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Description
Japanese literature of the Heian Era (794-1185) abounds with references to musical instruments and episodes of performance. This thesis provides some insight into that music by translating sections of the "Wakana II" (Spring Shoots II) chapter of the early 11th-century novel Genji monogatari (The Tale of Genji). It explains the

Japanese literature of the Heian Era (794-1185) abounds with references to musical instruments and episodes of performance. This thesis provides some insight into that music by translating sections of the "Wakana II" (Spring Shoots II) chapter of the early 11th-century novel Genji monogatari (The Tale of Genji). It explains the musical references and shows how, in the context of the novel, musical performance, musical teaching, and interpersonal relationships were inextricably intertwined. Detailed appendices provide background on traditional Japanese musical instruments, musical theory, and related subjects.
ContributorsBotway, Lloyd (Author) / Creamer, John (Thesis advisor) / Chambers, Anthony (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
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Description
Hirano Keiichirou is an award-winning, contemporary Japanese author. He experiments with many styles, and his novels explore a broad range of themes and social issues. Unfortunately, little of his work is available in English translation, and he remains largely unknown to English-reading audiences. This thesis includes a brief overview of

Hirano Keiichirou is an award-winning, contemporary Japanese author. He experiments with many styles, and his novels explore a broad range of themes and social issues. Unfortunately, little of his work is available in English translation, and he remains largely unknown to English-reading audiences. This thesis includes a brief overview of Hirano's career as well as translations and analyses of two of his short stories, "Tojikomerareta shounen" ("Trapped," 2003) and "Hinshi no gogo to namiutsu iso no osanai kyoudai" ("A Fatal Afternoon and Young Brothers on a Wave-swept Shore," 2003). These two stories are representative of the second period of Hirano's career, in which he focused on short fiction. They integrate experimental literary styles with contemporary, real-life themes to create effective, resonant literature.
ContributorsGeist, Brandon (Author) / Chambers, Anthony H (Thesis advisor) / Creamer, John (Committee member) / Dutoit, Anne-Catherine (Committee member) / Arizona State University (Publisher)
Created2012