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- Member of: Theses and Dissertations
Description
Throughout the history of Western art music, political and religious institutions have exerted powerful influence through their patronage and censorship. This is especially relevant to the organ, an elaborate and expensive instrument which has always depended on institutional support. The fascinating story of Polish organ culture, which has existed since the Middle Ages, reflects the dramatic changes in Polish politics throughout the centuries. An understanding of this country's history helps to construct a comprehensive view of how politics influenced the developments in organ building and organ playing. This paper describes the dynamics of the Church, government and art institutions in Poland during the years 1945-2012. A brief summary of the history of Polish organ culture sets the stage for the changes occurring after WWII. The constant struggle between the Church and the communist regime affected music making and organ culture in Poland from 1945-1989. The political détente that occurred after 1989 led to a flowering of new instruments, restorations and performance opportunities for organists. By exploring the relationship between Polish organ culture and prevailing agendas in the 20th century, the author demonstrates how a centuries-old tradition adapted to survive political and economic hardships.
ContributorsKubiaczyk-Adler, Ilona (Author) / Marshall, Kimberly (Thesis advisor) / Micklich, Albie (Committee member) / Rockmaker, Jody (Committee member) / Rogers, Rodney (Committee member) / Ryan, Russell (Committee member) / Arizona State University (Publisher)
Created2012
Description
Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The work was commissioned by violinist Lev Polyakin, who specifically requested some short pieces that could be performed in a local jazz establishment named Night Town in Cleveland, Ohio. The result is a work that is approximately fifteen minutes in length. Schoenfeld is a respected composer in the contemporary classical music community, whose Café Music (1986) for piano trio has recently become a staple of the standard chamber music repertoire. Many of his other works, however, remain in relative obscurity. It is the focus of this document to shed light on at least one other notable composition; Four Souvenirs for Violin and Piano. Among the topics to be discussed regarding this piece are a brief history behind the genesis of this composition, a structural summary of the entire work and each of its movements, and an appended practice guide based on interview and coaching sessions with the composer himself. With this project, I hope to provide a better understanding and appreciation of this work.
ContributorsJanczyk, Kristie Annette (Author) / Ryan, Russell (Thesis advisor) / Campbell, Andrew (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2015
Description
Political and economic competition, so goes the broad argument, reduce corruption because competition increases the cost of actors to engage in corrupt practices. It increases the risk of exposure, provides non-corrupt alternatives for consumers, and introduces non-corrupt practices into the political and economic domains. Why then, has corruption persisted in the Central Eastern European countries decades after the introduction of political and economic competition in the early 1990s?
This dissertation asks how and why the emergence of competition in the political and economic domains leads to a transformation of the patterns of corruption. I define corruption as an act involving a public official who violates the norms or regulations of their office, receives some compensation in return, and thus harms the public interest.
I argue that under conditions of a communist past and high levels of uncertainty, the simultaneous emergence of political and economic competition transforms the opportunity structures of actors to engage in corruption. The resulting constellation of powerful incentives for and weak constraints against corruption encourages political and economic actors to enter into corrupt state-business relationships. Finally, the resource distribution between the actors in the corrupt state-business relationship determines the type of corruption that emerges—legal corruption, local capture, or covert political financing.
To test the causal mechanism, I employ intensive process-tracing of the micro-causal mechanisms of eleven corruption cases in Poland and Hungary. Using paired comparisons of cases from the same business sector but at different points in time, the dissertation examines how corruption patterns transformed over time in Poland and Hungary.
The dissertation shows that the emergence of political and economic competition changes the opportunity structures of actors in favor of corruption. Moreover, the new constellation of incentives and constraints encourages political and economic actors to establish corrupt state-business relationships. Crucially, I find that the resource distribution within these corrupt relationships determines the type of corruption emerges—local capture where both sides have concentrated resources that balance each other out, legal corruption when a strong economic actor confronts a fragmented political actor, and covert political financing when a weak economic actor faces a strong political actor.
This dissertation asks how and why the emergence of competition in the political and economic domains leads to a transformation of the patterns of corruption. I define corruption as an act involving a public official who violates the norms or regulations of their office, receives some compensation in return, and thus harms the public interest.
I argue that under conditions of a communist past and high levels of uncertainty, the simultaneous emergence of political and economic competition transforms the opportunity structures of actors to engage in corruption. The resulting constellation of powerful incentives for and weak constraints against corruption encourages political and economic actors to enter into corrupt state-business relationships. Finally, the resource distribution between the actors in the corrupt state-business relationship determines the type of corruption that emerges—legal corruption, local capture, or covert political financing.
To test the causal mechanism, I employ intensive process-tracing of the micro-causal mechanisms of eleven corruption cases in Poland and Hungary. Using paired comparisons of cases from the same business sector but at different points in time, the dissertation examines how corruption patterns transformed over time in Poland and Hungary.
The dissertation shows that the emergence of political and economic competition changes the opportunity structures of actors in favor of corruption. Moreover, the new constellation of incentives and constraints encourages political and economic actors to establish corrupt state-business relationships. Crucially, I find that the resource distribution within these corrupt relationships determines the type of corruption emerges—local capture where both sides have concentrated resources that balance each other out, legal corruption when a strong economic actor confronts a fragmented political actor, and covert political financing when a weak economic actor faces a strong political actor.
ContributorsKartner, Jennifer Joan (Author) / Warner, Carolyn (Thesis advisor) / Thies, Cameron (Committee member) / Von Hagen, Mark (Committee member) / Berliner, Daniel (Committee member) / Arizona State University (Publisher)
Created2018
Description
Interaction is key to education, as students who perform their own inquiry into a subject retain information longer. The field of interactive fiction, which emphasizes personal decision making and freedom of choice, is ripe for opportunity as it is relatively simple to develop and deploy to audiences of any size. However, few interactive fiction platforms exist with the openness and flexibility required for classroom use. My project attempted to create an interactive fiction platform that can be created for and engaged with by both teachers and students. This led to the creation of an interactive fiction platform that conforms to a variety of requirements, such as openness and compatibility across multiple platforms, and which can display meaningful content. This was accomplished by someone with a content area education background and only limited computer science experience, and shows promise for similar future endeavors.
ContributorsWilley, Kyle Allen (Author) / Bruhn, Karen (Thesis director) / Foy, Joseph (Committee member) / Viles, Rebecca (Committee member) / Barrett, The Honors College (Contributor) / Division of Teacher Preparation (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor)
Created2014-12
Description
Poland's early history defines the geo-political and religious aspects of Medieval Eastern Europe. This historiographical essay analyzes various scholars' input on what certain aspects of Polish history, regarding the Piast and Jagiellonian Dynasties, had the most impressive impact. By analyzing the importance of religion and conversion in the early Piast realm, we are able to interpret Poland's involvement in the Holy Wars and consequential wars against the Infidel. According to various scholars, Poland's involvement may have been purely political and scarce at most. It is also crucial to look at how each of the most influential Kings ran their kingdom. From politics, to expansion, to regulations on social estates each kind chose a different way to make their mark on the Kingdom of Poland. The Anjou and Jagiellonian Dynasties produced the first female king of Poland. Queen Jadwiga is just one impressive aspect of Polish history. Scholars analyze the important of language and dialects when assuming Polish "citizenship". This criterial is fluid and changes throughout history. Scholars can agree, however, that "Polishness" is one's loyalty and obedience to the King or local Duke and their ability to speak the native tongue. However, even this statement is controversial, as an established local tongue did not occur until much later in time. At this time, Latin, Polish, Lithuanian, Prussian, and other Polish dialects would form into what is now known as modern Polish. This historiographical essay provides insight to the past of what Poland was before it was "Poland". With this information in mind, we can begin to understand why and how history evolves over time.
ContributorsStewart, Lacy (Author) / Cichopek-Gajraj, Anna (Thesis director) / Krajdocha-Oginska, Miroslawa (Committee member) / Barrett, The Honors College (Contributor)
Created2017-05
Description
Samuel Máynez Prince (1886-1966), was a prolific and important Mexican musician. Prince’s musical style followed the trends of the nineteenth-century salon music genre. His compositions include lullabies, songs, dances, marches, mazurkas, waltzes, and revolutionary anthems. Prince’s social status and performances in the famed Café Colón in Mexico City increased his popularity among high-ranking political figures during the time of the Mexican Revolution as well as his status in the Mexican music scene.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
ContributorsEkenes, Spencer Arvin (Author) / McLin, Katherine (Thesis advisor) / Feisst, Sabine (Committee member) / Jiang, Danwen (Committee member) / Arizona State University (Publisher)
Created2016
Description
Through the lens of a Jewish family in the early 20th century, histories of resilience, rescue, and resistance are shown. The Loewys were a Jewish family who migrated from Poland to Germany then France and ending up in the United States following World War II. In their travels they experienced many of which other Jewish experiences were, while also differentiating from the overall story. The family also experienced life as refugees and interns during the Holocaust. Arrested in Vichy following the Armistice between Germany and France, the Loewys were later granted their freedom which they used to help free others from the camp. One of the few stories of Jews rescuing Jews, the family began its life as resistors to the Vichy and German occupation. Participating in both passive and active resistance from 1940-1944, they witnessed the highs and lows of this new life. The end of the war saw the family make it to the United States beginning their next chapter as survivors of the Holocaust and the war. With the use of primary source material provided by the Loewys, along with scholarly work about the different periods, the story of the Loewys is one of resilience in the face of mounting adversity, rescuing of internes from camps, and resistance against an occupational force that furthers the research of the Jewish experience in the early 20th century.
ContributorsVance, Marc (Author) / Benkert, Volker (Thesis advisor) / Cichopek-Garaja, Anna (Committee member) / LePore, Paul (Committee member) / Arizona State University (Publisher)
Created2020
Description
In 2015, the Law and Justice Party [Prawo I Sprawiedliwość, PiS] won the majority of seats in parliament and took control of Poland. PiS has a populist platform that has led to undemocratic practices, especially in the judicial branch, that are being questioned by the EU. This study evaluates the role that globalization, a concept that has been linked to other European countries’ citizens' appeal to right-wing populist groups, has in Poland’s rise of PiS. Two Polish websites, Przeglad and Wprost were analyzed to observe the change in positive and negative language before and after PiS’s rise to power and to observe how it has impacted party polarization. Articles that had one or more of eight key terms associated with globalization were analyzed for the negativity and positivity. Additionally, when observing sentiment over time, the term “globalization” has converged between the two websites, while “WTO” has remained consistent. Overall, the results showed that language has shifted towards neutrality, with a movement from strong positive or strong negative, to weak positive and weak negative; however, with only a few key terms being statistically significant there is a need for further research into more key terms and additional websites.
ContributorsMitina, Maria (Author) / Thomson, Henry (Thesis director) / Cichopek-Gajraj, Anna (Committee member) / Department of Economics (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
Description
This thesis seeks to explore issues of media governance and engagement in nations at the margin of democracy, subsequently establishing the basis of a policy framework which can bolster media freedom and enhance the potential for democratic consolidation. The paper conducts a case study on the domestic media markets of Hungary and Poland, and explores foreign-influence efforts in Ukraine. It concludes with an analysis of the policy or market-based tools available to promote and protect media freedom.
ContributorsBlessinger, Brandon (Author) / Niebuhr, Robert (Thesis director) / Gilger, Kristin (Committee member) / Barrett, The Honors College (Contributor) / Department of Economics (Contributor)
Created2022-05