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Past research has isolated an extension of the copular verb estar into the domain previously sanctioned for its counterpart, ser. This extension has been found in areas of contact between American English and Spanish speaking Mexican immigrants. A similar situation of contact is in occurrence in Arizona, and this study

Past research has isolated an extension of the copular verb estar into the domain previously sanctioned for its counterpart, ser. This extension has been found in areas of contact between American English and Spanish speaking Mexican immigrants. A similar situation of contact is in occurrence in Arizona, and this study endeavored to evaluate if this same extension was present, and to what degree. This study also explores the framework of linguistic hegemony in order to relate language attitudes in Arizona to language change in Arizona. The findings revealed minimal extension. This may be due to language maintenance in response to hegemony.
ContributorsBonnell, Jamie (Author) / Gelderen, Elly van (Thesis advisor) / Major, Roy (Committee member) / Ryan, John (Committee member) / Arizona State University (Publisher)
Created2012
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Over the centuries, definite articles in Romance languages have expanded their use to include generic, collective, and abstract nouns, essentially becoming noun markers. This usage is not confined to just a few languages, either, but is found in most, if not all, Romance languages, major and minor. This thesis examines

Over the centuries, definite articles in Romance languages have expanded their use to include generic, collective, and abstract nouns, essentially becoming noun markers. This usage is not confined to just a few languages, either, but is found in most, if not all, Romance languages, major and minor. This thesis examines the question of how this came to be, whether through diffusion from one language to all others, or through independent parallel development. I first trace the history of definite articles in three major Romance languages, French, Spanish, and Italian, starting with the emergence of the definite article in Late Latin as it derived from Classic Latin demonstratives. It includes an analysis of the use of definite articles in six works of literature, one in each language from the late thirteenth century, and one in each language from around the year 1500. The results show definite articles were used more frequently than expected in the earlier Spanish work, perhaps hinting at diffusion from Spain. Nevertheless, placing these results in historical context, I argue that this use arose through independent parallel development through the process that gave birth to definite articles in the first place - grammaticalization.
ContributorsPerry, Mabry (Author) / Gelderen, Elly van (Thesis advisor) / Pruitt, Kathryn (Committee member) / Adams, Karen (Committee member) / Arizona State University (Publisher)
Created2019
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Description
Creativity is increasingly cited as an educational goal in many international contexts and as a facet of academic and economic success. However, many myths surround creativity that impede its facilitation in the classroom: it is an individual talent, not teachable, and not relevant to adult life outside of artistic domains.

Creativity is increasingly cited as an educational goal in many international contexts and as a facet of academic and economic success. However, many myths surround creativity that impede its facilitation in the classroom: it is an individual talent, not teachable, and not relevant to adult life outside of artistic domains. Further, perceptions of creativity are largely informed by treatment in North American contexts. In second language instruction, linguistic creativity in particular faces greater hurdles for recognition and value, as language learners’ creative language use is often treated as error. In this paper, I argue that creative pedagogies and second language instruction can inform each other; creative pedagogy can lead to greater recognition of the creative power of language learners, and second language research can provide a cultural lens through which to gain understanding of how creativity is enacted in language. To argue that creativity facilitates language learning and is a necessary component of proficiency, I employ B. Kachru’s (1985) notion of bilingual creativity to demonstrate the ubiquity of linguistic creativity in the lives of bilingual language users. With support from Carter (2016) and G. Cook’s (2000) works on everyday creative language and language play, respectively, I demonstrate the value of linguistic creativity for language learning and language socialization. I end by suggesting five guidelines for second language instructors interested in implementing a creative pedagogy framework: (1) promote reflection and noticing in learning and creativity, (2) offer authentic models of linguistic creativity, (3) provide emotion language and multiple methods for emotional expression in interaction, (4) allow for a fusion of L1 and L2 linguistic and cultural knowledge, and (5) respond actively to opportunities for collaborative creativity.
ContributorsWinemiller, Carolena Isabel (Author) / Matsuda, Aya (Thesis advisor) / Gelderen, Elly van (Committee member) / James, Mark (Committee member) / Arizona State University (Publisher)
Created2020