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DescriptionThe purpose of this project is to explore the influence of folk music in guitar compositions by Manuel Ponce from 1923 to 1932. It focuses on his Tres canciones populares mexicanas and Tropico and Rumba.
ContributorsGarcia Santos, Arnoldo (Author) / Koonce, Frank (Thesis advisor) / Rogers, Rodney (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2014
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Description
In 1809 the Memoirs of Prince Eugene, of Savoy<\italic> was published in Vienna. The book was written by Charles-Joseph de Ligne, a Flemish prince who lived seventy years after Eugene of Savoy, the general who commanded the army of the Holy Roman Empire in the War of the Spanish Succession.

In 1809 the Memoirs of Prince Eugene, of Savoy<\italic> was published in Vienna. The book was written by Charles-Joseph de Ligne, a Flemish prince who lived seventy years after Eugene of Savoy, the general who commanded the army of the Holy Roman Empire in the War of the Spanish Succession. Eugene's military career spanned fifty years and five wars, yet he is less known than his English counterpart, John Churchill, Duke of Marlborough. The memoirs were only attributed to Eugene for a short period and then tossed aside as the creative musings of a cultured prince who left quite the written legacy. Though attributed to the prince, a contemporary reader would not have thought that the manuscript had been penned by Eugene. The memoirs were heavily inspired by a biography by Eléazar Mauvillon, which was published only six years after Eugene's death. Few of Eugene's own letters survived his death, and he never wrote the memoirs of his own campaigns. Marlborough, by contrast, was a prolific letter writer, and the two generals spent some of the major campaigns of the war together with the result that Eugene has featured in much of the research done on Marlborough as a secondary character. Charles-Joseph de Ligne desired to be as good a writer as he was a soldier. His legacy included his own memoirs, which reflected the desire to be as successful as Eugene and to raise Eugene to the proper level of acknowledgement in military history. This thesis explores the historical memory of Eugene as perpetuated by Ligne's literary creation as well as the historical context in which Eugene rose to fame for his military genius and proves the historical accuracy of Ligne's mystification of Mauvillon's biography.
ContributorsHarowitz, Bethany (Author) / Wright, Johnson K. (Thesis advisor) / Espinosa, Aurelio (Committee member) / Warnicke, Retha (Committee member) / Arizona State University (Publisher)
Created2011
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Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the

Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013