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“I want something that will show what is truth itself.”- Zheng Chongbin For artist Zheng Chongbin, truth is visualized through elegant, frenetic dances of blacks, whites, and grays on paper and sculptural transformations of divine spaces. Beginning with the vehicle of ink and its materiality, Zheng explores the potentialities of phenomenological

“I want something that will show what is truth itself.”- Zheng Chongbin For artist Zheng Chongbin, truth is visualized through elegant, frenetic dances of blacks, whites, and grays on paper and sculptural transformations of divine spaces. Beginning with the vehicle of ink and its materiality, Zheng explores the potentialities of phenomenological realities in his artworks. His pieces are portraits and scenes of cosmic links and structures intended to question preconditioned biases and awaken human perception of elemental forms and the unnoticed beauty in our environment. This paper follows the evolution of Zheng’s visual philosophy by tracing the thread of influences, spanning disciplines, cultures, and time, behind Zheng’s artistic endeavors. While a body of literature on Zheng’s practice exists, mainly written by art historians with a specialty in contemporary Chinese art, much of it is largely concerned with establishing his position as a revolutionary artist revitalizing and transforming the Chinese ink painting tradition. Interpretative essays and critical writings about Zheng’s artwork most often attempt to fit them within the Chinese artistic canon or are surface aesthetic comparisons to Western post-war artists. However, little to no scholarly research has comprehensively addressed Zheng’s inclination towards transdisciplinary and transhistorical schools of thought and how those ideas are integrated into his methodology. By revealing the rich philosophical constructs behind Zheng’s practice, the paper opens up pathways for new approaches to his artworks. Ultimately, this challenges the narrow categorization of Zheng’s practice as definitively Chinese contemporary art, and instead facilitates the understanding that his artworks demonstrate a convergence of multiple artistic hereditary lines and global discourses.
ContributorsYang, Celia (Author) / Hoy, Meredith (Thesis advisor) / Little, Stephen (Committee member) / Brown, Claudia (Committee member) / Arizona State University (Publisher)
Created2021
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Chinese landscape painting has a long history and is one of the most practiced traditions in Chinese art. There are many different styles within this genre, from the larger and bold style of the Northern Song dynasty to the smaller, softer paintings of the Southern Song dynasty. Yang Yongliang is

Chinese landscape painting has a long history and is one of the most practiced traditions in Chinese art. There are many different styles within this genre, from the larger and bold style of the Northern Song dynasty to the smaller, softer paintings of the Southern Song dynasty. Yang Yongliang is a contemporary Chinese artist that was born in 1980 in Shanghai, China. He was trained in traditional Chinese painting styles from a young age and, during his university schooling, he focused on digital art and graduated with a degree in Visual Communication. Yang combines these two distinct backgrounds in his art by creating pieces inspired by classical Chinese genres in a digital manner, using composite photographs. He creates different scenery by piecing small clips of pictures together to create one larger image. Yang takes the traditional style of work and changes it to comment on modern Chinese and global values. While many artists that focus on social or political messages create works that are not visually appealing, Yang has been able to create works that are powerful through their message while still being beautiful. Through his works, he successfully brings together both “New China” and “Old China” within every piece.

ContributorsBrown, Ciara (Author) / Brown, Claudia (Thesis director) / Fahlman, Betsy (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2022-05