Matching Items (782)
Filtering by
- All Subjects: Violin and piano music
ContributorsChang, Ruihong (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-29
Description
Four Souvenirs for Violin and Piano was composed by Paul Schoenfeld (b.1947) in 1990 as a showpiece, spotlighting the virtuosity of both the violin and piano in equal measure. Each movement is a modern interpretation of a folk or popular genre, re- envisioned over intricate jazz harmonies and rhythms. The work was commissioned by violinist Lev Polyakin, who specifically requested some short pieces that could be performed in a local jazz establishment named Night Town in Cleveland, Ohio. The result is a work that is approximately fifteen minutes in length. Schoenfeld is a respected composer in the contemporary classical music community, whose Café Music (1986) for piano trio has recently become a staple of the standard chamber music repertoire. Many of his other works, however, remain in relative obscurity. It is the focus of this document to shed light on at least one other notable composition; Four Souvenirs for Violin and Piano. Among the topics to be discussed regarding this piece are a brief history behind the genesis of this composition, a structural summary of the entire work and each of its movements, and an appended practice guide based on interview and coaching sessions with the composer himself. With this project, I hope to provide a better understanding and appreciation of this work.
ContributorsJanczyk, Kristie Annette (Author) / Ryan, Russell (Thesis advisor) / Campbell, Andrew (Committee member) / Norton, Kay (Committee member) / Arizona State University (Publisher)
Created2015
ContributorsWhite, Aaron (Performer) / Kim, Olga (Performer) / Hammond, Marinne (Performer) / Shaner, Hayden (Performer) / Yoo, Katie (Performer) / Shoemake, Crista (Performer) / Gebe, Vladimir, 1987- (Performer) / Wills, Grace (Performer) / McKinch, Riley (Performer) / Freshmen Four (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-27
ContributorsRosenfeld, Albor (Performer) / Pagano, Caio, 1940- (Performer) / ASU Library. Music Library (Publisher)
Created2018-10-03
ContributorsCao, Yuchen (Performer) / Chen, Sicong (Performer) / Soberano, Chino (Performer) / Nam, Michelle (Performer) / Collins, Clarice (Performer) / Witt, Juliana (Performer) / Liu, Jingting (Performer) / Chen, Neilson (Performer) / Zhang, Aihua (Performer) / Jiang, Zhou (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-25
Description
Debates about criminal justice have erupted onto the American political scene in recent years. Topics like mass Incarceration, civil asset Forfeiture, three strike laws, and mandatory minimums have been dredged up and discussed at every level of government from county courtrooms to state legislatures and all the way up to the halls of the US Senate and the desk of the White House. According to Marc Mauer of the Sentencing Project, a non-profit entity focused on prison population reduction, this new focus has yielded some important victories with New York, and New Jersey both reducing their respective prison populations by 26% between 1999 and 2012 (1). In the summer of 2015, President Obama became the first sitting President in American history to visit a prison. His visit to El Reno Prison, just outside of Oklahoma City, came on the heels of a speech against Mass Incarceration that the President made at an NAACP conference in Philadelphia (Horsely). The movement for change had reached all the way to the desk of the oval office. Indeed, it is of little wonder why our criminal justice system has come under such close scrutiny. With mass protests breaking out around the nation due to clashes between the criminal justice system and those it has victimized, the rise of a new Black Lives Matter movement, and an overburdened prison system that houses almost 25% of the world inmates (Ya Lee Hee), criminal justice in America has been driven to an ideological and financial breaking point. In a nation that purportedly values freedom and individual choice, the stark realities of our prison system have created a divide between those that would reform the system and those who seek to keep the status quo. I align with those stakeholders that desire comprehensive reform. In my opinion, it is no longer fiscally responsible, nor morally credible to lock American citizens up and throw away the key. The days of tough on crime, of Willie Horton, and of super predators are gone. Crime has been reduced to historic lows in almost the entire country despite significant increases in the population. According to Oliver Roeder, in a Brennan Center scholarly article, violent crime has been reduced by 50% since 1990 and property crime has been reduced by 46% (Roeder et al, p.15) while the population during this same period has grown by how much 249 million to 323 million, almost 30%. For the first time in almost 20 years, the conversation has finally shifted to how we can make the system equitable. My vision for our criminal justice system will stretch beyond the following plan to revise truth in sentencing. TIS remains a small component of a much larger question of our justice system. It is my fundamental belief that the way America treats its offenders needs reformation at every level of the system, from the court, to the prison. It is my view that our prerogative when treating offenders should be to address the root causes of crime, that is the societal structure that causes men and women to commit crime. Poverty, education, economics, and community reinvestment will be just some of the issues that need to be addressed to secure a better future. If we seek true justice, then we must seek to reinvest in those communities that need it the most. Only then can the lowest rungs of our society be given the opportunity to climb upward. In my view, a reimagined prison system idealistically strives to put itself out of business.
ContributorsHolbert, Connor Michael (Author) / Herrera, Richard (Thesis director) / Wells, Cornelia (Committee member) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
ContributorsMcLin, Katherine (Performer) / Campbell, Andrew (Pianist) (Performer) / Ericson, John Q. (John Quincy), 1962- (Performer) / McLin/Campbell Duo (Performer) / ASU Library. Music Library (Publisher)
Created2018-09-23
Description
Samuel Máynez Prince (1886-1966), was a prolific and important Mexican musician. Prince’s musical style followed the trends of the nineteenth-century salon music genre. His compositions include lullabies, songs, dances, marches, mazurkas, waltzes, and revolutionary anthems. Prince’s social status and performances in the famed Café Colón in Mexico City increased his popularity among high-ranking political figures during the time of the Mexican Revolution as well as his status in the Mexican music scene.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
Unfortunately there is virtually no existing scholarship on Prince and even basic information regarding his life and works is not readily available. The lack of organization of the manuscript scores and the absence of dates of his works has further pushed the composer into obscurity. An investigation therefore was necessary in order to explore the neglected aspects of the life and works of Prince as a violinist and composer. This document is the result of such an investigation by including extensive new biographical information, as well as the first musical analysis and edition of the complete recovered works for violin and piano.
In order to fill the gaps present in the limited biographical information regarding Prince’s life, investigative research was conducted in Mexico City. Information was drawn from archives of the composer’s grandchildren, the Palacio de Bellas Artes, the Conservatorio Nacional de Música de México, and the Orquesta Sinfónica Nacional. The surviving relatives provided first-hand details on events in the composer’s life; one also offered the researcher access to their personal archive including, important life documents, photographs, programs from concert performances, and manuscript scores of the compositions. Establishing connections with the relatives also led the researcher to examining the violins owned and used by the late violinist/composer.
This oral history approach led to new and updated information, including the revival of previously unpublished music for violin and piano. These works are here compiled in an edition that will give students, teachers, and music-lovers access to this unknown repertoire. Finally, this research seeks to promote the beauty and nuances of Mexican salon music, and the complete works for violin and piano of Samuel Máynez Prince in particular.
ContributorsEkenes, Spencer Arvin (Author) / McLin, Katherine (Thesis advisor) / Feisst, Sabine (Committee member) / Jiang, Danwen (Committee member) / Arizona State University (Publisher)
Created2016