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ContributorsSpring, Robert (Performer) / Montilla, Jorge (Performer) / Campbell, Andrew (Pianist) (Performer) / Ericson, John Q. (John Quincy), 1962- (Performer) / Simon, Ellen (Performer) / Smith, J. B., 1957- (Performer) / ASU Library. Music Library (Publisher)
Created2004-09-12
ContributorsHoover, Eric (Performer) / Lockwood, Ralph (Performer) / Metz, John (Performer) / McCalla, Shan E. (Performer) / ASU Library. Music Library (Publisher)
Created1988-02-07
ContributorsSmith, J. B., 1957- (Performer) / Jiang, Danwen (Performer) / Spring, Robert (Performer) / ASU Library. Music Library (Publisher)
Created2008-01-25
ContributorsCreviston, Christopher (Performer) / Creviston, Hannah (Performer) / Mancuso, Simone (Performer) / Nottingham, Doug (Performer) / Adler, Jacob (Performer) / Spring, Robert (Conductor) / Gardner, Joshua (Performer) / Clarinet Ensemble (Performer) / ASU Library. Music Library (Publisher)
Created2014-04-30
ContributorsSubotnick, Morton (Composer) / Hackbarth, Glenn, 1949- (Contributor) / Spring, Robert (Performer) / Hershberger, Jay (Performer) / Smith, J. B., 1957- (Performer) / New Music Ensemble (Performer) / ASU Library. Music Library (Publisher)
Created1990-12-11
ContributorsMohler, John (Performer) / Spring, Robert (Performer) / Sellheim, Eckart (Performer) / ASU Library. Music Library (Publisher)
Created1990-03-03
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Description
Electronic music, including the subgenre of interactive electronic music, has a century-old history and has established itself as a vital and important element of modern music cultures throughout the world. Acoustic musicians in the twenty-first century will be expected to perform and interact with electronic music. Currently, however, few resources

Electronic music, including the subgenre of interactive electronic music, has a century-old history and has established itself as a vital and important element of modern music cultures throughout the world. Acoustic musicians in the twenty-first century will be expected to perform and interact with electronic music. Currently, however, few resources are available to either the student or teacher to help advancing young musicians develop their skills working with electronic musical components. A considerable amount of electronic music is prohibitive due to cost, access to equipment, and degree of difficulty. Therefore, a set of works designed to specifically reduce these prohibitive costs seems necessary. As a performer/composer that plays clarinet and as an electronic musician that regularly utilizes the open-source programming software Pure Data (Pd), I feel my composing, performing, and technical experience uniquely positions me to create educational materials. For this project, I will compose/program a collection of electronic etudes for clarinet and electronics that: (1) utilizes Pd to provide electronic accompaniment, (2) is composed for clarinetists of varying experience levels, (3) and will be commercially available as electronic PDF and Pd files.
ContributorsBennett, Joshua (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Moon, Barry (Committee member) / Arizona State University (Publisher)
Created2020
Description
Composed by Adele Etheridge Woodson in 2018, Thrive is an original composition for live euphonium and prepared electronic backing track; it was commissioned by David Gonzalez and premiered at the International Women’s Brass Conference at Arizona State University. The musical piece incorporates multiple audio bytes from personal interviews and videos

Composed by Adele Etheridge Woodson in 2018, Thrive is an original composition for live euphonium and prepared electronic backing track; it was commissioned by David Gonzalez and premiered at the International Women’s Brass Conference at Arizona State University. The musical piece incorporates multiple audio bytes from personal interviews and videos found online, including words said by pop figure icons, Congressmen, and President Donald J. Trump. The goal of Thrive is to creatively highlight the fight for gender equality among a male-dominant, misogynist society. It also serves as a fresh piece of repertoire for the euphonium, which often lacks original compositions by living composers. This paper will discuss Etheridge Woodson’s creative writing process, creation of the backing track, its world premiere, audience reaction, and a personal reflection.
ContributorsEtheridge Woodson, Adele (Author) / Swoboda, Deanna (Thesis director) / Roumain, Daniel Bernard (Committee member) / School of Film, Dance and Theatre (Contributor) / School of Music (Contributor) / Barrett, The Honors College (Contributor)
Created2019-12
ContributorsLandschoot, Thomas (Performer) / Marelli, Michele (Performer) / Millea, Joe (Performer) / Spring, Robert (Performer) / ASU Library. Music Library (Publisher)
Created2017-11-08
ContributorsMarshall, Kimberly (Speaker) / Levy, Ben (Speaker) / Spring, Robert (Performer) / Dalbey, Jenna (Performer) / ASU Library. Music Library (Publisher)
Created2011-04-27