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Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from

Despite the wealth of folk music traditions in Portugal and the importance of the clarinet in the music of bandas filarmonicas, it is uncommon to find works featuring the clarinet using Portuguese folk music elements. In the interest of expanding this type of repertoire, three new works were commissioned from three different composers. The resulting works are Seres Imaginarios 3 by Luis Cardoso; Delirio Barroco by Tiago Derrica; and Memória by Pedro Faria Gomes. In an effort to submit these new works for inclusion into mainstream performance literature, the author has recorded these works on compact disc. This document includes interview transcripts with each composer, providing first-person discussion of each composition, as well as detailed biographical information on each composer. To provide context, the author has included a brief discussion on Portuguese folk music, and in particular, the role that the clarinet plays in Portuguese folk music culture.
ContributorsFerreira, Wesley (Contributor) / Spring, Robert S (Thesis advisor) / Bailey, Wayne (Committee member) / Gardner, Joshua (Committee member) / Hill, Gary (Committee member) / Schuring, Martin (Committee member) / Solis, Theodore (Committee member) / Arizona State University (Publisher)
Created2013
Description
Infants partake in a developmental process between birth and 18 months which takes them from small movement while lying on their anterior side, through to walking, running, and jumping. In order to properly progress through this process, infants must learn to crawl before they learn to walk; though this

Infants partake in a developmental process between birth and 18 months which takes them from small movement while lying on their anterior side, through to walking, running, and jumping. In order to properly progress through this process, infants must learn to crawl before they learn to walk; though this process can be altered by the influence of infant locomotor devices.

The use of infant locomotor devices such as walkers, jumpers, and exersaucers are widely controversial amongst parents and pediatricians. Parents often cite benefits to the child with device exposure, whereas pediatricians often warn against the use of them. The concern of the pediatricians lay within the risk that comes along with increased mobility, as well as the upright position the device puts the child in. The child is often unable to place themselves in this position outside of the device due to not being ready in their developmental pathway. The device places the child upright with their legs hanging below with their feet not flat on the ground supporting weight. This position can place strain on the infants’ hips, lower back, and trunk.

Research shows that infants with prolonged device exposure tend to reach their locomotor milestones later than infants with average to ideal exposure. Infants with prolonged device exposure have also been found to score lower on developmental assessments. To reduce the risk of injury and developmental delay, the American Academy of Pediatrics ban the production and sale of infant walkers, and advised parents allow their children to play in more natural positions, rather than the position the locomotor devices place the child in.
In order to bridge the gap of education provided to parents and caregivers, and the knowledge of the pediatricians, further research should be done to collect up to date data of the impact of these devices and the long-term impact of these devices past the age of three. Working to expand the educational outreach to parents, particularly in the medical setting, would also be beneficial in working to reduce the exposure infants have to these devices and in turn, the number of injuries and developmental delays associated with use.
ContributorsMcHale, Annika (Author) / Nolan, Nicole Blaize (Thesis director) / Cataldo, Donna (Committee member) / Educational Leadership & Innovation, Division (Contributor) / School of Social and Behavioral Sciences (Contributor) / College of Health Solutions (Contributor) / Barrett, The Honors College (Contributor)
Created2019-12
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for

The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016
Description
This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The

This project includes a recording and performance guide for three newly commissioned pieces for the clarinet. The first piece, shimmer, was written by Grant Jahn and is for B-flat clarinet and electronics. The second piece, Paragon, is for B-flat clarinet and piano and was composed by Dr. Theresa Martin. The third and final piece, Duality in the Eye of a Bovine, was written by Kurt Mehlenbacher and is for B-flat clarinet, bass clarinet, and piano. In addition to the performance guide, this document also includes background information and program notes for the compositions, as well as composer biographical information, a list of other works featuring the clarinet by each composer, and transcripts of composer and performer interviews. This document is accompanied by a recording of the three pieces.
ContributorsPoupard, Caitlin Marie (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Hill, Gary (Committee member) / Oldani, Robert (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016