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Origins

Description
Origins is a creative project that consisted of developing a cohesive body of artwork and mounting an exhibition of that work. My work approaches the question of origins from a scientific point of view, visually investigating stories of microbiological growth decay and evolution. I use color, texture, and shape to…

Origins is a creative project that consisted of developing a cohesive body of artwork and mounting an exhibition of that work. My work approaches the question of origins from a scientific point of view, visually investigating stories of microbiological growth decay and evolution. I use color, texture, and shape to describe these narratives while also examining the ways in which humans can see these organisms.
ContributorsMcGinnis, Nora Kristine (Author) / Verstegen, Clare (Thesis director) / Eckert, Tom (Committee member) / Foy, Joseph (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2013-05
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Familiar Places: Ghosts of a Memory

Description
Familiar Places: Ghosts of a Memory is a thesis exhibition, presented in Gallery 100 in Tempe, AZ, accompanied by a written investigation into the function of photography in the home and art. This project is a diaristic photographic record including images of myself, my family, my environment, and mementos or…

Familiar Places: Ghosts of a Memory is a thesis exhibition, presented in Gallery 100 in Tempe, AZ, accompanied by a written investigation into the function of photography in the home and art. This project is a diaristic photographic record including images of myself, my family, my environment, and mementos or objects that embody family history. I am interested in what we hold onto to keep memories and create our "home". I moved frequently growing up so my sense of home became firmly grounded in family, tradition, and the things we kept close, making home a practiced space not a place. This thesis project explores how material culture, including photographs, is used in creating the space of the home. Questions regarding the nature of the photograph as a memory keeping device or memory trigger is investigated to understand their usefulness and accuracy to the memory. A deeper examination of the difference between an artist's photograph of family and home versus the family photograph is discussed and presented by utilizing installations in the exhibition. The photographs can be seen at www.gwendolynanne.com
ContributorsDavies, Gwendolyn Anne (Author) / Smith, Stephen Mark (Thesis director) / Danh, Binh (Committee member) / Loebenberg, Abby (Committee member) / School of Art (Contributor) / Barrett, The Honors College (Contributor)
Created2015-12