Matching Items (6)
Filtering by

Clear all filters

152552-Thumbnail Image.png
Description
The poems in Every House find themselves exploring spaces of expected comfort and asking how survivors reconstruct safety in their worlds when the beautiful is burnt to the ground. With little more than memory, maybe a photograph, or the chorus of a song, these poems mean to tell a truth

The poems in Every House find themselves exploring spaces of expected comfort and asking how survivors reconstruct safety in their worlds when the beautiful is burnt to the ground. With little more than memory, maybe a photograph, or the chorus of a song, these poems mean to tell a truth even as perceived dangers make vulnerable the mind and body.
ContributorsHolm, Christine (Author) / Ball, Sally (Thesis advisor) / Dubie, Norman (Committee member) / Fritz-Goldberg, Beckian (Committee member) / Arizona State University (Publisher)
Created2014
150579-Thumbnail Image.png
Description
The poems in The Only Living Boy in Omaha tell the story of Simon, who, after his mother dies giving birth to him, is raised on passenger trains by his father, a conductor. Set in the 1940s and '50s, the book follows Simon as he travels across the American West,

The poems in The Only Living Boy in Omaha tell the story of Simon, who, after his mother dies giving birth to him, is raised on passenger trains by his father, a conductor. Set in the 1940s and '50s, the book follows Simon as he travels across the American West, back and forth between California and his hometown of Omaha, Nebraska. Along the way, Simon gets to know other passengers, falls in love with radio and California's past, befriends an inventor, and discovers the story of his miracle birth. Blending lyric and narrative, history and fable, these poems revisit a time when passenger trains were popular, and explore the unique childhood that took place there.
ContributorsLake, Shane (Author) / Dubie, Norman (Thesis advisor) / Hogue, Cynthia (Committee member) / Rios, Alberto (Committee member) / Arizona State University (Publisher)
Created2012
150883-Thumbnail Image.png
Description
The poems in this book are lyric, meditational, and narrative approaches to autobiographical tales. These works, through various poetic forms, are an attempt to assess and equate personal life experiences with those larger human and universal occasions. Spanning both physical time (a cross-country move from Virginia to Arizona) and spatial

The poems in this book are lyric, meditational, and narrative approaches to autobiographical tales. These works, through various poetic forms, are an attempt to assess and equate personal life experiences with those larger human and universal occasions. Spanning both physical time (a cross-country move from Virginia to Arizona) and spatial time (Virginia and Mississippi during the civil rights movement), the works evaluate and validate the human experiences of loss. Through poems addressed to various family members and historical figures, the book attempts to terms with the often humorous, often terrifying experience of being an African American male in the United States in the 21st Century.
ContributorsBooth, Dexter (Author) / Dubie, Norman (Thesis advisor) / Hummer, Terry (Committee member) / Fritz-Goldberg, Beckian (Committee member) / Arizona State University (Publisher)
Created2012
154413-Thumbnail Image.png
Description
Raised on card-catalogues, then expected to save the world with microchips, there is a generation that was left straddling two millennia. Often lumped in with the X’ers or Millennials, this generation didn’t grow up with or without technology, technology grew up with them. The poems in The Aerodynamics of Hunger

Raised on card-catalogues, then expected to save the world with microchips, there is a generation that was left straddling two millennia. Often lumped in with the X’ers or Millennials, this generation didn’t grow up with or without technology, technology grew up with them. The poems in The Aerodynamics of Hunger strike a balance between the easy-going materialism of the 90’s and our current culture of instant gratification, between the tendency to treat science like a God and prescribe God like science. These poems see straight through the world of hypersex and click-bait, yet they admit their complicity in its creation and distribution. They watch the world become connected on a new level, but testify to the resulting struggle of place one’s self in relation to something, anything. The burden is great, but journeying through it is an undeniable pleasure.
ContributorsBassett, Kyle (Author) / Rios, Alberto A (Thesis advisor) / Dubie, Norman (Committee member) / Bell, Matthew (Committee member) / Arizona State University (Publisher)
Created2016
154677-Thumbnail Image.png
Description
Rural Thrill is a broken fruit, an electric fence, and, at the end, the absence of body. It comes in three sections, with the first laying the foundation for the world in which the collection takes place—a small southern town, where there is obvious economic disparity and the supernatural is

Rural Thrill is a broken fruit, an electric fence, and, at the end, the absence of body. It comes in three sections, with the first laying the foundation for the world in which the collection takes place—a small southern town, where there is obvious economic disparity and the supernatural is easily expected, believed, and in some cases, assumed. The second section focuses more closely on the main speaker of the collection who is growing into her own sexual desires against the backdrop of a murder which has swept through her town, complicating the speaker’s relationship to her body and the way she communicates desire. In the final section of the book, the poems come even closer as they explore the internal landscape of the speaker’s body and the many versions of the speaker that inhabit that place. The internal happenings of the third section of the book, reflect back on the external world mapped out in both the first and second sections. At the end, the energy of the body is all that remains with all boundaries of physicality erased, an example of how the body and mind negotiate safety in the face of risk and desire.
ContributorsAlbin, Lauren (Author) / Rios, Alberto (Thesis advisor) / Goldberg, Beckian F (Committee member) / Ball, Sally (Committee member) / Arizona State University (Publisher)
Created2016
154387-Thumbnail Image.png
Description
The generation following post-modernism has been left with little to the imagination. In a world defined by continual technological distraction, Millennials absorb their world primarily through visual media. Where, then, is there a place for poetry, and how do writers reconcile a narcissistic world monopolized by "selfies" and virtual communication?

The generation following post-modernism has been left with little to the imagination. In a world defined by continual technological distraction, Millennials absorb their world primarily through visual media. Where, then, is there a place for poetry, and how do writers reconcile a narcissistic world monopolized by "selfies" and virtual communication? How does a poet use the "I" selflessly in order to achieve the universal? "Poetry as a Development of Human Empathy" attempts to bridge the divide between everyday society and poets that has been growing since experimental writing became more widely accepted after the atomic bomb, while exploring reasons as to how poetry has alienated itself as an art and ways in which poets might find a way back into being an important force in the world.
ContributorsAsdel, Bryan (Author) / Dubie, Norman (Thesis advisor) / Rios, Alberto (Committee member) / Goldberg, Beckian (Committee member) / Arizona State University (Publisher)
Created2016