016), informed by Ostrom (2005), aim to employ robust
feedback control models of social-ecological systems (SESs), to inform policy and the
design of institutions guiding resilient resource use. Cote and Nightingale (2012) note that
the main assumptions of resilience research downplay culture and social power. Addressing
the epistemic gap between positivism and interpretation (Rosenberg 2016), this dissertation
argues that power and culture indeed are of primary interest in SES research.
Human use of symbols is seen as an evolved semiotic capacity. First, representation is
argued to arise as matter achieves semiotic closure (Pattee 1969; Rocha 2001) at the onset
of natural selection. Guided by models by Kauffman (1993), the evolution of a symbolic
code in genes is examined, and thereon the origin of representations other than genetic
in evolutionary transitions (Maynard Smith and Szathmáry 1995; Beach 2003). Human
symbolic interaction is proposed as one that can support its own evolutionary dynamics.
The model offered for wider dynamics in society are “flywheels,” mutually reinforcing
networks of relations. They arise as interactions in a domain of social activity intensify, e.g.
due to interplay of infrastructures, mediating built, social, and ecological affordances (An-
deries et al. 2016). Flywheels manifest as entities facilitated by the simplified interactions
(e.g. organizations) and as cycles maintaining the infrastructures (e.g. supply chains). They
manifest internal specialization as well as distributed intention, and so can favor certain
groups’ interests, and reinforce cultural blind spots to social exclusion (Mills 2007).
The perspective is applied to research of resilience in SESs, considering flywheels a
semiotic extension of feedback control. Closer attention to representations of potentially
excluded groups is justified on epistemic in addition to ethical grounds, as patterns in cul-
tural text and social relations reflect the functioning of wider social processes. Participatory
methods are suggested to aid in building capacity for institutional learning.
feedback control models of social-ecological systems (SESs), to inform policy and the
design of institutions guiding resilient resource use. Cote and Nightingale (2012) note that
the main assumptions of resilience research downplay culture and social power. Addressing
the epistemic gap between positivism and interpretation (Rosenberg 2016), this dissertation
argues that power and culture indeed are of primary interest in SES research.
Human use of symbols is seen as an evolved semiotic capacity. First, representation is
argued to arise as matter achieves semiotic closure (Pattee 1969; Rocha 2001) at the onset
of natural selection. Guided by models by Kauffman (1993), the evolution of a symbolic
code in genes is examined, and thereon the origin of representations other than genetic
in evolutionary transitions (Maynard Smith and Szathmáry 1995; Beach 2003). Human
symbolic interaction is proposed as one that can support its own evolutionary dynamics.
The model offered for wider dynamics in society are “flywheels,” mutually reinforcing
networks of relations. They arise as interactions in a domain of social activity intensify, e.g.
due to interplay of infrastructures, mediating built, social, and ecological affordances (An-
deries et al. 2016). Flywheels manifest as entities facilitated by the simplified interactions
(e.g. organizations) and as cycles maintaining the infrastructures (e.g. supply chains). They
manifest internal specialization as well as distributed intention, and so can favor certain
groups’ interests, and reinforce cultural blind spots to social exclusion (Mills 2007).
The perspective is applied to research of resilience in SESs, considering flywheels a
semiotic extension of feedback control. Closer attention to representations of potentially
excluded groups is justified on epistemic in addition to ethical grounds, as patterns in cul-
tural text and social relations reflect the functioning of wider social processes. Participatory
methods are suggested to aid in building capacity for institutional learning.
ContributorsBožičević, Miran (Author) / Anderies, John M (Thesis advisor) / Bolin, Robert (Committee member) / BurnSilver, Shauna (Committee member) / Arizona State University (Publisher)
Created2017