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Jason Bryant Queering Home: Domestic Space and Sexuality in Postmodern American Fiction This dissertation explores narratives of homosexuals and trans men and women occupying domestic spaces, discerning the ways that “home” shapes understandings about sexuality and examining the ways that understandings of sexuality shape how domestic spaces are occupied. Queer

Jason Bryant Queering Home: Domestic Space and Sexuality in Postmodern American Fiction This dissertation explores narratives of homosexuals and trans men and women occupying domestic spaces, discerning the ways that “home” shapes understandings about sexuality and examining the ways that understandings of sexuality shape how domestic spaces are occupied. Queer artists and intellectuals have deconstructed the legacy of normativity that clings to the metaphor of the domestic realm. Queering Home argues that writers have used the discursive concept of home to cultivate sociopolitical communities (Audre Lorde, Zami) while also insisting upon material spaces of shelter and comfort for individuals queered by gender performance, sexual orientation, and resultant adverse economic conditions (Feinberg, Stone Butch Blues). Two novels, Dorothy Allison's Bastard Out of Carolina and Mike Albo's Hornito, challenge the coming-of-age tradition of narrating childhood/adolescence through the redeeming prism of the confident, queer adult; in particular, these novels trouble the problematic notion of domesticated maturation as a heteronormative condition that continues to cling to much contemporary American lesbian, gay, bisexual, and transgender (LGBT) politics. The third chapter examines Marilyn Hacker's sonnet collection, Love, Death, and the Changing of the Seasons in correspondence with Carl Phillips's collection, Cortège, as they queer the concept of domestic bliss, the goal toward which romantic partners are “supposed” to be committed. Hacker and Phillips revise the same-sex couple as a processing of gay ways of life, which resists positing normative, married futures for lesbians and homosexuals. Finally, the study investigates Terrence McNally's play, Lips Together, Teeth Apart and a series of still life paintings by Joey Terrill for their depiction of narratives of domestic spaces (pools, open-concept design, medicine cabinets), which condition the subjectification and desubjectification of gay male sexuality and domesticity in the era of HIV/AIDS. Throughout, this dissertation draws energy by challenging the “given” and “inevitable” heteronorms that condition domesticity, sexuality, and space, demonstrating how late twentieth century writers and artists have queered the home.
ContributorsBryant, Jason (Author) / Clarke, Deborah (Thesis advisor) / Sturges, Robert (Committee member) / Bebout, Lee (Committee member) / Arizona State University (Publisher)
Created2013
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The United States houses only five percent of the world’s population but over 20% of its prison population. There has been a dramatic increase in carceral numbers over the last several decades with much of this population being people with mental illness designations. Many scholars attribute this phenomenon to the

The United States houses only five percent of the world’s population but over 20% of its prison population. There has been a dramatic increase in carceral numbers over the last several decades with much of this population being people with mental illness designations. Many scholars attribute this phenomenon to the process of deinstitutionalization, in which mental health institutions in the U.S. were shut down in the 1950s and ‘60s. However, disability scholar Liat Ben-Moshe argues that this is a dangerous oversimplification that fails to credit the deinstitutionalization movement as an abolitionist movement and to take into account shifting demographics between institutions and prisons/jails. This study considers how mass incarceration in the U.S. stems from a trend of isolating and punishing BIPOC and people with disabilities at disproportionate rates as it explores lived experiences at the intersection of mental health and incarceration. Findings inform an abolitionist agenda by highlighting the near impossibility of rehabilitation and treatment in an inherently traumatizing space.

ContributorsGerkin, Alyssa (Author) / Kirsch-Stancliff, Willa (Co-author) / Henson, Abigail (Thesis director) / Bebout, Lee (Committee member) / DeMarse, Angela (Committee member) / Barrett, The Honors College (Contributor) / School of Criminology and Criminal Justice (Contributor) / School of Social Transformation (Contributor) / School of Human Evolution & Social Change (Contributor)
Created2023-05
Description

The United States houses only five percent of the world’s population but over 20% of its prison population. There has been a dramatic increase in carceral numbers over the last several decades with much of this population being people with mental illness designations. Many scholars attribute this phenomenon to the

The United States houses only five percent of the world’s population but over 20% of its prison population. There has been a dramatic increase in carceral numbers over the last several decades with much of this population being people with mental illness designations. Many scholars attribute this phenomenon to the process of deinstitutionalization, in which mental health institutions in the U.S. were shut down in the 1950s and ‘60s. However, disability scholar Liat Ben-Moshe argues that this is a dangerous oversimplification that fails to credit the deinstitutionalization movement as an abolitionist movement and to take into account shifting demographics between institutions and prisons/jails. This study considers how mass incarceration in the U.S. stems from a trend of isolating and punishing BIPOC and people with disabilities at disproportionate rates as it explores lived experiences at the intersection of mental health and incarceration. Findings inform an abolitionist agenda by highlighting the near impossibility of rehabilitation and treatment in an inherently traumatizing space.

ContributorsKirsch-Stancliff, Willa (Author) / Gerkin, Alyssa (Co-author) / Bebout, Lee (Thesis director) / Cisneros, Milagros (Committee member) / Barrett, The Honors College (Contributor) / School of Social Transformation (Contributor) / Department of English (Contributor) / Historical, Philosophical & Religious Studies, Sch (Contributor) / School of International Letters and Cultures (Contributor)
Created2023-12