Matching Items (3)
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Description
I will be investigating the merit of participatory culture in online literary roleplaying. While looking at an affinity space within participatory culture, I will be examining the importance of narrative within a roleplay board, the value placed in writing ability and habitual participation, and the gaining of social capital within

I will be investigating the merit of participatory culture in online literary roleplaying. While looking at an affinity space within participatory culture, I will be examining the importance of narrative within a roleplay board, the value placed in writing ability and habitual participation, and the gaining of social capital within the affinity space of players through the scope of two forms of participatory culture: expressions and collaborative problem solving. I will also look at the limitations of literary roleplaying before talking about the potential of roleplaying to be used as a tool for students in the classroom. Throughout my investigation, I pool information from online roleplay forum boards as well as Tumblr blogs. Drawing from these examples, I hope to not only show the value and merit of online roleplaying as a form of literature, but also demonstrate its potential as a curriculum guide for educators.
ContributorsLacson, Therese (Author) / Lussier, Mark (Thesis director) / Daer, Alice (Committee member) / Barrett, The Honors College (Contributor) / Department of English (Contributor) / School of Historical, Philosophical and Religious Studies (Contributor)
Created2014-05
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Description
This project emphasizes a complex, holistic, and additive view of content knowledge in the Discipline of Writing, advocating for balanced and affirming scholarship and pedagogy rather than a competitive approach that leads to an epistemology of erasure. As a composite project, the introduction contextualizes three articles linked by their articulation

This project emphasizes a complex, holistic, and additive view of content knowledge in the Discipline of Writing, advocating for balanced and affirming scholarship and pedagogy rather than a competitive approach that leads to an epistemology of erasure. As a composite project, the introduction contextualizes three articles linked by their articulation of holistically and additively thinking for students and scholars in the discipline of writing, preparing the reader to see the rhetorical steps that I attempt to take in each article along these lines. Article 1, “The Collaborative Work of Composition,” uses Marxian language of production to highlight the complexities of collaborative writing in a social microcosm drawing focus to the difficulties some students have collaborating, particularly those of linguistic and cultural minority groups, because they or their collaborators struggle to adopt an additive valuing system to position themselves and one another as part of a team with varying strengths. In Article 2, “An Integrative Translingual Pedagogy of Affirmation,” I build on this valuing of writers by advocating for an affirming pedagogy that allows teachers to help students see the complexity and value of their shared languages and their individual (L)anguage as well as the identity connected to these. Article 3, “Familia Académica: Translingual History and the Epistemology of Erasure,” draws on a deep and overlooked history that provides a more complex holistic lens for the current socio-politics of the discipline of Writing’s interaction with the translingual approach, re-orienting to a more additive blend of the extreme perspectives that key scholars have taken between second language writing and translingual writing. Finally, the last section of the dissertation acts as a metaconstruction of the discipline of Writing, pointing to moments within the previous three articles that indicate a sustained effort to complicate binaries and then provide an alternate symbiosis of scholarly perspectives for disciplinary discourse and identity in Writing. Most importantly though, the final section of the dissertation synthesizes the partial approaches introduced in the previous three articles which inform my understanding of disciplinarity. Further, this final section attempts to find equity in the variety of partial approaches developed in the previous articles and which I have since matured into what I call the 8 Aspects of Writing. The 8 aspects and their components move beyond individual issues presented in each article and synthesize a more holistic, additive, and systematic model of defining the content knowledge for the discipline of Writing.
ContributorsFields, Gregory Dale (Author) / Rose, Shirley K. (Thesis advisor) / Hannah, Mark (Committee member) / James, Mark (Committee member) / Arizona State University (Publisher)
Created2019
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Description
This dissertation explores the nature of collaborative writing in an interdisciplinary research context beyond classrooms. Most of the current studies in collaborative writing in second language contexts are based on collaborative writing in classroom-based contexts such as English as a Second Language courses with undergraduate students. Collaborative writing tasks are

This dissertation explores the nature of collaborative writing in an interdisciplinary research context beyond classrooms. Most of the current studies in collaborative writing in second language contexts are based on collaborative writing in classroom-based contexts such as English as a Second Language courses with undergraduate students. Collaborative writing tasks are getting its popularity both in classrooms and beyond classrooms with various purposes and objectives. Thus, it is more likely that multilingual writers encounter some kinds of collaborative writing tasks in various contexts. For writing instructors and writing curriculum developers, it is important to understand various types of collaborative writing tasks and their writing practices.

The current study investigates the nature of collaborative writing in an interdisciplinary collaborative research project. The study examines the processes of a multilingual writer’s literacy development in collaborative writing tasks. Based on a qualitative case study, the study focuses on identifying what literate activities were involved in, what effects from the writing collaboration were observed, and what factors influenced this multilingual writer’s writing development. I analyzed various sources of data such as writing samples, writing journal notes, observation fieldnotes, project documents, and the interviews from the focal participant, the graduate student, and two other co-authors as informants in the study. Based on a multilingual writer’s perspective, the findings show what the collaborative writing practices look like in an interdisciplinary research setting. The findings indicate that a multilingual writer’s writing skills were constantly evolving while interacting with collaborators through various phases of collaborative writing. Particularly tasks in collaborative revision process such as mediating the gaps between co-authors and responding to research members were crucial in developing awareness for audience and content organization. Drawing on a naturalistic qualitative study, this dissertation discusses that studies of collaborative writing in second language learning contexts needs to provide broader perspective and aspects of collaborative writing in various settings that multilingual writers engage in. The research concludes with a discussion of pedagogical implications, limitations of the study and future research.
ContributorsKim, Junghwa (Author) / Matsuda, Paul Kei (Thesis advisor) / Matsuda, Aya (Committee member) / James, Mark A (Committee member) / Arizona State University (Publisher)
Created2019