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In order to cope with the decreasing availability of symphony jobs and collegiate faculty positions, many musicians are starting to pursue less traditional career paths. Also, to combat declining audiences, musicians are exploring ways to cultivate new and enthusiastic listeners through relevant and engaging performances. Due to these challenges, many

In order to cope with the decreasing availability of symphony jobs and collegiate faculty positions, many musicians are starting to pursue less traditional career paths. Also, to combat declining audiences, musicians are exploring ways to cultivate new and enthusiastic listeners through relevant and engaging performances. Due to these challenges, many community-based chamber music ensembles have been formed throughout the United States. These groups not only focus on performing classical music, but serve the needs of their communities as well. The problem, however, is that many musicians have not learned the business skills necessary to create these career opportunities. In this document I discuss the steps ensembles must take to develop sustainable careers. I first analyze how groups build a strong foundation through getting to know their communities and creating core values. I then discuss branding and marketing so ensembles can develop a public image and learn how to publicize themselves. This is followed by an investigation of how ensembles make and organize their money. I then examine the ways groups ensure long-lasting relationships with their communities and within the ensemble. I end by presenting three case studies of professional ensembles to show how groups create and maintain successful careers. Ensembles must develop entrepreneurship skills in addition to cultivating their artistry. These business concepts are crucial to the longevity of chamber groups. Through interviews of successful ensemble members and my own personal experiences in the Tetra String Quartet, I provide a guide for musicians to use when creating a community-based ensemble.
ContributorsDalbey, Jenna (Author) / Landschoot, Thomas (Thesis advisor) / McLin, Katherine (Committee member) / Ryan, Russell (Committee member) / Solis, Theodore (Committee member) / Spring, Robert (Committee member) / Arizona State University (Publisher)
Created2013
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Description
The entire history of HIV-1 is hidden in its ten thousand bases, where information regarding its evolutionary traversal through the human population can only be unlocked with fine-scale sequence analysis. Measurable footprints of mutation and recombination have imparted upon us a wealth of knowledge, from multiple chimpanzee-to-human transmissions to patterns

The entire history of HIV-1 is hidden in its ten thousand bases, where information regarding its evolutionary traversal through the human population can only be unlocked with fine-scale sequence analysis. Measurable footprints of mutation and recombination have imparted upon us a wealth of knowledge, from multiple chimpanzee-to-human transmissions to patterns of neutralizing antibody and drug resistance. Extracting maximum understanding from such diverse data can only be accomplished by analyzing the viral population from many angles. This body of work explores two primary aspects of HIV sequence evolution, point mutation and recombination, through cross-sectional (inter-individual) and longitudinal (intra-individual) investigations, respectively. Cross-sectional Analysis: The role of Haiti in the subtype B pandemic has been hotly debated for years; while there have been many studies, up to this point, no one has incorporated the well-known mechanism of retroviral recombination into their biological model. Prior to the use of recombination detection, multiple analyses produced trees where subtype B appears to have first entered Haiti, followed by a jump into the rest of the world. The results presented here contest the Haiti-first theory of the pandemic and instead suggest simultaneous entries of subtype B into Haiti and the rest of the world. Longitudinal Analysis: Potential N-linked glycosylation sites (PNGS) are the most evolutionarily dynamic component of one of the most evolutionarily dynamic proteins known to date. While the number of mutations associated with the increase or decrease of PNGS frequency over time is high, there are a set of relatively stable sites that persist within and between longitudinally sampled individuals. Here, I identify the most conserved stable PNGSs and suggest their potential roles in host-virus interplay. In addition, I have identified, for the first time, what may be a gp-120-based environmental preference for N-linked glycosylation sites.
ContributorsHepp, Crystal Marie, 1981- (Author) / Rosenberg, Michael S. (Thesis advisor) / Hedrick, Philip (Committee member) / Escalante, Ananias (Committee member) / Kumar, Sudhir (Committee member) / Arizona State University (Publisher)
Created2013
Description
The reed quintet is an intriguing and innovative chamber ensemble that offers adistinctive soundscape to the genre of chamber music. Through significant efforts to legitimize the ensemble, the reed quintet now exists as a viable option for chamber musicians. However, a significant challenge remains in the limited accessibility of repertoire suitable for developing

The reed quintet is an intriguing and innovative chamber ensemble that offers adistinctive soundscape to the genre of chamber music. Through significant efforts to legitimize the ensemble, the reed quintet now exists as a viable option for chamber musicians. However, a significant challenge remains in the limited accessibility of repertoire suitable for developing musicians interested in reed quintets. REED REVOLUTION: A Fundamental Approach to Reed Quintet represents a comprehensive solution, offering aspiring student chamber musicians the essential pedagogical tools and materials needed to excel in a reed quintet setting. This method book encompasses a wide array of strategies aimed at fostering a functional and collaborative ensemble, establishing foundational chamber music skills, and introducing five original compositions commissioned specifically for this project. With REED REVOLUTION, student reed quintets can begin their chamber music journey equipped with tools to become a successful ensemble prepared to explore the existing reed quintet repertoire. Additionally, the method book includes a collection of online resources and recordings, performed by the Arcane Reed Quintet, produced by Dr. Joshua Gardner, and recorded by Jin Studios, LLC. These resources include reference recordings and practice tracks for each instrument and the ensemble, serving as invaluable aids in the learning process.
ContributorsMacDonald, Benjamin Xavier (Author) / Creviston, Christopher (Thesis advisor) / Gardner, Joshua (Committee member) / Shea, Nicholas (Committee member) / Arizona State University (Publisher)
Created2023
ContributorsSpinosa, Frank, 1930- (Conductor) / Doan, Jerry (Performer) / Hickman, David, 1950- (Performer) / Hoover, Eric (Performer) / Lockwood, Ralph (Performer) / Stalzer, Frank (Performer) / Spring, Robert (Performer) / Wytko, Joseph (Performer) / Schuring, Martin (Performer) / Weisberg, Arthur (Performer) / Chamber Orchestra (Performer) / ASU Library. Music Library (Publisher)
Created1990-04-02
ContributorsBerginc, Charles (Performer) / Benitez, James (Performer) / Chambers, Paul (Performer) / Blake, James (Performer) / Bingham-Deutscher, Barbara (Performer) / Wilson, Gail Eugene (Performer) / Ohlemeyer, Kim (Performer) / Brown, A. Michael (Performer) / Lofton, John (Performer) / Perantoni, Daniel (Performer) / Pack, David (Performer) / Pulk, Bruce (Performer) / Hoover, Eric (Performer) / Corral, Joe (Performer) / Lockwood, Ralph (Performer) / Debenport, Sylvia (Performer) / Martinic-Jercic, Magdalena (Performer) / Wolfgang, Bonnie (Performer) / Swaim, Daniel (Performer) / Spring, Robert (Performer) / ASU Library. Music Library (Publisher)
Created1991-01-18
ContributorsMeir, Baruch (Performer) / Barefield, Robert (Performer) / Buck, Nancy (Performer) / Jiang, Danwen (Performer) / Swartz, Jonathan (Performer) / Tescarollo, Hamilton (Performer) / ASU Library. Music Library (Publisher)
Created2004-02-15
ContributorsDoan, Jerry (Performer) / Swaim, Daniel (Performer) / Pendleton, Mary (Performer) / Barroll-Aschaffenburg, Rayna (Performer) / Cosand, Walter, 1950- (Performer) / Hoffer, Warren (Performer) / Stalzer, Frank (Performer) / Koonce, Frank (Performer) / Metz, John (Performer) / Hoover, Eric (Performer) / McLeod, Lois (Performer) / Debenport, Sylvia (Narrator) / ASU Library. Music Library (Publisher)
Created1987-10-06
ContributorsMeir, Baruch (Performer) / Williamson, Madeline J. (Performer) / Wytko, Joseph (Performer) / LINKS (Performer) / ASU Library. Music Library (Publisher)
Created2003-02-28
ContributorsUng, Chinary (Performer) / Hackbarth, Glenn, 1949- (Performer) / Smith, J. B., 1957- (Performer) / Hoover, Eric (Performer) / Hamilton, Robert, 1937- (Performer) / May, Judy (Performer) / Perantoni, Daniel (Performer) / Wen-Chung, Chou (Performer) / New Music Ensemble (Performer) / ASU Library. Music Library (Publisher)
Created1989-12-07
ContributorsRoux, Robert Joseph, 1949- (Performer) / May, Judy (Performer) / Lombardi, Eugene (Performer) / Atsumi, Takayori (Performer) / Kliewer-Britton, Darleen (Performer) / Hoover, Eric (Performer) / Spring, Robert (Performer) / Hamilton, Robert, 1937- (Performer) / Lockwood, Ralph (Performer) / ASU Library. Music Library (Publisher)
Created1989-02-23