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- Genre: Academic theses
Description
In order to cope with the decreasing availability of symphony jobs and collegiate faculty positions, many musicians are starting to pursue less traditional career paths. Also, to combat declining audiences, musicians are exploring ways to cultivate new and enthusiastic listeners through relevant and engaging performances. Due to these challenges, many community-based chamber music ensembles have been formed throughout the United States. These groups not only focus on performing classical music, but serve the needs of their communities as well. The problem, however, is that many musicians have not learned the business skills necessary to create these career opportunities. In this document I discuss the steps ensembles must take to develop sustainable careers. I first analyze how groups build a strong foundation through getting to know their communities and creating core values. I then discuss branding and marketing so ensembles can develop a public image and learn how to publicize themselves. This is followed by an investigation of how ensembles make and organize their money. I then examine the ways groups ensure long-lasting relationships with their communities and within the ensemble. I end by presenting three case studies of professional ensembles to show how groups create and maintain successful careers. Ensembles must develop entrepreneurship skills in addition to cultivating their artistry. These business concepts are crucial to the longevity of chamber groups. Through interviews of successful ensemble members and my own personal experiences in the Tetra String Quartet, I provide a guide for musicians to use when creating a community-based ensemble.
ContributorsDalbey, Jenna (Author) / Landschoot, Thomas (Thesis advisor) / McLin, Katherine (Committee member) / Ryan, Russell (Committee member) / Solis, Theodore (Committee member) / Spring, Robert (Committee member) / Arizona State University (Publisher)
Created2013
Description
American Primitive is a composition written for wind ensemble with an instrumentation of flute, oboe, clarinet, bass clarinet, alto, tenor, and baritone saxophones, trumpet, horn, trombone, euphonium, tuba, piano, and percussion. The piece is approximately twelve minutes in duration and was written September - December 2013. American Primitive is absolute music (i.e. it does not follow a specific narrative) comprising blocks of distinct, contrasting gestures which bookend a central region of delicate textural layering and minimal gestural contrast. Though three gestures (a descending interval followed by a smaller ascending interval, a dynamic swell, and a chordal "chop") were consciously employed throughout, it is the first gesture of the three that creates a sense of unification and overall coherence to the work. Additionally, the work challenges listeners' expectations of traditional wind ensemble music by featuring the trumpet as a quasi-soloist whose material is predominately inspired by transcriptions of jazz solos. This jazz-inspired material is at times mimicked and further developed by the ensemble, also often in a soloistic manner while the trumpet maintains its role throughout. This interplay of dialogue between the "soloists" and the "ensemble" further skews listeners' conceptions of traditional wind ensemble music by featuring almost every instrument in the ensemble. Though the term "American Primitive" is usually associated with the "naïve art" movement, it bears no association to the music presented in this work. Instead, the term refers to the author's own compositional attitudes, education, and aesthetic interests.
ContributorsJandreau, Joshua (Composer) / Rockmaker, Jody D (Thesis advisor) / Rogers, Rodney I (Committee member) / Demars, James R (Committee member) / Arizona State University (Publisher)
Created2014
Description
This project is a practical annotated bibliography of original works for oboe trio with the specific instrumentation of two oboes and English horn. Presenting descriptions of 116 readily available oboe trios, this project is intended to promote awareness, accessibility, and performance of compositions within this genre.
The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentation are not included.
Entries in this annotated bibliography are listed alphabetically by the last name of the composer. Each entry includes the dates of the composer and a brief biography, followed by the title of the work, composition date, commission, and dedication of the piece. Also included are the names of publishers, the length of the entire piece in minutes and seconds, and an incipit of the first one to eight measures for each movement of the work.
In addition to providing a comprehensive and detailed bibliography of oboe trios, this document traces the history of the oboe trio and includes biographical sketches of each composer cited, allowing readers to place the genre of oboe trios and each individual composition into its historical context. Four appendices at the end include a list of trios arranged alphabetically by composer's last name, chronologically by the date of composition, and by country of origin and a list of publications of Ludwig van Beethoven's oboe trios from the 1940s and earlier.
The annotated bibliography focuses exclusively on original, published works for two oboes and English horn. Unpublished works, arrangements, works that are out of print and not available through interlibrary loan, or works that feature slightly altered instrumentation are not included.
Entries in this annotated bibliography are listed alphabetically by the last name of the composer. Each entry includes the dates of the composer and a brief biography, followed by the title of the work, composition date, commission, and dedication of the piece. Also included are the names of publishers, the length of the entire piece in minutes and seconds, and an incipit of the first one to eight measures for each movement of the work.
In addition to providing a comprehensive and detailed bibliography of oboe trios, this document traces the history of the oboe trio and includes biographical sketches of each composer cited, allowing readers to place the genre of oboe trios and each individual composition into its historical context. Four appendices at the end include a list of trios arranged alphabetically by composer's last name, chronologically by the date of composition, and by country of origin and a list of publications of Ludwig van Beethoven's oboe trios from the 1940s and earlier.
ContributorsSassaman, Melissa Ann (Author) / Schuring, Martin (Thesis advisor) / Buck, Elizabeth (Committee member) / Holbrook, Amy (Committee member) / Hill, Gary (Committee member) / Arizona State University (Publisher)
Created2014
Description
Higher education enrollment and degree attainment rates have increased in the U.S. Yet higher education has remained inaccessible to many. Low- and middle-income students and students from particular racial and ethnic backgrounds enroll and attain degrees at lower rates than their peers. To gain insight into the topic of access to higher education, I used social constructionist, critical, and socio-cognitive perspectives to conduct a descriptive, content, and discourse analysis of 1,242 articles about access to higher education published from 1994-2019 in eight influential U.S. newspapers. I also explored the historical and social context in which this coverage was situated. I found that access to higher education was considered an important topic in the articles I analyzed. I also found that while definitions of access to higher education were varied and often intersected, content related to costs and funding of higher education dominated the coverage. In addition, a tension between public and private benefits of access to higher education emerged in the articles I analyzed, as did a tension between public and private costs of access to higher education. These costs and benefits were often misaglined in coverage. The most salient benefit of access to higher education in the majority of articles was a public benefit, which primarily benefits society. However, a private entity or higher education institution was deemed responsible for covering the costs of access to higher education in the majority of articles. This research could be used to promote more nuanced coverage on access to higher education as well as policies, practices, and additional research that addresses the multiplicity of ways in which disparities in access to higher education are created, sustained, and reproduced.
ContributorsLish, Rebecca (Author) / Fischman, Gustavo E. (Thesis advisor) / Bergerson, Amy A. (Committee member) / Ott, Molly (Committee member) / Arizona State University (Publisher)
Created2019
Description
The repertoire for guitar and piano duo is small in comparison with other chamber music instrumentation; therefore, it is important to broaden this repertoire. In addition to creating original compositions, arrangements of existing works contribute to this expansion.
This project focuses on an arrangement of Bachianas Brasileiras No. 1 by Brazilian composer Heitor Villa-Lobos (1887-1959), a work originally conceived for cello ensemble with a minimum of eight cellos. In order to contextualize the proposed arrangement, this study contains a brief historical listing of the repertoire for guitar and piano duo and of the guitar works by Villa-Lobos. Also, it includes a description of the Bachianas Brasileiras series and a discussion of the arranging methodology that shows how the original musical ideas of the composer were adapted using techniques that are idiomatic to the guitar and piano. The full arrangement is included in Appendix A.
This project focuses on an arrangement of Bachianas Brasileiras No. 1 by Brazilian composer Heitor Villa-Lobos (1887-1959), a work originally conceived for cello ensemble with a minimum of eight cellos. In order to contextualize the proposed arrangement, this study contains a brief historical listing of the repertoire for guitar and piano duo and of the guitar works by Villa-Lobos. Also, it includes a description of the Bachianas Brasileiras series and a discussion of the arranging methodology that shows how the original musical ideas of the composer were adapted using techniques that are idiomatic to the guitar and piano. The full arrangement is included in Appendix A.
ContributorsFigueiredo Bartoloni, Fabio (Author) / Koonce, Frank (Thesis advisor) / Suzuki, Kotoka (Committee member) / Landschoot, Thomas (Committee member) / Arizona State University (Publisher)
Created2016
Description
Phantom Sun is a ten-minute piece in three sections, and is composed for flute, clarinet in b-flat, violin, cello, and percussion. The three-part structure for this work is a representation of the atmospheric phenomenon after which the composition is named. A phantom sun, also called a parhelion or sundog, is a weather-related phenomenon caused by the horizontal refraction of sunlight in the upper atmosphere. This refraction creates the illusion of three suns above the horizon, and is often accompanied by a bright halo called the circumzenithal arc. The halo is caused by light bending at 22° as it passes through hexagonal ice crystals. Consequently, the numbers six and 22 are important figures, and have been encoded into this piece in various ways.
The first section, marked “With concentrated intensity,” is characterized by the juxtaposition of tonal ambiguity and tonal affirmation, as well as the use of polymetric counterpoint (often 7/8 against 4/4 or 7/8 against 3/4). The middle section, marked “Crystalline,” provides contrast in its use of unmetered sections and independent tempos. The refraction of light is represented in this movement by a 22-note row based on a hexachord (B-flat, F, C, G, A, E) introduced in measure 164 of the first section. The third section, marked “With frenetic energy,” begins without pause on an arresting entrance of the drums playing an additive rhythmic pattern. This pattern (5+7+9+1) amounts to 22 eighth-note pulses and informs much of the motivic and structural considerations for the remainder of the piece.
The first section, marked “With concentrated intensity,” is characterized by the juxtaposition of tonal ambiguity and tonal affirmation, as well as the use of polymetric counterpoint (often 7/8 against 4/4 or 7/8 against 3/4). The middle section, marked “Crystalline,” provides contrast in its use of unmetered sections and independent tempos. The refraction of light is represented in this movement by a 22-note row based on a hexachord (B-flat, F, C, G, A, E) introduced in measure 164 of the first section. The third section, marked “With frenetic energy,” begins without pause on an arresting entrance of the drums playing an additive rhythmic pattern. This pattern (5+7+9+1) amounts to 22 eighth-note pulses and informs much of the motivic and structural considerations for the remainder of the piece.
ContributorsMitton, Stephen LeRoy (Author) / DeMars, James (Thesis advisor) / Norton, Kay (Committee member) / Rogers, Rodney (Committee member) / Arizona State University (Publisher)
Created2017
Description
Public schools across the country are increasingly dealing with children who enter schools speaking a language other than English and Arizona is not the exception. As a result, schools across the country have to adequately ensure this populations’ academic achievement, which is directly impacted by English proficiency and ELLs (English Language Learners) program placement. However, restrictive language policies such as Proposition 203, the four-hour English Language Development (ELD) block, and the exclusion of ELLs from Dual Language Programs (DLPs) in Arizona are not effectively preparing linguistic minority and ethnic student populations for academic achievement and competitiveness in a global economy.
For the first part of the analysis, the author examined bilingual education and DLPs policies, access, and practices impacting Latina/o communities by utilizing a case study methodology framework to present the phenomenon of DLPs in a state that by law only supports English only education. The author discussed the case study research design to answer the research questions: (1) Which public k-12 schools are implementing Dual Language Programs (DLPs) in the state of AZ? (2) What are the DLPs’ characteristics? (3) Where are the schools located? (4) What are the stakeholder participants’ perceptions of DLPs and the context in which these DLPs navigate? The author also describe the context of the study, the participants, data, and the data collection process, as well as the analytical techniques she used to make sense of the data and draw findings.
The findings suggest that bilingual education programs in the form of DLPs are being implemented in the state of Arizona despite the English only law of Proposition 203, English for the Children. The growing demand for DLPs is increasing the implementation of such programs, however, language minority students that are classified as ELL are excluded from being part of such programs. Moreover, the findings of the study suggest that although bilingual education is being implemented in Arizona through DLPs, language minority education policy is being negatively influenced by Interest Convergence tenets and Racist Nativist ideology in which the interest of the dominant culture are further advanced to the detriment of minority groups’ interest.
For the first part of the analysis, the author examined bilingual education and DLPs policies, access, and practices impacting Latina/o communities by utilizing a case study methodology framework to present the phenomenon of DLPs in a state that by law only supports English only education. The author discussed the case study research design to answer the research questions: (1) Which public k-12 schools are implementing Dual Language Programs (DLPs) in the state of AZ? (2) What are the DLPs’ characteristics? (3) Where are the schools located? (4) What are the stakeholder participants’ perceptions of DLPs and the context in which these DLPs navigate? The author also describe the context of the study, the participants, data, and the data collection process, as well as the analytical techniques she used to make sense of the data and draw findings.
The findings suggest that bilingual education programs in the form of DLPs are being implemented in the state of Arizona despite the English only law of Proposition 203, English for the Children. The growing demand for DLPs is increasing the implementation of such programs, however, language minority students that are classified as ELL are excluded from being part of such programs. Moreover, the findings of the study suggest that although bilingual education is being implemented in Arizona through DLPs, language minority education policy is being negatively influenced by Interest Convergence tenets and Racist Nativist ideology in which the interest of the dominant culture are further advanced to the detriment of minority groups’ interest.
ContributorsGomez Gonzalez, Laura M (Author) / Jimenez-Silva, Margarita (Thesis advisor) / Amrein-Beardsley, Audrey (Thesis advisor) / Combs, Mary C (Committee member) / Arizona State University (Publisher)
Created2016
Description
Students with disabilities are entering higher-education institutions at increasing rates, but they are not being adequately prepared for this transition. Transition plans have been created by Special Education teams in the K-12 system, but oftentimes, the student is not an active participant in the development of these plans for their futures. A huge gap in preparing for the transition to post-secondary education is a student’s self-determination skills. Self-determination is a belief that you control your own destiny and are motivated to create your own path in life. This study explores how students with disabilities can improve their self-determination skills through guided practice and small group collaboration. Participants included (n=4) freshmen students with disabilities who were actively engaged with their institution’s Disability Resource Center at a 4-year public research institution in the West. A qualitative practical action research study was designed to explore the impact of implementing a self-determination innovation to support college students with disabilities in improving their self-determination skills. The innovation developed for this study was adapted from Field and Hoffman’s Steps to Self-Determination curriculum. Findings from this study illustrate the need to support transitioning college students with disabilities in understanding their disabilities and how it can and will impact them in the college environment and beyond. Providing students with a safe space to explore their disabilities and the challenges they have encountered in their lives, allows them to identify the barriers to their growth and build a support system of similarly situated students that provide them with a sense of belonging and camaraderie they have not usually experienced in their lives. This study demonstrates how supporting students in improving their self-determination skills can help them build their confidence and self-advocacy skills to persist in higher education institutions.
ContributorsVioli, Patricia Kathryn (Author) / Markos, Amy (Thesis advisor) / Rotheram-Fuller, Erin (Committee member) / Thierfeld-Brown, Jane (Committee member) / Arizona State University (Publisher)
Created2021
Description
Public spaces have been central to studies focused on the relationship between economic inequalities, well-being, and environmental justice. However, an integrated examination of access to public spaces that is cognizant of the exchanges which inform environmental justice and the well-being of minoritized communities, is yet to be extensively studied. Such exchanges and the unideal community outcomes thereof are important to highlight in understanding access, given the historical challenges that have emanated from them to hamper the beneficial utility of public spaces in vulnerable contexts. This dissertation addresses this gap through a three-article format. Article 1 comprises a conceptual synthesis of two theoretical frameworks namely Lefebvre’s Tripartite Framework and Bishop’s Network Theory of Well-being that respectively conceptualize the exchanges in space production and the positive outcomes, which emerge from human and non-human engagements towards well-being. The main contribution of this article is the merging of two bodies of scholarship which had yet to intersect to inform investigations of access through the exchanges across technical (e.g., planners), social (i.e., communities) and physical (e.g., built spaces like parks) dimensions, and linkages to positive community outcomes. Article 2 entails an empirical examination of how communities and technical experts perceive of the linkages between access and community well-being, through exchanges across public space dimensions. Through a multiple embedded case study, 19 community leaders and 4 key technical informants in Maryvale were engaged in participatory mapping interviews. Responses to exchanges and outcomes thereof pertaining to the identified spaces, were deductively coded guided by the conceptual synthesis developed in article 1. Both community leaders and technical agents described access as emerging from perceptions of positive outcomes linked to public space exchanges. Article 3 sought to understand how design professionals (i.e., planners, building and landscape architects) who identify as ethnic minorities, perceive of their role in facilitating access to public spaces. Through interviews, 23 participants were engaged through a protocol guided by the conceptual synthesis developed in article 1. Responses were inductively coded. Participants described the role they play in exchanges, as focal to positive outcomes linked to access. Keywords: Public Spaces; Access; Environmental Justice; Community Well-being.
ContributorsGodwyll, Josephine Marie (Author) / Buzinde, Christine N (Thesis advisor) / Frazier, Amy (Committee member) / Manuel-Navarrete, David (Committee member) / White, Dave (Committee member) / Arizona State University (Publisher)
Created2022
Description
Institutions of higher education pride themselves on their commitments to access, inclusion, and care. However, when motivated by neoliberal goals of productivity, such initiatives may confuse inclusion with normative assimilation by attempting to align all individuals with an ableist status quo. In other words, neutral documents, discourses, and design practices may contribute to the rhetorical and material circulation of systemic ableism by encouraging compulsory alignment with able standards and norms. To examine how the systemic force of neoliberal ableism may move across higher educational spaces, this dissertation engages understandings of rhetoric as complexly circulating across trans-situational, everyday sites in universities. Further, I show that neoliberalism relies on the rhetorical circulation and normalization of ableist rhetorics across seemingly neutral university documents, discourses and design practices like those aimed to promote access, inclusion, and care. This dissertation thus follows the social justice call in technical and professional communication to interrogate participation in documentation, design, and discursive practices that may contribute to larger systems of oppression. Specifically, I apply a mixed-methods, qualitative approach of corpus linguistic analysis, semi-structured interviews grounded in user-experience design, and thematic, concept, and in vivo coding to examine and disrupt the circulation of ableist rhetoric across composition program mission statements, self-care documents, and digital classroom interfaces. Drawing from technical and professional communication, rhetoric and composition, disability studies, rhetorics of health and medicine, social justice, and disability justice scholarship, this dissertation explores theoretical frameworks for interrogating ableism’s material-discursive implications and provides guidelines for university stakeholders to engage in more equitable communications. Ultimately, I offer a theory of “cripistemological coalition” that calls for transdisciplinary, coalitional measures that position disability as integral to university inclusion, access, and care.
ContributorsBennett, Kristin (Author) / Daly Goggin, Maureen (Thesis advisor) / Long, Elenore (Committee member) / Hannah, Mark A. (Committee member) / Rose, Shirley K. (Committee member) / Arizona State University (Publisher)
Created2022