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DescriptionThe purpose of this project is to explore the influence of folk music in guitar compositions by Manuel Ponce from 1923 to 1932. It focuses on his Tres canciones populares mexicanas and Tropico and Rumba.
ContributorsGarcia Santos, Arnoldo (Author) / Koonce, Frank (Thesis advisor) / Rogers, Rodney (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2014
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Description
Concurrency bugs are one of the most notorious software bugs and are very difficult to manifest. Significant work has been done on detection of atomicity violations bugs for high performance systems but there is not much work related to detect these bugs for embedded systems. Although criteria to claim existence

Concurrency bugs are one of the most notorious software bugs and are very difficult to manifest. Significant work has been done on detection of atomicity violations bugs for high performance systems but there is not much work related to detect these bugs for embedded systems. Although criteria to claim existence of bugs remains same, approach changes a bit for embedded systems. The main focus of this research is to develop a systemic methodology to address the issue from embedded systems perspective. A framework is developed which predicts the access interleaving patterns that may violate atomicity using memory references of shared variables and provides support to force and analyze these schedules for any output change, system fault or change in execution path.
ContributorsPatel, Jay (Author) / Lee, Yann-Hang (Thesis advisor) / Ren, Fengbo (Committee member) / Srivastava, Aviral (Committee member) / Arizona State University (Publisher)
Created2016
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Description
Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the

Whenever a text is transmitted, or communicated by any means, variations may occur because editors, copyists, and performers are often not careful enough with the source itself. As a result, a flawed text may come to be accepted in good faith through repetition, and may often be preferred over the authentic version because familiarity with the flawed copy has been established. This is certainly the case with regard to Manuel M. Ponce's guitar editions. An inexact edition of a musical work is detrimental to several key components of its performance: musical interpretation, aesthetics, and the original musical concept of the composer. These phenomena may be seen in the case of Manuel Ponce's Suite in D Major for guitar. The single published edition by Peer International Corporation in 1967 with the revision and fingering of Manuel López Ramos contains many copying mistakes and intentional, but unauthorized, changes to the original composition. For the present project, the present writer was able to obtain a little-known copy of the original manuscript of this work, and to document these discrepancies in order to produce a new performance edition that is more closely based on Ponce's original work.
ContributorsReyes Paz, Ricardo (Author) / Koonce, Frank (Thesis advisor) / Solis, Theodore (Committee member) / Rotaru, Catalin (Committee member) / Arizona State University (Publisher)
Created2013