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Description
In this study, the Bark transform and Lobanov method were used to normalize vowel formants in speech produced by persons with dysarthria. The computer classification accuracy of these normalized data were then compared to the results of human perceptual classification accuracy of the actual vowels. These results were then analyzed

In this study, the Bark transform and Lobanov method were used to normalize vowel formants in speech produced by persons with dysarthria. The computer classification accuracy of these normalized data were then compared to the results of human perceptual classification accuracy of the actual vowels. These results were then analyzed to determine if these techniques correlated with the human data.
ContributorsJones, Hanna Vanessa (Author) / Liss, Julie (Thesis director) / Dorman, Michael (Committee member) / Borrie, Stephanie (Committee member) / Barrett, The Honors College (Contributor) / Department of Speech and Hearing Science (Contributor) / Department of English (Contributor) / Speech and Hearing Science (Contributor)
Created2013-05
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Description
Prosodic features such as fundamental frequency (F0), intensity, and duration convey important information of speech intonation (i.e., is it a statement or a question?). Because cochlear implants (CIs) do not adequately encode pitch-related F0 cues, pre-lignually deaf pediatric CI users have poorer speech intonation perception and production than normal-hearing (NH)

Prosodic features such as fundamental frequency (F0), intensity, and duration convey important information of speech intonation (i.e., is it a statement or a question?). Because cochlear implants (CIs) do not adequately encode pitch-related F0 cues, pre-lignually deaf pediatric CI users have poorer speech intonation perception and production than normal-hearing (NH) children. In contrast, post-lingually deaf adult CI users have developed speech production skills via normal hearing before deafness and implantation. Further, combined electric hearing (via CI) and acoustic hearing (via hearing aid, HA) may improve CI users’ perception of pitch cues in speech intonation. Therefore, this study tested (1) whether post-lingually deaf adult CI users have similar speech intonation production to NH adults and (2) whether their speech intonation production improves with auditory feedback via CI+HA (i.e., bimodal hearing). Eight post-lingually deaf adult bimodal CI users and nine NH adults participated in this study. 10 question-and-answer dialogues with an experimenter were used to elicit 10 pairs of syntactically matched questions and statements from each participant. Bimodal CI users were tested under four hearing conditions: no-device (ND), HA, CI, and CI+HA. F0 change, intensity change, and duration ratio between the last two syllables of each utterance were analyzed to evaluate the quality of speech intonation production. The results showed no significant differences between CI and NH participants in any of the acoustic features of questions and statements. For CI participants, the CI+HA condition led to significantly greater F0 decreases of statements than the ND condition, while the ND condition led to significantly greater duration ratios of questions and statements. These results suggest that bimodal CI users change the use of prosodic cues for speech intonation production in different hearing conditions and access to auditory feedback via CI+HA may improve their voice pitch control to produce more salient statement intonation contours.
ContributorsAi, Chang (Author) / Luo, Xin (Thesis advisor) / Daliri, Ayoub (Committee member) / Davidson, Lisa (Committee member) / Arizona State University (Publisher)
Created2022
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Description
Music is an important part of everyday life. It plays a crucial role for human connection and provides a communication network for emotions. Hearing loss can negatively impact the music experience. Although Cochlear Implants (CI) enable individuals with severe to profound hearing loss to successfully understand spoken language, many users

Music is an important part of everyday life. It plays a crucial role for human connection and provides a communication network for emotions. Hearing loss can negatively impact the music experience. Although Cochlear Implants (CI) enable individuals with severe to profound hearing loss to successfully understand spoken language, many users find their experience with music less than satisfactory. Music training programs may offer a hopeful solution to recondition the music experience for CI users. However, music training programs available to CI users today generally carry more weight on improving the perceptual accuracy of music rather than enhancing appreciation and enjoyment. The primary objective of this review is to identify different types of music training programs and their connection to music appreciation. A brief overview of the factors that contribute to music appreciation are also provided.
ContributorsGellhaus, Jacynda (Author) / Luo, Xin (Thesis advisor) / Rao, Aparna (Committee member) / Berisha, Visar (Committee member) / Arizona State University (Publisher)
Created2021
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Description
Speech and music are traditionally thought to be primarily supported by different hemispheres. A growing body of evidence suggests that speech and music often rely on shared resources in bilateral brain networks, though the right and left hemispheres exhibit some domain-specific specialization. While there is ample research investigating speech deficits

Speech and music are traditionally thought to be primarily supported by different hemispheres. A growing body of evidence suggests that speech and music often rely on shared resources in bilateral brain networks, though the right and left hemispheres exhibit some domain-specific specialization. While there is ample research investigating speech deficits in individuals with right hemisphere lesions and amusia, fewer investigate amusia in individuals with left hemisphere lesions and aphasia. Many of the fronto-temporal-parietal regions in the left hemisphere commonly associated with speech processing and production are also implicated in bilateral music processing networks. The current study investigates the relationship between damage to specific regions of interest within these networks, and an individual’s ability to successfully match the pitch and rhythm of a presented melody. Twenty-seven participants with chronic-stroke lesions were given a melody repetition task to hum short novel piano melodies. Participants underwent structural MRI acquisition and were administered an extensive speech and cognitive battery. Pitch and rhythm scores were calculated by correlating participant responses and target piano notes. Production errors were calculated by counting trials with responses that don’t match the target melody’s note count. Overall, performance varied widely, and rhythm scores were significantly correlated. Working memory scores were significantly correlated with rhythm scores and production errors, but not pitch scores. Broca’s area lesions were not associated with significant differences in any of the melody repetition measures, while left Heschl’s gyrus lesions were associated with worse performance on pitch, rhythm, and production errors. Lower rhythm scores were associated with lesions including both the left anterior and posterior superior temporal gyrus, and in participants with damage to the left planum temporale. The other regions of interest were not consistently associated with poorer pitch scores or production errors. Although the present study does have limitations, the current study suggests lesions to left hemisphere regions thought to only affect speech also affect musical pitch and rhythm processing. Therefore, amusia should not be characterized solely as a right hemisphere disorder. Instead, musical abilities of individuals with left hemisphere stroke and aphasia should be characterized to better understand their deficits and mechanisms of impairment.
ContributorsWojtaszek, Mallory (Author) / Rogalsky, Corianne (Thesis advisor) / Daliri, Ayoub (Committee member) / Patten, Kristopher (Committee member) / Arizona State University (Publisher)
Created2022
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Description
Past studies have shown that auditory feedback plays an important role in maintaining the speech production system. Typically, speakers compensate for auditory feedback alterations when the alterations persist over time (auditory motor adaptation). Our study focused on how to increase the rate of adaptation by using different auditory feedback conditions.

Past studies have shown that auditory feedback plays an important role in maintaining the speech production system. Typically, speakers compensate for auditory feedback alterations when the alterations persist over time (auditory motor adaptation). Our study focused on how to increase the rate of adaptation by using different auditory feedback conditions. For the present study, we recruited a total of 30 participants. We examined auditory motor adaptation after participants completed three conditions: Normal speaking, noise-masked speaking, and silent reading. The normal condition was used as a control condition. In the noise-masked condition, noise was added to the auditory feedback to completely mask speech outputs. In the silent reading condition, participants were instructed to silently read target words in their heads, then read the words out loud. We found that the learning rate in the noise-masked condition was lower than that in the normal condition. In contrast, participants adapted at a faster rate after they experience the silent reading condition. Overall, this study demonstrated that adaptation rate can be modified through pre-exposing participants to different types auditory-motor manipulations.
ContributorsNavarrete, Karina (Author) / Daliri, Ayoub (Thesis director) / Peter, Beate (Committee member) / College of Health Solutions (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05