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- Creators: Arizona State University
- Resource Type: Text
Description
The nature of the link between a literary text and its film adaptation has been a point of contention within academic thought since the inception of cinema due to the fact that film adaptation forms part of film history since the early 20th century. For most of the past century, the main concern of critics has been the level of fidelity that adaptations exhibit in terms of their relationship with the text, which was viewed as "the original" that directors needed to use as a model. In the last 25 years, however, the discourse of fidelity has been challenged by a number of intellectuals as a result of poststructuralist thought, which rejects the notion of an "original" text and proclaims the existence of infinite meanings within each text that are constructed by the reader, not the writer. The present investigation will take into account this type of epistemology as its starting point in order to review and defy a number of theoretical approximations from the last several decades that deal with the relationship between literature and cinema towards its main goal of overcoming the limitations of fidelity discourse. This will be carried out through an in-depth analysis of Latin American texts that have been adapted to film. Thematically both the literary texts and the films contain elements that portray the reality of marginalized groups that build their existence in opposition to the model of patriarchal heteronormativity. In current epistemological thought such a modus vivendi falls within the realm of queer theory. Another common thread that unites all the cultural productions is the presence of violence that showcases the high level of intolerance towards any subject who somehow seems to be different, hence threatening the dominant configuration of patriarchy. Furthermore, the different texts and films expose a general fragmentation within Latin American society, a result of the constant struggles among its diverse social groups, between the ones who occupy the position of socioeconomic power and those who are left outside of it; such a fragmentation also stems from the multiple clashes that occur within the marginalized groups themselves.
ContributorsKokalov, Assen (Author) / Foster, David W (Thesis advisor) / Mcelroy, Isis (Committee member) / Urioste-Azcorra, Carmen (Committee member) / Arizona State University (Publisher)
Created2011
Description
“Anchored Absences: Selected Works by Doris Salcedo and Enrique Ramírez” addresses how the works of these artists link the past to the present and make memories manifest by wielding evocative associations through particular materials and places. In my study of the works Sumando ausencias (Adding Absences, 2016), Fragmentos (Fragments, 2018), and Quebrantos (Shattered, 2019) by Colombian artist Doris Salcedo, I delve into the political context of these works, discuss the different groups with which Salcedo collaborated in their production, and analyze the materials she employed and their associations. Drawing from discussions on the relationship between art and politics, as well as debates about the activity of creating public memorials, I examine how, through these public artworks, Salcedo contributes new images and representations of the cost of Colombia’s civil war (1960s-present) to collective visual culture. In the second part of this study, I analyze the strategies the Chilean artist Enrique Ramírez uses to produce the films Brisas (Breezes, 2008) and Los durmientes (The sleepers, 2014), which assemble layers of antithetical visual and auditory elements and deter a linear construction of history. I engage with writings that deal with the fragmentary and plural nature of memory, the use and repression of images, and the role of architecture and geography in holding and activating memory to discuss how Ramírez unsettles the narratives held by Chile’s dictatorship (1973–1990) in contested spaces. I conclude that by making innovative images of political events, the works by these artists create new frameworks to conceptualize violence. Therein lies the power of image production.
Contributorsvan Zoelen Cortés, Aurora (Author) / Afanador-Pujol, Angélica J. (Thesis advisor) / Tompkins, Cynthia (Committee member) / Hoy, Meredith (Committee member) / Arizona State University (Publisher)
Created2022
Description
In this dissertation, I explore the possibility of Latin American Futurism/s because Latin American visions of the future are primarily absent from the global conversation of alternative or counter futures. In three chapters, I expose three interrelated yet methodologically different approaches to understanding the emerging phenomenon of Latin American Futurism/s: A exploration of the connections between notions of visions of technology/futures for El Salvador's Bitcoin and South Cone's robots, the experiences and practices of local future-makers and their communities; and artifacts that characterize expressions of regional futuring. To comprehend the region's technological paradigms, I offer these socio-technical accounts of Future-making and Future-knowledge for/from Latin America as a geo-political region. Each element contributes, with its different interdisciplinary perspective, to characterizing "Latin American Futurism/s" as a form of technological rationality and regional futuring as an expression of shared paradigms about science and technology. These characterizations allow for an appreciation of the paradigms, strategies, and artifacts that configure domestic and professional futurity in Latin America, focusing on its objects and visions as mediators and sense-makers of what ought to come. In this manuscript, I offer a characterization of Latin American futurism/s to facilitate its recognition and understanding and to put in value the production of forward-oriented knowledge produced by people thinking and living in Latin America.
ContributorsPérez Comisso, Martín Andrés (Author) / Smith, Lindsay A (Thesis advisor) / Keeler, Lauren W (Thesis advisor) / Bennett, Michael G (Committee member) / Wetmore, Jameson (Committee member) / Arizona State University (Publisher)
Created2023
Description
From 1973 to 1984 the people of Uruguay lived under a repressive military dictatorship. During that time, the Uruguayan government violated the Human Rights of its opponents and critics through prolonged imprisonment in inhumane conditions without trial, physical and psychological torture, disappearance, and a negation of freedom of speech, thought and congregation. In this project, I argue that these violations of Human Rights committed by the military dictatorship added urgency to the rethinking by religious individuals of the Uruguayan model of secularism, the laïcité, and the role that their theology required them to play in the "secular" world. Influenced by the Liberation Theology movement, Catholic and Protestant leaders simultaneously made use of and challenged the secularization model in order to carve a space for themselves in the struggle for the protection of Human Rights.
Furthermore, I will argue that due to the Uruguayan system of partitocracy, which privileges political parties as the main voices in public matters, Uruguay still carries this history of Human Rights violations on its back. Had alternative views been heard in the public sphere, this thorny history might have been dealt with in a fairer manner. Thus, I call for further exploration of the "intelligent laïcité" model, which might ensure true democratic participation in the public sphere.
Furthermore, I will argue that due to the Uruguayan system of partitocracy, which privileges political parties as the main voices in public matters, Uruguay still carries this history of Human Rights violations on its back. Had alternative views been heard in the public sphere, this thorny history might have been dealt with in a fairer manner. Thus, I call for further exploration of the "intelligent laïcité" model, which might ensure true democratic participation in the public sphere.
ContributorsCash, Lucía (Author) / Cady, Linell (Thesis advisor) / Duncan, Christopher (Committee member) / Schugurensky, Daniel, 1958- (Committee member) / Warner, Carolyn (Committee member) / Arizona State University (Publisher)
Created2015