Matching Items (655)
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- All Subjects: Songs (High voice) with piano
ContributorsWasbotten, Leia (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-30
Description
Libby Larsen is one of the most performed and acclaimed composers today. She is a spirited, compelling, and sensitive composer whose music enhances the poetry of America's most prominent authors. Notable among her works are song cycles for soprano based on the poetry of female writers, among them novelist and poet Willa Cather (1873-1947). Larsen has produced two song cycles on works from Cather's substantial output of fiction: one based on Cather's short story, "Eric Hermannson's Soul," titled Margaret Songs: Three Songs from Willa Cather (1996); and later, My Antonia (2000), based on Cather's novel of the same title. In Margaret Songs, Cather's poetry and short stories--specifically the character of Margaret Elliot--combine with Larsen's unique compositional style to create a surprising collaboration. This study explores how Larsen in these songs delves into the emotional and psychological depths of Margaret's character, not fully formed by Cather. It is only through Larsen's music and Cather's poetry that Margaret's journey through self-discovery and love become fully realized. This song cycle is a glimpse through the eyes of two prominent female artists on the societal pressures placed upon Margaret's character, many of which still resonate with women in today's culture. This study examines the work Margaret Songs by discussing Willa Cather, her musical influences, and the conditions surrounding the writing of "Eric Hermannson's Soul." It looks also into Cather's influence on Libby Larsen and the commission leading to Margaret Songs. Finally, a description of the musical, dramatic, and textual content of the songs completes this interpretation of the interactions of Willa Cather, Libby Larsen, and the character of Margaret Elliot.
ContributorsMcLain, Christi Marie (Author) / FitzPatrick, Carole (Thesis advisor) / Dreyfoos, Dale (Committee member) / Holbrook, Amy (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
Discovering Puerto Rican art song: a research project on four art song works by Héctor Campos Parsi
Description
Puerto Rico has produced many important composers who have contributed to the musical culture of the nation during the last 200 years. However, a considerable amount of their music has proven to be difficult to access and may contain numerous errors. This research project intends to contribute to the accessibility of such music and to encourage similar studies of Puerto Rican music. This study focuses on the music of Héctor Campos Parsi (1922-1998), one of the most prominent composers of the 20th century in Puerto Rico. After an overview of the historical background of music on the island and the biography of the composer, four works from his art song repertoire are given for detailed examination. A product of this study is the first corrected edition of his cycles Canciones de Cielo y Agua, Tres Poemas de Corretjer, Los Paréntesis, and the song Majestad Negra. These compositions date from 1947 to 1959, and reflect both the European and nationalistic writing styles of the composer during this time. Data for these corrections have been obtained from the composer's manuscripts, published and unpublished editions, and published recordings. The corrected scores are ready for publication and a compact disc of this repertoire, performed by soprano Melliangee Pérez and the author, has been recorded to bring to life these revisions. Despite the best intentions of the author, the various copyright issues have yet to be resolved. It is hoped that this document will provide the foundation for a resolution and that these important works will be available for public performance and study in the near future.
ContributorsRodríguez Morales, Luis F., 1980- (Author) / Campbell, Andrew (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Kopta, Anne (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2013
ContributorsYi, Joyce (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-22
ContributorsCummiskey, Hannah (Performer) / Kim, Olga (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-23
ContributorsEvans, Emily (Performer) / Sherrill, Amanda (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
Description
Federal legislation prioritizes the repatriation of culturally unidentifiable human remains to federally-recognized Indian tribes that are linked geographically to the region from which the remains were removed. Such linkages are typically based on a Eurocentric notion of the exclusive use and occupancy of an area of land - a space-based approach to land use. Contemporary collaborations between anthropologists and indigenous communities suggest, however, that indigenous patterns of land use are better characterized as place-based and are therefore more complex and fluid than is reflected in current legislation. Despite these insights, space-based approaches remain common within archaeology. One example is the inference of territorial behavior from the presence of monuments within the archaeological record.
Drawing on osteological and mortuary data derived from a sample of Adena mounds located in northern Kentucky, this dissertation adopts a place-based approach in order to evaluate the archaeological association between monumentality and territoriality. The relative amounts of skeletal and phenotypic variability present at various spatial scales are quantified and compared and the degree to which mortuary and phenotypic data exhibit spatial structure consistent with the expectations of an isolation-by-distance model is assessed.
Results indicate that, while burial samples derived from some mounds exhibit amounts of phenotypic variability that are consistent with the expectations of a territorial model, data from other mounds suggest that multiple groups participated in their construction. Further, the general absence of spatial structure within the phenotypic data suggests that the individuals interred in these mounds are perhaps better characterized as representing an integrated regional population rather than localized groups. Untested archaeological inferences of territoriality may therefore mischaracterize regional population dynamics. In addition, these results suggest that the prioritization criteria for the repatriation of culturally unidentifiable human remains may merit revision.
Drawing on osteological and mortuary data derived from a sample of Adena mounds located in northern Kentucky, this dissertation adopts a place-based approach in order to evaluate the archaeological association between monumentality and territoriality. The relative amounts of skeletal and phenotypic variability present at various spatial scales are quantified and compared and the degree to which mortuary and phenotypic data exhibit spatial structure consistent with the expectations of an isolation-by-distance model is assessed.
Results indicate that, while burial samples derived from some mounds exhibit amounts of phenotypic variability that are consistent with the expectations of a territorial model, data from other mounds suggest that multiple groups participated in their construction. Further, the general absence of spatial structure within the phenotypic data suggests that the individuals interred in these mounds are perhaps better characterized as representing an integrated regional population rather than localized groups. Untested archaeological inferences of territoriality may therefore mischaracterize regional population dynamics. In addition, these results suggest that the prioritization criteria for the repatriation of culturally unidentifiable human remains may merit revision.
ContributorsSeidel, Andrew Colin (Author) / Carr, Christopher (Thesis advisor) / Stojanowski, Christopher M (Thesis advisor) / Buikstra, Jane E. (Committee member) / Aguilera, Miguel (Committee member) / Arizona State University (Publisher)
Created2019
ContributorsMartorana, Gabrielle (Performer) / Olarte, Aida (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-20
ContributorsBan, Banlingyu (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-10