Matching Items (3)
Filtering by

Clear all filters

135562-Thumbnail Image.png
Description
Since Dylan Roof, a white supremacist, shot and killed nine members of a black church in Charleston on June 17, 2015, Confederate symbols have stood at the center of much controversy across the United States. Although the Confederate battle flag remains the most obvious example, the debate took a particular

Since Dylan Roof, a white supremacist, shot and killed nine members of a black church in Charleston on June 17, 2015, Confederate symbols have stood at the center of much controversy across the United States. Although the Confederate battle flag remains the most obvious example, the debate took a particular form in Tennessee, centering on the image of General Nathan Bedford Forrest. Born in 1822 to a poor family, he left school early to work. Although his work in the slave trade made him a millionaire, his later participation in the massacre of over 300 black soldiers at Fort Pillow in 1864 during the Civil War and association with the Ku Klux Klan cemented his reputation as a violent racist. Yet, many white Tennesseans praised him as a hero and memorialized him. This thesis examines Nathan Bedford Forrest State Park in Benton County and Forrest Park, now Health Sciences Park, in Memphis to examine what characteristics denote a controversial memorial. Specifically, I focus on the physical form, the location, and the demographics of the area, investigating how these components work together to give rise to controversy or acceptance of the memorial's image. Physical representations greatly impact the ideas associated with the memorial while racial demographics affect whether or not Forrest's representation as a hero speaks true to modern interpretations and opinions.
Created2016-05
136055-Thumbnail Image.png
Description
Abstract The Art of Memory: Public Memorials Scarlett Olson In ancient times, memorials were constructed to commemorate victories in battle or to pay homage to kings and gods. Now, however, memorials focus more on the events of war and those who died fighting for their country. They are spaces designed

Abstract The Art of Memory: Public Memorials Scarlett Olson In ancient times, memorials were constructed to commemorate victories in battle or to pay homage to kings and gods. Now, however, memorials focus more on the events of war and those who died fighting for their country. They are spaces designed to create an atmosphere of quiet reflection to allow us to honor the dead and to serve as a reminder of the consequences of our actions. In this paper, I will analyze public memorials, specifically the Vietnam Veterans Memorial, using the concept of collective memory. The idea of collective memory was first formulated by Maurice Halbwachs in the early twentieth century, and it is at its core the belief that a group can share the same memories regarding specific events. The ideas and theories of collective memory, when applied to the analysis of memorial, can provide a new framework for exploring the form, content, effect, and affect of these structures. Collective memory can be manipulated by society and the creation of specific memorials is one very effective way to influence public opinion about certain historical events.
ContributorsOlson, Scarlett (Author) / Codell, Julie (Thesis director) / Hoffman, Daniel (Committee member) / Pedersen, Lindsey (Committee member) / Barrett, The Honors College (Contributor)
Created2005-05
163273-Thumbnail Image.png
Description

The summer of protests which began with George Floyd’s murder at the hands of a white police officer in May 2020 reignited a national reckoning with the complicated story of race in America. America’s history of and enduring manifestations of systemic racism clash with American foundational principles of freedom and

The summer of protests which began with George Floyd’s murder at the hands of a white police officer in May 2020 reignited a national reckoning with the complicated story of race in America. America’s history of and enduring manifestations of systemic racism clash with American foundational principles of freedom and equality. One way in which this reckoning has manifested is in increased attention to monuments honoring controversial historical figures, particularly those with records of racist beliefs, attitudes, and actions, including slavery. In this thesis, I propose a guiding system of inquiry by which a controversial statue may be comprehensively evaluated and thoughtfully addressed. It drives at the heart of the issue by identifying and categorizing the six most significant and relevant attributes of the statue, with the ultimate goal of properly contextualizing a proposal for action. In order to test the efficacy of this evaluative model, I have selected the statue of Thomas Jefferson at the University of Missouri as a case study.

ContributorsClark, Kathryn (Author) / Seagrave, Adam (Thesis director) / Shonekan, Stephanie (Committee member) / School of Civic & Economic Thought and Leadership (Contributor) / Barrett, The Honors College (Contributor)
Created2021-12