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- Creators: Barrett, The Honors College
- Creators: Hickman, David R.
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ABSTRACT:
The research for this paper is intended to introduce the reader to many of the influential trumpet performers and pedagogues in East Asian countries and territories along the Western Pacific Ocean Rim, including China, Hong Kong, Japan, the Philippines, Singapore, South Korea, Taiwan (R.O.C.), Thailand, and Vietnam.
Shao-Chun Tsai, the author of this research paper, finds it important for musicians to recognize that they are often influenced by other musicians in addition to their own efforts and self-discovery of who they are as artists. The author is a trumpeter and pianist from Taiwan, and would like to acknowledge the many outstanding trumpet players from Asia that have made important contributions to the discipline of trumpet playing. Unfortunately, there are very limited English resources available for the recognition of these pioneers, and as such they are often unknown to the general public and even to aspiring musicians. By gathering a collection of biographies, the author’s goal is to shed greater light on the rich trumpet playing and pedagogy heritage and influence in this region.
The research information contained within was primarily gathered through personal interviews conducted by the author in order to ensure that the most up-to-date and accurate information was collected for the project. This project studies nine regions and includes thirty-seven trumpeters deemed to be influential by the author, who has invested her best efforts to acquire the most in-depth and current facts obtainable. The author hopes that the stories behind each of these successful musicians will stimulate trumpeters of all ages and inspire them to pursue their own development and goals in music.
The research for this paper is intended to introduce the reader to many of the influential trumpet performers and pedagogues in East Asian countries and territories along the Western Pacific Ocean Rim, including China, Hong Kong, Japan, the Philippines, Singapore, South Korea, Taiwan (R.O.C.), Thailand, and Vietnam.
Shao-Chun Tsai, the author of this research paper, finds it important for musicians to recognize that they are often influenced by other musicians in addition to their own efforts and self-discovery of who they are as artists. The author is a trumpeter and pianist from Taiwan, and would like to acknowledge the many outstanding trumpet players from Asia that have made important contributions to the discipline of trumpet playing. Unfortunately, there are very limited English resources available for the recognition of these pioneers, and as such they are often unknown to the general public and even to aspiring musicians. By gathering a collection of biographies, the author’s goal is to shed greater light on the rich trumpet playing and pedagogy heritage and influence in this region.
The research information contained within was primarily gathered through personal interviews conducted by the author in order to ensure that the most up-to-date and accurate information was collected for the project. This project studies nine regions and includes thirty-seven trumpeters deemed to be influential by the author, who has invested her best efforts to acquire the most in-depth and current facts obtainable. The author hopes that the stories behind each of these successful musicians will stimulate trumpeters of all ages and inspire them to pursue their own development and goals in music.
ContributorsTsai, Shao-Chun (Author) / Hickman, David R. (Thesis advisor) / Rogers, Rodney (Committee member) / Swoboda, Deanna (Committee member) / Arizona State University (Publisher)
Created2016
Description
This paper is composed of six micro-biographies of inspiring female figures from history: Ziniada Portnova, Nancy Wake, Katherine Johnson, Sunitha Krishnan, Huda Shaarawi, and Fe del Mundo. Traditionally, historians have failed to portray the value of ordinary people who have accomplished extraordinary things. In attempting to change this, the purpose of this project is to educate the public on the role that one person can play in the course of historical events and inspire others to follow the example of these women. Irrespective of geographic location, time period, or social position, each of these women have individually overcame the prevailing sentiment that their voices did not matter and maintained a desire to make a difference in their worlds in defense of their convictions. They made selfless sacrifices of action in order to advance their causes when the role of women was often overlooked. Despite the existing social boundaries and barriers, their confidence in themselves and the faith that they maintained in their convictions allowed them to successfully make a difference. The biographies will highlight the individual power of women who exercised their historical efficacy in the face of adversity. Beyond this written thesis, I am practicing public history by presenting these women at my defense as live women in costume. Similar to a museum exhibit, this use of visuals will further emphasize the reality of their lives, existence, and accomplishments. In narrating and presenting their stories, I hope to do two things. First, to give these women proper recognition for their courage, achievements, and strength. Second, to encourage you, the reader and audience, to believe in your power as an individual and to exercise your historical efficacy.
ContributorsRausch, Kaitlyn Marie (Author) / Barth, Jonathan (Thesis director) / O'Donnell, Catherine (Committee member) / Historical, Philosophical & Religious Studies (Contributor) / School of Politics and Global Studies (Contributor, Contributor) / Dean, W.P. Carey School of Business (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05