Matching Items (7)
Filtering by

Clear all filters

151873-Thumbnail Image.png
Description
This qualitative, action research study examines how teacher-writers' identities are constructed through the practice of revision in an extra-curriculum writing group. The writing group was designed to support the teacher-writers as they revised classroom research projects for submission for a scholarly journal. Using discourse analysis, the researcher explores how the

This qualitative, action research study examines how teacher-writers' identities are constructed through the practice of revision in an extra-curriculum writing group. The writing group was designed to support the teacher-writers as they revised classroom research projects for submission for a scholarly journal. Using discourse analysis, the researcher explores how the teacher-writers' identities are constructed in the contested spaces of revision. This exploration focuses on contested issues that invariably emerge in a dynamic binary of reader/writer, issues of authority, ownership, and unstable reader and writer identities. By negotiating these contested spaces--these contact zones--the teacher-writers construct opportunities to flex their rhetorical agency. Through rhetorical agency, the teacher-writers shift their discoursal identities by discarding and acquiring a variety of discourses. As a result, the practice of revision constructs the teacher-writers identities as hybrid, as consisting of self and other.
ContributorsClark-Oates, Angela (Author) / Smith, Karen (Thesis advisor) / Roen, Duane (Thesis advisor) / Fischman, Gustavo (Committee member) / Early, Jessica (Committee member) / Arizona State University (Publisher)
Created2013
150886-Thumbnail Image.png
Description
This project draws on sociocognitive rhetoric to ask, How, in complex situations not of our making, do we determine what needs to be done and how to leverage available means for the health of our communities and institutions? The project pulls together rhetorical concepts of the stochastic arts (those that

This project draws on sociocognitive rhetoric to ask, How, in complex situations not of our making, do we determine what needs to be done and how to leverage available means for the health of our communities and institutions? The project pulls together rhetorical concepts of the stochastic arts (those that demand the most precise, careful planning in the least predictable places) and techne (problem-solving tools that transform limits and barriers into possibilities) to forward a stochastic techne that grounds contemplative social action at the intersection of invention and intervention and mastery and failure in real time, under constraints we can't control and outcomes we can't predict. Based on 18 months of fieldwork with the Sudanese refugee diaspora in Phoenix, I offer a method for engaging in postmodern phronesis with community partners in four ways: 1) Explanations and examples of public listening and situational mapping 2) Narratives that elucidate the stochastic techne, a heuristic for determining and testing wise rhetorical action 3) Principles for constructing mutually collaborative, mutually beneficial community-university/ community-school partnerships for jointly addressing real-world issues that matter in the places where we live 4) Descriptions and explanations that ground the hard rhetorical work of inventing new paths and destinations as some of the Sudanese women construct hybridized identities and models of social entrepreneurship that resist aid-to-Africa discourse based on American paternalism and humanitarianism and re-cast themselves as micro-financers of innovative work here and in Southern Sudan. Finally, the project pulls back from the Sudanese to consider implications for re-figuring secondary English education around phronesis. Here, I offer a framework for teachers to engage in the real work of problem-posing that aims - as Django Paris calls us - to get something done by confronting the issues that confront our communities. Grounded in classroom instruction, the chapter provides tools for scaffolding public listening, multi-voiced inquiries, and phronesis with and for local publics. I conclude by calling for English education to abandon all pretense of being a predictive science and to instead embrace productive knowledge-making and the rhetorical work of phronesis as the heart of secondary English studies.
ContributorsClifton, Jennifer (Author) / Long, Elenore (Thesis advisor) / Gee, James Paul (Committee member) / Paris, Django (Committee member) / Warriner, Doris (Committee member) / Arizona State University (Publisher)
Created2012
168841-Thumbnail Image.png
Description
This creative nonfiction dissertation study sought to describe the process by which three self-identified White teachers—who are engaged in structural initiatives in their schools, districts and/or communities for racial equity—transitioned from colorblindness to understanding white supremacy and structural racism. The following overarching research question guided the study: What are three

This creative nonfiction dissertation study sought to describe the process by which three self-identified White teachers—who are engaged in structural initiatives in their schools, districts and/or communities for racial equity—transitioned from colorblindness to understanding white supremacy and structural racism. The following overarching research question guided the study: What are three self-identified White teachers’ perceptions of their process of shifting from colorblindness to understanding their role in white supremacy and structural racism? The study also addressed the following sub-questions: (1) What are the pedagogical pivot places that occur in three self-identified White teachers’ processes of coming to understand white supremacy and structural racism? And (2) How do these pedagogical pivot places contribute to new ways of knowing in teachers’ shifting from colorblindness to understanding white supremacy and structural racism? This study contributes to the literature on White teachers’ process of shifting from colorblindness to racial consciousness and understanding white supremacy. It offers implications for shifting ideologies of White pre-service teachers and teachers in schools. However, efforts to dismantle structural racism need to extend beyond helping White teachers to understand their role in upholding white supremacy and fighting against structural racism to better meet the needs of their diverse students. Schools in the United States function to reproduce the hidden curriculua of whiteness and work. Because schools are amplifiers of the ideologies of the greater society, by disseminating the findings in the form of creative nonfiction, the study attempts to extend this work outside of schooling and into society to address the problem of structural racism in society.
ContributorsRylak, Danielle (Author) / Carlson, David Lee (Thesis advisor) / Evans-Winters, Venus (Committee member) / Matias, Cheryl (Committee member) / Viren, Sarah (Committee member) / Warriner, Doris (Committee member) / Arizona State University (Publisher)
Created2022
168833-Thumbnail Image.png
Description
This qualitative case study explores the experience of three first-year English language arts educators within a small community of practice designed to provide personal and professional support for beginning teachers. The participants engaged in a 12-week session where weekly meetings, which alternated between workshop and discussion, focused on participant experiences,

This qualitative case study explores the experience of three first-year English language arts educators within a small community of practice designed to provide personal and professional support for beginning teachers. The participants engaged in a 12-week session where weekly meetings, which alternated between workshop and discussion, focused on participant experiences, sustainable teaching practices, and English language arts pedagogy. The study shares the curricular design of the community as well as the issues and ideas that were raised about teaching and the teaching life. Data were collected over the entire 12 weeks as well as in follow-up interviews conducted within four weeks of the last meeting. Data were drawn from the following sources: (1) pre-and-post-community questionnaires, (2) audio recorded meetings, (3) researcher notes and memos, (4) follow-up interviews. Using Wenger’s (1998, 2009) theory of communities of practice as well as sustainable teaching theory (Burns et al., 2018), this study documents the value of early career communities of practice and indicates that early career communities are necessary in light of the emotional dimensions of teaching English language arts, the many aspects of successful teaching that are not covered in teacher preparation programs, and the need for both personal and professional support, camaraderie, and continued learning for beginning teachers.
ContributorsGlerum, Michelle R (Author) / Early, Jessica (Thesis advisor) / Saidy, Christina (Committee member) / Warriner, Doris (Committee member) / Arizona State University (Publisher)
Created2022
168703-Thumbnail Image.png
Description
Until recently, second language writers were typically separated from their peers in mainstream composition courses. However, as the field considers the possibility of integrating second language writers into mainstream composition classrooms, important questions arise. For instance, how are teachers of First Year Composition (FYC) prepared for valuing and responding to

Until recently, second language writers were typically separated from their peers in mainstream composition courses. However, as the field considers the possibility of integrating second language writers into mainstream composition classrooms, important questions arise. For instance, how are teachers of First Year Composition (FYC) prepared for valuing and responding to the linguistic resources of students representing a range of linguistic backgrounds? Also, what would happen if teachers of FYC had a broader view of multilingualism in the mainstream composition classroom (one that includes fluent bilinguals, English-dominant bilinguals, and second language writers)? This study addresses interests and questions such as these by examining whether and how new Teaching Assistants/Associates (TAs) take up or respond to critical perspectives on language and race introduced during their first semester teaching. Specifically, I analyzed how a group of new TAs are thinking about language and race in relation to learning and writing. Through surveys, observations, and interviews, I documented and analyzed how they engaged in conversations about language, writing and race; made sense of readings and activities on the theoretical concepts of raciolinguistics and translanguaging; and responded to information presented during two workshops on these topics. I also explored what these TAs said about the relationship between their own critical perspectives on language and their teaching practices (current and future). Findings show that participants’ critical language awareness and their ability to envision a critical language pedagogy grew over the course of the semester. Findings also show that, even though they expressed uncertainty about the precise meaning of theoretical terms such as raciolinguistics and translanguaging, their stated beliefs align with the central claims of scholarship advocating such perspectives. The findings of this study shed light on ways to help new teachers of FYC support multilingual students from a range of backgrounds–especially those TAs who work in contexts where ideologies of race and language devalue multilingualism and nonstandard varieties of English and influence what counts as academic writing.
ContributorsGriego, Anjanette Rainelle (Author) / Warriner, Doris (Thesis advisor) / Matsuda, Paul (Committee member) / Rose, Shirley (Committee member) / Elder, Cristyn (Committee member) / Arizona State University (Publisher)
Created2022
158076-Thumbnail Image.png
Description
While the literacy narrative genre has been studied in first-year composition and methods of teaching courses, investigations of the literacy narrative as a multimodal project for pre-service teachers (PSTs) of English Language Arts remain scarce. This research shares a qualitative classroom-based case study that focuses on a literacy narrative project,

While the literacy narrative genre has been studied in first-year composition and methods of teaching courses, investigations of the literacy narrative as a multimodal project for pre-service teachers (PSTs) of English Language Arts remain scarce. This research shares a qualitative classroom-based case study that focuses on a literacy narrative project, redesigned as a Multimodal Writing History Memoir (see Appendix 1), the first assignment in a required writing methods course in a teacher training program for English Language Arts (ELA) teachers at a large public university in the southwest. The study took place during the fall semester of 2019 with 15 ELA undergraduate pre-service English Education or Secondary Education majors. The study described here examined the implementation and outcomes of the multimodal writing history memoir with goals of better understanding how ELA PSTs design and compose multimodally, of understanding the topics and content they included in their memoirs, to discover how this project reflected PSTs’ ideas about teaching writing in their future classrooms. The memoir project invited pre-service teachers to infuse written, audio, and visual text while making use of at least four different mediums of their choice. Through combined theoretical frames, I explored semiotics, as well as pre-service teachers’ use of multiliteracies as they examined their conceptions of what it means to compose. In this qualitative analysis, I collected students’ memoirs and writing samples associated with the assignment, a demographics survey, and individual mid-semester interviews. The writing activities associated with the memoir included a series of quick writes (Kittle, 2009), responses to questions about writing and teachers’ responsibilities when it comes to teaching composition, and letters students wrote to one another during a peer review workshop. Additionally, my final data source included the handwritten notes I took during the presentations students gave to share their memoirs. Some discoveries I made center on the nuanced impact of acts of personal writing for PSTs, some of the specific teaching strategies and areas of teaching focus participants relayed, and specifically, how participants worked with and thought about teaching multimodal composition.
ContributorsHope, Kate (Author) / Early, Jessica (Thesis advisor) / Saidy, Christina (Committee member) / Durand, Sybil (Committee member) / Arizona State University (Publisher)
Created2020
161455-Thumbnail Image.png
Description
This qualitative classroom-based study investigates the writing practices, choices and reflections of Latinx high school students during an instructional unit on writing testimonio. The study is grounded in a sociocultural theory of writing and draws from LatCrit and Testimonio to understand how writing about self as testimonio shapes the writing

This qualitative classroom-based study investigates the writing practices, choices and reflections of Latinx high school students during an instructional unit on writing testimonio. The study is grounded in a sociocultural theory of writing and draws from LatCrit and Testimonio to understand how writing about self as testimonio shapes the writing practices of ethnically and linguistically diverse student populations, specifically Latinx, urban youth. The study took place in the researcher’s eleventh grade class at an urban charter school in a major urban center in the southwest. Data collection included collection of writing samples, interviews of a subsection of the students within the class, and participant observer memos and field notes. Analysis was conducted through a testimonio and narrative analysis lens and afforded the opportunity for researcher and participant to co-construct the knowledge gained from the data corpus. Findings focus on the ways participants interacted with the unit of study, how participants used navigational capital to navigate the in-between spaces in their lives, including between cultures, school and home, and linguistic situations. Further, these findings reveal the purposes for which participants wrote their testimonios and on the ways the participants found agency as writers, pride in their writing, and ownership of the narratives of their communities.
ContributorsBaldonado-Ruiz, Monica (Author) / Early, Jessica (Thesis advisor) / Saidy, Christina (Committee member) / Bebout, Lee (Committee member) / Durand, Sybil (Committee member) / Arizona State University (Publisher)
Created2021