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Description
The world of a hearing impaired person is much different than that of somebody capable of discerning different frequencies and magnitudes of sound waves via their ears. This is especially true when hearing impaired people play video games. In most video games, surround sound is fed through some sort of

The world of a hearing impaired person is much different than that of somebody capable of discerning different frequencies and magnitudes of sound waves via their ears. This is especially true when hearing impaired people play video games. In most video games, surround sound is fed through some sort of digital output to headphones or speakers. Based on this information, the gamer can discern where a particular stimulus is coming from and whether or not that is a threat to their wellbeing within the virtual world. People with reliable hearing have a distinct advantage over hearing impaired people in the fact that they can gather information not just from what is in front of them, but from every angle relative to the way they're facing. The purpose of this project was to find a way to even the playing field, so that a person hard of hearing could also receive the sensory feedback that any other person would get while playing video games To do this, visual surround sound was created. This is a system that takes a surround sound input, and illuminates LEDs around the periphery of glasses based on the direction, frequency and amplitude of the audio wave. This provides the user with crucial information on the whereabouts of different elements within the game. In this paper, the research and development of Visual Surround Sound is discussed along with its viability in regards to a deaf person's ability to learn the technology, and decipher the visual cues.
ContributorsKadi, Danyal (Co-author) / Burrell, Nathaneal (Co-author) / Butler, Kristi (Co-author) / Wright, Gavin (Co-author) / Kosut, Oliver (Thesis director) / Bliss, Daniel (Committee member) / Barrett, The Honors College (Contributor) / Electrical Engineering Program (Contributor)
Created2015-05
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Description
Detecting early signs of neurodegeneration is vital for measuring the efficacy of pharmaceuticals and planning treatments for neurological diseases. This is especially true for Amyotrophic Lateral Sclerosis (ALS) where differences in symptom onset can be indicative of the prognosis. Because it can be measured noninvasively, changes in speech production have

Detecting early signs of neurodegeneration is vital for measuring the efficacy of pharmaceuticals and planning treatments for neurological diseases. This is especially true for Amyotrophic Lateral Sclerosis (ALS) where differences in symptom onset can be indicative of the prognosis. Because it can be measured noninvasively, changes in speech production have been proposed as a promising indicator of neurological decline. However, speech changes are typically measured subjectively by a clinician. These perceptual ratings can vary widely between clinicians and within the same clinician on different patient visits, making clinical ratings less sensitive to subtle early indicators. In this paper, we propose an algorithm for the objective measurement of flutter, a quasi-sinusoidal modulation of fundamental frequency that manifests in the speech of some ALS patients. The algorithm detailed in this paper employs long-term average spectral analysis on the residual F0 track of a sustained phonation to detect the presence of flutter and is robust to longitudinal drifts in F0. The algorithm is evaluated on a longitudinal speech dataset of ALS patients at varying stages in their prognosis. Benchmarking with two stages of perceptual ratings provided by an expert speech pathologist indicate that the algorithm follows perceptual ratings with moderate accuracy and can objectively detect flutter in instances where the variability of the perceptual rating causes uncertainty.
ContributorsPeplinski, Jacob Scott (Author) / Berisha, Visar (Thesis director) / Liss, Julie (Committee member) / Electrical Engineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
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Description

Lossy compression is a form of compression that slightly degrades a signal in ways that are ideally not detectable to the human ear. This is opposite to lossless compression, in which the sample is not degraded at all. While lossless compression may seem like the best option, lossy compression, which

Lossy compression is a form of compression that slightly degrades a signal in ways that are ideally not detectable to the human ear. This is opposite to lossless compression, in which the sample is not degraded at all. While lossless compression may seem like the best option, lossy compression, which is used in most audio and video, reduces transmission time and results in much smaller file sizes. However, this compression can affect quality if it goes too far. The more compression there is on a waveform, the more degradation there is, and once a file is lossy compressed, this process is not reversible. This project will observe the degradation of an audio signal after the application of Singular Value Decomposition compression, a lossy compression that eliminates singular values from a signal’s matrix.

ContributorsHirte, Amanda (Author) / Kosut, Oliver (Thesis director) / Bliss, Daniel (Committee member) / Electrical Engineering Program (Contributor, Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description
Callithrix jacchus, also known as a common marmoset, is native to the new world. These marmosets possess a wide range of vocal repertoire that is interesting to observe for the purpose of understanding their group communication and their fight or flight responses to the environment around them. In this project,

Callithrix jacchus, also known as a common marmoset, is native to the new world. These marmosets possess a wide range of vocal repertoire that is interesting to observe for the purpose of understanding their group communication and their fight or flight responses to the environment around them. In this project, I am continuing with the project that a previous student, Jasmin, had done to find more data for her study. For the most part, my project entailed recording and labeling the marmoset’s calls into different types.
ContributorsTran, Anh (Author) / Zhou, Yi (Thesis director) / Berisha, Visar (Committee member) / Barrett, The Honors College (Contributor)
Created2021-05
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Description
The marmoset monkey (Callithrix jacchus) is a new-world primate species native to South America rainforests. Because they rely on vocal communication to navigate and survive, marmosets have evolved as a promising primate model to study vocal production, perception, cognition, and social interactions. The purpose of this project is to provide

The marmoset monkey (Callithrix jacchus) is a new-world primate species native to South America rainforests. Because they rely on vocal communication to navigate and survive, marmosets have evolved as a promising primate model to study vocal production, perception, cognition, and social interactions. The purpose of this project is to provide an initial assessment on the vocal repertoire of a marmoset colony raised at Arizona State University and call types they use in different social conditions. The vocal production of a colony of 16 marmoset monkeys was recorded in 3 different conditions with three repeats of each condition. The positive condition involves a caretaker distributing food, the negative condition involves an experimenter taking a marmoset out of his cage to a different room, and the control condition is the normal state of the colony with no human interference. A total of 5396 samples of calls were collected during a total of 256 minutes of audio recordings. Call types were analyzed in semi-automated computer programs developed in the Laboratory of Auditory Computation and Neurophysiology. A total of 5 major call types were identified and their variants in different social conditions were analyzed. The results showed that the total number of calls and the type of calls made differed in the three social conditions, suggesting that monkey vocalization signals and depends on the social context.
ContributorsFernandez, Jessmin Natalie (Author) / Zhou, Yi (Thesis director) / Berisha, Visar (Committee member) / School of International Letters and Cultures (Contributor) / Department of Psychology (Contributor) / School of Life Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05