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- All Subjects: Chamber music
Description
In order to cope with the decreasing availability of symphony jobs and collegiate faculty positions, many musicians are starting to pursue less traditional career paths. Also, to combat declining audiences, musicians are exploring ways to cultivate new and enthusiastic listeners through relevant and engaging performances. Due to these challenges, many community-based chamber music ensembles have been formed throughout the United States. These groups not only focus on performing classical music, but serve the needs of their communities as well. The problem, however, is that many musicians have not learned the business skills necessary to create these career opportunities. In this document I discuss the steps ensembles must take to develop sustainable careers. I first analyze how groups build a strong foundation through getting to know their communities and creating core values. I then discuss branding and marketing so ensembles can develop a public image and learn how to publicize themselves. This is followed by an investigation of how ensembles make and organize their money. I then examine the ways groups ensure long-lasting relationships with their communities and within the ensemble. I end by presenting three case studies of professional ensembles to show how groups create and maintain successful careers. Ensembles must develop entrepreneurship skills in addition to cultivating their artistry. These business concepts are crucial to the longevity of chamber groups. Through interviews of successful ensemble members and my own personal experiences in the Tetra String Quartet, I provide a guide for musicians to use when creating a community-based ensemble.
ContributorsDalbey, Jenna (Author) / Landschoot, Thomas (Thesis advisor) / McLin, Katherine (Committee member) / Ryan, Russell (Committee member) / Solis, Theodore (Committee member) / Spring, Robert (Committee member) / Arizona State University (Publisher)
Created2013
Description
American Primitive is a composition written for wind ensemble with an instrumentation of flute, oboe, clarinet, bass clarinet, alto, tenor, and baritone saxophones, trumpet, horn, trombone, euphonium, tuba, piano, and percussion. The piece is approximately twelve minutes in duration and was written September - December 2013. American Primitive is absolute music (i.e. it does not follow a specific narrative) comprising blocks of distinct, contrasting gestures which bookend a central region of delicate textural layering and minimal gestural contrast. Though three gestures (a descending interval followed by a smaller ascending interval, a dynamic swell, and a chordal "chop") were consciously employed throughout, it is the first gesture of the three that creates a sense of unification and overall coherence to the work. Additionally, the work challenges listeners' expectations of traditional wind ensemble music by featuring the trumpet as a quasi-soloist whose material is predominately inspired by transcriptions of jazz solos. This jazz-inspired material is at times mimicked and further developed by the ensemble, also often in a soloistic manner while the trumpet maintains its role throughout. This interplay of dialogue between the "soloists" and the "ensemble" further skews listeners' conceptions of traditional wind ensemble music by featuring almost every instrument in the ensemble. Though the term "American Primitive" is usually associated with the "naïve art" movement, it bears no association to the music presented in this work. Instead, the term refers to the author's own compositional attitudes, education, and aesthetic interests.
ContributorsJandreau, Joshua (Composer) / Rockmaker, Jody D (Thesis advisor) / Rogers, Rodney I (Committee member) / Demars, James R (Committee member) / Arizona State University (Publisher)
Created2014
Description
I combine, compare, and contrast the results from two different numerical techniques (grid vs. particle methods) studying multi-scale processes in galaxy and structure formation. I produce a method for recreating identical initial conditions for one method from those of the other, and explore methodologies necessary for making these two methods as consistent as possible. With this, I first study the impact of streaming velocities of baryons with respect to dark matter, present at the epoch of reionization, on the ability for small halos to accrete gas at high redshift. With the inclusion of this stream velocity, I find the central density profile of halos is reduced, overall gas condensation is delayed, and infer a delay in the inevitable creation of stars.
I then combine the two numerical methods to study starburst outflows as they interact with satellite halos. This process leads to shocks catalyzing the formation of molecular coolants that lead to bursts in star formation, a process that is better captured in grid methods. The resultant clumps of stars are removed from their initial dark matter halo, resemble precursors to modern-day globular clusters, and their formation may be observable with upcoming telescopes.
Finally, I perform two simulation suites, comparing each numerical method's ability to model the impact of energetic feedback from accreting black holes at the core of giant clusters. With these comparisons I show that black hole feedback can maintain a hot diffuse medium while limiting the amount of gas that can condense into the interstellar medium, reducing the central star formation by up to an order of magnitude.
I then combine the two numerical methods to study starburst outflows as they interact with satellite halos. This process leads to shocks catalyzing the formation of molecular coolants that lead to bursts in star formation, a process that is better captured in grid methods. The resultant clumps of stars are removed from their initial dark matter halo, resemble precursors to modern-day globular clusters, and their formation may be observable with upcoming telescopes.
Finally, I perform two simulation suites, comparing each numerical method's ability to model the impact of energetic feedback from accreting black holes at the core of giant clusters. With these comparisons I show that black hole feedback can maintain a hot diffuse medium while limiting the amount of gas that can condense into the interstellar medium, reducing the central star formation by up to an order of magnitude.
ContributorsRichardson, Mark Lawrence Albert (Author) / Scannapieco, Evan (Thesis advisor) / Rhoads, James (Committee member) / Scowen, Paul (Committee member) / Timmes, Frank (Committee member) / Young, Patrick (Committee member) / Arizona State University (Publisher)
Created2014
Description
This project is a practical annotated bibliography of original works for oboe trio with the specific instrumentation of two oboes and English horn. Presenting descriptions of 116 readily available oboe trios, this project is intended to promote awareness, accessibility, and performance of compositions within this genre.
The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentation are not included.
Entries in this annotated bibliography are listed alphabetically by the last name of the composer. Each entry includes the dates of the composer and a brief biography, followed by the title of the work, composition date, commission, and dedication of the piece. Also included are the names of publishers, the length of the entire piece in minutes and seconds, and an incipit of the first one to eight measures for each movement of the work.
In addition to providing a comprehensive and detailed bibliography of oboe trios, this document traces the history of the oboe trio and includes biographical sketches of each composer cited, allowing readers to place the genre of oboe trios and each individual composition into its historical context. Four appendices at the end include a list of trios arranged alphabetically by composer's last name, chronologically by the date of composition, and by country of origin and a list of publications of Ludwig van Beethoven's oboe trios from the 1940s and earlier.
The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentation are not included.
Entries in this annotated bibliography are listed alphabetically by the last name of the composer. Each entry includes the dates of the composer and a brief biography, followed by the title of the work, composition date, commission, and dedication of the piece. Also included are the names of publishers, the length of the entire piece in minutes and seconds, and an incipit of the first one to eight measures for each movement of the work.
In addition to providing a comprehensive and detailed bibliography of oboe trios, this document traces the history of the oboe trio and includes biographical sketches of each composer cited, allowing readers to place the genre of oboe trios and each individual composition into its historical context. Four appendices at the end include a list of trios arranged alphabetically by composer's last name, chronologically by the date of composition, and by country of origin and a list of publications of Ludwig van Beethoven's oboe trios from the 1940s and earlier.
ContributorsSassaman, Melissa Ann (Author) / Schuring, Martin (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Hill, Gary (Committee member) / Arizona State University (Publisher)
Created2014
Description
Cosmology, carrying imprints from the entire history of the universe, has emerged as a precise observational science over the past 30 years. It can probe physics beyond the Standard Model at energy scales much higher than the weak scale. This thesis reports on some important probes of beyond standard model physics derived in a cosmological setting - (I) It is shown that primordial gravitational waves left over from inflation carry unique detectable CMB signatures for neutrino masses, axions and any other relativistic species that may have been present. (II) Higgs Inflation, the most popular and compelling inflation model with a higgs boson is studied next and it is shown that quantum effects have so far been incorrectly incorporated. A spurious gauge ambiguity arising from quantum effects enters the canonical prediction for observables in Higgs Inflation that must be addressed. (III) A new novel mechanism for generating the observed baryon asymmetry of the universe via decaying gravitinos is proposed. If the Supersymmetry (SUSY) breaking scale is high, then in the presence of R-parity violation, gravitinos can successfully reproduce the baryon asymmetry and evade all low energy constraints. (IV) The final chapter reports on a new completely general analysis of simplified models used in direct detection of dark matter. This is useful to explore what high energy physics constraints can be obtained from direct detection experiments.
ContributorsSabharwal, Subir (Author) / Krauss, Lawrence M (Thesis advisor) / Vachaspati, Tanmay (Thesis advisor) / Mauskopf, Philip D (Committee member) / Lunardini, Cecilia (Committee member) / Arizona State University (Publisher)
Created2015
Description
The universe since its formation 13.7 billion years ago has undergone many changes. It began with expanding and cooling down to a temperature low enough for formation of atoms of neutral Hydrogen and Helium gas. Stronger gravitational pull in certain regions caused some regions to be denser and hotter than others. These regions kept getting denser and hotter until they had centers hot enough to burn the hydrogen and form the first stars, which ended the Dark Ages. These stars did not live long and underwent violent explosions. These explosions and the photons from the stars caused the hydrogen gas around them to ionize. This went on until all the hydrogen gas in the universe was ionized. This period is known as Epoch Of Reionization. Studying the Epoch Of Reionization will help understand the formation of these early stars, the timeline of the reionization and the formation of the stars and galaxies as we know them today. Studying the radiations from the 21cm line in neutral hydrogen, redshifted to below 200MHz can help determine details such as velocity, density and temperature of these early stars and the media around them.
The EDGES program is one of the many programs that aim to study the Epoch of Reionization. It is a ground-based project deployed in Murchison Radio-Astronomy Observatory in Western Australia. At ground level the Radio Frequency Interference from the ionosphere and various man-made transmitters in the same frequency range as the EDGES receiver make measurements, receiver design and extraction of useful data from received signals difficult. Putting the receiver in space can help majorly escape the RFI. The EDGES In Space is a proposed project that aims at designing a receiver similar to the EDGES receiver but for a cubesat.
This thesis aims at designing a prototype receiver that is similar in architecture to the EDGES low band receiver (50-100MHz) but is significantly smaller in size (small enough to fit on a PCB for a cubesat) while keeping in mind different considerations that affect circuit performance in space.
The EDGES program is one of the many programs that aim to study the Epoch of Reionization. It is a ground-based project deployed in Murchison Radio-Astronomy Observatory in Western Australia. At ground level the Radio Frequency Interference from the ionosphere and various man-made transmitters in the same frequency range as the EDGES receiver make measurements, receiver design and extraction of useful data from received signals difficult. Putting the receiver in space can help majorly escape the RFI. The EDGES In Space is a proposed project that aims at designing a receiver similar to the EDGES receiver but for a cubesat.
This thesis aims at designing a prototype receiver that is similar in architecture to the EDGES low band receiver (50-100MHz) but is significantly smaller in size (small enough to fit on a PCB for a cubesat) while keeping in mind different considerations that affect circuit performance in space.
ContributorsJambagi, Ashwini (Author) / Mauskopf, Philip (Thesis advisor) / Aberle, James T., 1961- (Thesis advisor) / Trichopoulos, Georgios (Committee member) / Arizona State University (Publisher)
Created2019
ContributorsPagano, Caio, 1940- (Performer) / Mechetti, Fabio (Conductor) / Buck, Elizabeth (Performer) / Schuring, Martin (Performer) / Spring, Robert (Performer) / Rodrigues, Christiano (Performer) / Landschoot, Thomas (Performer) / Rotaru, Catalin (Performer) / Avanti Festival Orchestra (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-02
Description
The Cosmic Microwave Background (CMB) has provided precise information on the evolution of the Universe and the current cosmological paradigm. The CMB has not yet provided definitive information on the origin and strength of any primordial magnetic fields or how they affect the presence of magnetic fields observed throughout the cosmos. This work outlines an alternative method to investigating and identifying the presence of cosmic magnetic fields. This method searches for Faraday Rotation (FR) and specifically uses polarized CMB photons as back-light. I find that current generation CMB experiments may be not sensitive enough to detect FR but next generation experiments should be able to make highly significant detections. Identifying FR with the CMB will provide information on the component of magnetic fields along the line of sight of observation.
The 21cm emission from the hyperfine splitting of neutral Hydrogen in the early universe is predicted to provide precise information about the formation and evolution of cosmic structure, complementing the wealth of knowledge gained from the CMB.
21cm cosmology is a relatively new field, and precise measurements of the Epoch of Reionization (EoR) have not yet been achieved. In this work I present 2σ upper limits on the power spectrum of 21cm fluctuations (Δ²(k)) probed at the cosmological wave number k from the Donald C. Backer Precision Array for Probing the Epoch of Reionization (PAPER) 64 element deployment. I find upper limits on Δ²(k) in the range 0.3 < k < 0.6 h/Mpc to be (650 mK)², (450 mK)², (390 mK)², (250 mK)², (280mK)², (250 mK)² at redshifts z = 10.87, 9.93, 8.91, 8.37, 8.13 and 7.48 respectively
Building on the power spectrum analysis, I identify a major limiting factor in detecting the 21cm power spectrum.
This work is concluded by outlining a metric to evaluate the predisposition of redshifted 21cm interferometers to foreground contamination in power spectrum estimation. This will help inform the construction of future arrays and enable high fidelity imaging and
cross-correlation analysis with other high redshift cosmic probes like the CMB and other upcoming all sky surveys. I find future
arrays with uniform (u,v) coverage and small spectral evolution of their response in the (u,v,f) cube can minimize foreground leakage while pursuing 21cm imaging.
The 21cm emission from the hyperfine splitting of neutral Hydrogen in the early universe is predicted to provide precise information about the formation and evolution of cosmic structure, complementing the wealth of knowledge gained from the CMB.
21cm cosmology is a relatively new field, and precise measurements of the Epoch of Reionization (EoR) have not yet been achieved. In this work I present 2σ upper limits on the power spectrum of 21cm fluctuations (Δ²(k)) probed at the cosmological wave number k from the Donald C. Backer Precision Array for Probing the Epoch of Reionization (PAPER) 64 element deployment. I find upper limits on Δ²(k) in the range 0.3 < k < 0.6 h/Mpc to be (650 mK)², (450 mK)², (390 mK)², (250 mK)², (280mK)², (250 mK)² at redshifts z = 10.87, 9.93, 8.91, 8.37, 8.13 and 7.48 respectively
Building on the power spectrum analysis, I identify a major limiting factor in detecting the 21cm power spectrum.
This work is concluded by outlining a metric to evaluate the predisposition of redshifted 21cm interferometers to foreground contamination in power spectrum estimation. This will help inform the construction of future arrays and enable high fidelity imaging and
cross-correlation analysis with other high redshift cosmic probes like the CMB and other upcoming all sky surveys. I find future
arrays with uniform (u,v) coverage and small spectral evolution of their response in the (u,v,f) cube can minimize foreground leakage while pursuing 21cm imaging.
ContributorsKolopanis, Matthew John (Author) / Bowman, Judd (Thesis advisor) / Mauskopf, Philip (Thesis advisor) / Lunardini, Cecilia (Committee member) / Chamberlin, Ralph (Committee member) / Vachaspati, Tanmay (Committee member) / Arizona State University (Publisher)
Created2018
Description
The formation of the firsts stars some 100-300 Myr after the Big Bang marked the end of the cosmic darks ages and created the elemental building blocks of not only rocky planets but eventually us. Understanding their formation, lifetimes, and contributions to the evolution of our universe is one of the current frontiers in astronomy and astrophysics.
In this work I present an improved model for following the formation of Pop III stars, their effects on early galaxy evolution, and how we might search for them. I make use of a new subgrid model of turbulent mixing to accurately follow the time scales required to mix supernova (SN) ejecta -- enriched with heavy elements -- into the pristine gas. I implement this model within a large-scale cosmological simulation and follow the fraction of gas with metallicity below a critical value marking the boundary between Pop III and metal enriched Population II (Pop II) star formation. I demonstrate that accounting for subgrid mixing results in a Pop III stars formation rate that is 2-3 times higher than standard models with the same physical resolution.
I also implement and track a new "Primordial metals" (PM) scalar that tracks the metals generated by Pop III SNe. These metals are taken up by second generation stars and likely result in a subclass of carbon-enhanced, metal-poor (CEMP) stars. By tracking both regular metals and PM, I can model, in post-processing, the elemental abundances of simulation stars. I find good agreement between observations of CEMP-no Milky Way halo stars and second generation stars within the simulation when assuming the first stars had a typical mass of 60 M☉, providing clues as to the Pop III initial mass function.
In this work I present an improved model for following the formation of Pop III stars, their effects on early galaxy evolution, and how we might search for them. I make use of a new subgrid model of turbulent mixing to accurately follow the time scales required to mix supernova (SN) ejecta -- enriched with heavy elements -- into the pristine gas. I implement this model within a large-scale cosmological simulation and follow the fraction of gas with metallicity below a critical value marking the boundary between Pop III and metal enriched Population II (Pop II) star formation. I demonstrate that accounting for subgrid mixing results in a Pop III stars formation rate that is 2-3 times higher than standard models with the same physical resolution.
I also implement and track a new "Primordial metals" (PM) scalar that tracks the metals generated by Pop III SNe. These metals are taken up by second generation stars and likely result in a subclass of carbon-enhanced, metal-poor (CEMP) stars. By tracking both regular metals and PM, I can model, in post-processing, the elemental abundances of simulation stars. I find good agreement between observations of CEMP-no Milky Way halo stars and second generation stars within the simulation when assuming the first stars had a typical mass of 60 M☉, providing clues as to the Pop III initial mass function.
ContributorsSarmento, Richard John (Author) / Scannapieco, Evan (Thesis advisor) / Windhorst, Rogier (Committee member) / Young, Patrick (Committee member) / Timmes, Frank (Committee member) / Patience, Jennifer (Committee member) / Arizona State University (Publisher)
Created2018
ContributorsSchuring, Martin (Performer) / Stromberg, Eric (Performer) / Campbell, Andrew (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-08-19