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Language is powerful. The words we use define our perceptions. They label what we see and paint a picture for those with whom we are communicating. Words serve as heuristic when assigning value to an object, experience, or person. My thesis, Eye of the BeholdHer, focuses on the language used

Language is powerful. The words we use define our perceptions. They label what we see and paint a picture for those with whom we are communicating. Words serve as heuristic when assigning value to an object, experience, or person. My thesis, Eye of the BeholdHer, focuses on the language used in American pop-culture to describe women. I comment on the dehumanization of women through the use of animal names used to describe personality, appearance, and genitalia, as well as the way the English language implies domestication and inferiority of women through the use of the certain words. Examples include, but are not limited to: bitch , chick, pussy, beaver, cougar, catty, heifer, old bat, mousy, foxy, and vixen. Eye of the Behold(her) reflects upon my observations and calls for social change. Eye of the BeholdHer is a call for action. It is time to make conscious word choices and realize the impact words have on shaping our society. It is time for us to empowHer through words.
ContributorsGibly, Sophia (Author) / Maxwell, Kathryn (Thesis director) / Ellsworth, Angela (Committee member) / Barrett, The Honors College (Contributor) / Department of Psychology (Contributor) / School of Art (Contributor)
Created2014-05
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Description
The levels of student-perceived anxiety and attention in the Italian language classroom were evaluated. The central evaluation focused on the differences between how students experience anxiety and attention between Italian language and non-language courses. First-year Italian language students were surveyed using a self-report measure to identify individual levels of anxiety

The levels of student-perceived anxiety and attention in the Italian language classroom were evaluated. The central evaluation focused on the differences between how students experience anxiety and attention between Italian language and non-language courses. First-year Italian language students were surveyed using a self-report measure to identify individual levels of anxiety and attention during Elementary Italian I (ITA 101) courses compared to their experiences in non-language 100-level courses. A total of 65 responses were collected from the ITA 101 students of four different professors at Arizona State University. It was hypothesized that students experience more anxiety and pay greater attention during language courses in comparison to non-language courses. However, the differences between how students experienced both attention and anxiety across language and non-language course types was not significant. Using the demographic and supplementary questions from the survey, the differing experiences of students with or without previous language experience were examined. The results suggest a significant relationship between students with language experience and how they experience attention in Italian language courses. Additionally, statistical analysis suggests that students experience anxiety differently in Italian language courses dependent on previous second language experience. Implications for language course prerequisites were identified and suggest that it is beneficial for students to have prior second language experience before enrolling in Italian courses. Suggestions for future research were made, including a suggestion for additional research to explore how anxiety and attention may differ in higher-level language courses in addition to a suggestion for creating a more reliable and valid survey for testing classroom anxiety and attention levels.
ContributorsHoren, Sophia Louise (Author) / Dal Martello, Chiara (Thesis director) / Dell'Anna, Antonella (Committee member) / School of Social Work (Contributor) / Division of Teacher Preparation (Contributor) / School of International Letters and Cultures (Contributor) / School of Public Affairs (Contributor) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
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Description
What is it like to create your own language? This creative project is an amalgamation of several paper, visual, and online media and is divided into two sections. The first section is the creation of an original fantasy constructed language ("conlang") called Dieva, including setting and background, phonology, morphology, syntax,

What is it like to create your own language? This creative project is an amalgamation of several paper, visual, and online media and is divided into two sections. The first section is the creation of an original fantasy constructed language ("conlang") called Dieva, including setting and background, phonology, morphology, syntax, semantics, pragmatics, language rules, an alphabet and writing system, and vocabulary. The second section is an exercise in applied linguistics, wherein the conlang was shared with the public via media including an online Wikia.com webpage; figures including charts and a map; the development of classroom materials for a hypothetical Dieva language class such as introduction worksheets, practice worksheets, and quizzes on the alphabet and numbers; and a "linguistic challenge" logic puzzle. All materials were then shared with volunteers who gave feedback from a myriad of teaching and non-teaching as well as linguist and non-linguist points of view. Volunteers also attempted to take the quizzes and to solve the "linguistic challenge," and their feedback was integrated into the final versions of the language, worksheets, online webpages, and other work.
ContributorsLambert, Allison Mary (Author) / Van Gelderen, Elly (Thesis director) / Shinabarger, Amy (Committee member) / School of Politics and Global Studies (Contributor) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2016-12
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Description
Set in South Texas, the poems of “Before the Body” address the border, not of place, but in between people. Following a narrative arc from a grandfather who spoke another language—silence—to a young boy who drowns in silence, these poems are expressions of the speaker’s search for intimacy in language:

Set in South Texas, the poems of “Before the Body” address the border, not of place, but in between people. Following a narrative arc from a grandfather who spoke another language—silence—to a young boy who drowns in silence, these poems are expressions of the speaker’s search for intimacy in language: what words intend themselves to be, what language means to be.
ContributorsEspinoza, Lauren (Author) / Rios, Alberto A (Thesis advisor) / Ball, Sally (Committee member) / Hogue, Cynthia (Committee member) / Arizona State University (Publisher)
Created2015
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Description

This study was designed to learn what students call various forms of cannabis. A survey was created with questions designed to understand students' knowledge of types of cannabis, methods of use, and potency. An introduction and methods section of the research paper is included.

ContributorsCollins, Ryleigh Anne (Author) / Meier, Madeline (Thesis director) / Perez, Marisol (Committee member) / School of Molecular Sciences (Contributor) / School of Life Sciences (Contributor) / Department of Psychology (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
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Description

I studied how hostile and benevolent language influences one’s ability to change their misconceptions. Participants were less likely to revise their misconceptions when reading tweets with hostile language than those exposed to benevolent language, which stresses adopting a neutral or benevolent tone to increase the likelihood of successful revision. This

I studied how hostile and benevolent language influences one’s ability to change their misconceptions. Participants were less likely to revise their misconceptions when reading tweets with hostile language than those exposed to benevolent language, which stresses adopting a neutral or benevolent tone to increase the likelihood of successful revision. This may be due to a shift of memory resources from the less engaging Tweet information to the more engaging, evocative hostile language.

ContributorsOloughlin, Connor (Author) / McNamara, Danielle (Thesis director) / Doane, Leah (Committee member) / Ha, Thao (Committee member) / Barrett, The Honors College (Contributor) / Department of Psychology (Contributor)
Created2023-05
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Description
Gibberish seems to have a universal comedic appeal that transcends language barriers – Youtube sensation Crazy Frog goes “bing-ding,” stop-motion penguin Pingu goes “noot-noot,” and Chilean street clown Karcocha speaks in whistle. Clowns don’t need language to make people laugh – Charlie Chaplin did it silently – but what if

Gibberish seems to have a universal comedic appeal that transcends language barriers – Youtube sensation Crazy Frog goes “bing-ding,” stop-motion penguin Pingu goes “noot-noot,” and Chilean street clown Karcocha speaks in whistle. Clowns don’t need language to make people laugh – Charlie Chaplin did it silently – but what if their gibberish meant something? Intrigued, I sought to explore a species of clowns and how their naturalistic language could evolve the hoots and honks of clown gibberish through naturalistic processes of grammaticalization. First, I evolved a base language (which is not “clown-ish” in itself). Then, I modified the whistled register used by shepherds (not unlike Hmong and Silbo Gomero) into a clown register, which hides the true meaning of jokes in a series of whistles (to encode tone) and other sound effects (to encode consonants). Combined with a clownish subspecies of sapiens and a culture built around “facepaint as self” and humor as a leveling mechanism, this constructed language is vividly clownish. My ultimate intent is to demonstrate the limitless possibility of language change through a detailed, yet silly lens.
ContributorsSteiner, Reed (Author) / Van Gelderen, Elly (Thesis director) / Pruitt, Kathryn (Committee member) / Barrett, The Honors College (Contributor) / The Design School (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / Department of English (Contributor)
Created2022-05
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Description
The purpose of this thesis is to provide an in-depth examination of the syntactic rules and pragmatic structures that govern the construction of Thai nominal phrases. There is a current debate among linguistic researchers of the Thai language (and others within the Tai-Kadai family) contemplating whether the inherent syntactic

The purpose of this thesis is to provide an in-depth examination of the syntactic rules and pragmatic structures that govern the construction of Thai nominal phrases. There is a current debate among linguistic researchers of the Thai language (and others within the Tai-Kadai family) contemplating whether the inherent syntactic structure of nominal phrases projects a Determiner Phrase [DP] or a Noun Phrase [NP] (Birmingham, 2020; Jenks, 2011; Piriyawiboon, 2010; and Singhapreecha, 2001). An examination of the grammatical and pragmatic features that dictate the formation of Thai nominals, as well as an investigation of the prevailing linguistic theories focused on nominal phrase construction supporting each structure, has been conducted and is presented within this thesis. This extensive research, performed to address the dilemma “Does the Thai language project a DP or an NP?”, has resulted in the conclusion that the Thai language, with its free word-order and its fascinating pragmatic structures, projects an underlying NP phrase structure that allows for an optional determiner, used to indicate specificity.
ContributorsBirmingham, Sabrina A (Author) / Van Gelderen, Elly (Thesis advisor) / Pruitt, Kathryn (Committee member) / Peterson, Tyler (Committee member) / Arizona State University (Publisher)
Created2021
Description
The following is a brief grammatical sketch of the Chechen language whose analysis largely follows that of the existing Ingush grammar by Johanna Nichols. All data was elicited virtually from native speakers via translation exercises. It presents the current orthography of the language as well as the transcription system used

The following is a brief grammatical sketch of the Chechen language whose analysis largely follows that of the existing Ingush grammar by Johanna Nichols. All data was elicited virtually from native speakers via translation exercises. It presents the current orthography of the language as well as the transcription system used in Nichols and Vagapov's Chechen dictionary, and further discusses the morphology of the major parts of speech as well as a few syntactic characteristics of the language such as agreement, coordination, and subordination.
ContributorsSchrooten, Eric (Author) / Van Gelderen, Elly (Thesis director) / Peterson, Tyler (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor)
Created2023-12
DescriptionAn interdisciplinary examination of the relationship between stigma and the language used to discuss mental illness, including a proposed course of action for aiding in the destigmatization of mental illness.
ContributorsOlson, Corinn (Author) / Suk, Mina (Thesis director) / Cavanaugh Toft, Carolyn (Committee member) / Barrett, The Honors College (Contributor) / School of Human Evolution & Social Change (Contributor) / Department of Psychology (Contributor)
Created2022-12