Matching Items (18)
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- Creators: FitzPatrick, Carole
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Description
Relevant literature was analyzed alongside interview data from participants concerning issues of anti-Semitism, Israel affiliation, and Jewish identity. Qualitative coding and theme identification were used to determine possible relationships among the variables, with special attention to the role anti-Semitism plays in influencing Israel affiliation. Semi-structured interviews were conducted with 9 young American Jews (18-24) currently enrolled as undergraduate students in universities. The results revealed that continuity of the Jewish people is a core value for many American Jews. Anti-Semitism is often under reported by young American Jews, but for some anti-Israel sentiments are conflated with anti-Semitism. It was also observed that knowledge of anti-Semitism plays an integral role in shaping Jewish identity. Finally, it was found that Israel affiliation polarizes the Jewish community, often resulting in the exclusion of left-leaning Jews from the mainstream Jewish community. These results were analyzed within racial, social, and political frameworks.
ContributorsHobbs, Emma Caroline (Author) / Adelman, Madelaine (Thesis advisor) / Shabazz, Rashad (Committee member) / Cohen, Adam (Committee member) / Langille, Timothy (Committee member) / Arizona State University (Publisher)
Created2018
ContributorsFitzPatrick, Carole (Performer) / Hamilton, Robert, 1937- (Performer) / ASU Library. Music Library (Publisher)
Created2010-11-21
ContributorsFitzPatrick, Carole (Performer) / Sellheim, Eckart (Performer) / Montilla, Jorge (Performer) / ASU Library. Music Library (Publisher)
Created2006-02-07
ContributorsDeMaris, Brian (Performer) / DeMaris, Amanda (Performer) / Weiss, Stephanie (Performer) / Dreyfoos, Dale (Performer) / FitzPatrick, Carole (Performer) / Pitman, Andrea (Performer) / Yatso, Toby (Performer) / Hawkins, Gordon (Performer) / Sabrowsky, Kaitlyn (Performer) / Bruley, Billie (Performer) / Sadownik, Stephanie (Performer) / Myers, Nathan De' Shon (Performer) / ASU Library. Music Library (Publisher)
Created2022-09-11
ContributorsFitzPatrick, Carole (Performer) / Ryan, Russell (Performer) / ASU Library. Music Library (Publisher)
Created2017-10-15
ContributorsFitzPatrick, Carole (Performer) / Ryan, Russell (Performer) / McLin, Katherine (Performer) / ASU Library. Music Library (Publisher)
Created2016-10-16
Description
Since the late-19th century, academic researchers, nonprofits, and law enforcement have organized in coalition to combat the problem of human trafficking in the United States, while distorting the social consequences of their interventions. This dissertation is an ethnographic and historical examination of the anti-trafficking movement in Arizona. In addition to conducting archival research, data was collected through direct observations of academics, local nonprofit leaders, and law enforcement at anti-trafficking events that were open to the public. By examining vast, invisible anti-trafficking coalitions in Arizona from the 20th century to today, it becomes clear that coalitions garner power and profit by facilitating the criminalization of sex workers and offering support for other groups, most notably Mormon polygamists, whose religious practices can be tantamount to trafficking. Combining Charles Mills’ (2007) concept of white ignorance and the nonprofit industrial complex (INCITE!, 2009), this study draws on literature from critical race theory and feminist theory to interrogate how Christo-fascist discourses of the 19th century white slavery movement continue to guide anti-trafficking coalitions in the contemporary United States. As a social formation in which bourgeois white women have always held influence, this exploration of anti-trafficking activism pivots around political, economic, and cultural conceptions of white Christian women’s capacity to reproduce the white race in the United States which has been since its foundation a Christian nation. In turn, there is limited scope and depth of awareness about the complexity of race, gender, class, agency, in relation to the problems associated with trafficking in Short Creek, Arizona, as well as the interventions that were implemented in response to human trafficking following the reign of Fundamentalist Latter-Day Saints’ Prophet, Warren Jeffs. In documenting and analyzing the organizing strategies of professional actors responding to human trafficking between 2016-2021, results generated from this research suggest that the anti-trafficking movement’s discourses are steeped in contradiction, to the effect of reproducing racial capitalism and necessitating the eradication of the trafficking framework. It reveals how the differential treatment of agency among trafficking victims in different communities, whether the women and children in polygamous families, or sex workers in Phoenix, has enabled their ongoing exploitation.
ContributorsDunn, Molly E. (Author) / Lee, Charles T (Thesis advisor) / Lauderdale, Pat (Committee member) / Musto, Jennifer L (Committee member) / Arizona State University (Publisher)
Created2023
ContributorsFitzPatrick, Carole (Performer) / Barefield, Robert (Performer) / Ryan, Russell (Performer) / ASU Library. Music Library (Publisher)
Created2014-03-23