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Description
The study of artist transcriptions is an effective vehicle for assimilating the language and style of jazz. Pairing transcriptions with historical context provides further insight into the back story of the artists' life and method. Innovators are often the subject of published studies of this kind, but transcriptions of plunger-mute

The study of artist transcriptions is an effective vehicle for assimilating the language and style of jazz. Pairing transcriptions with historical context provides further insight into the back story of the artists' life and method. Innovators are often the subject of published studies of this kind, but transcriptions of plunger-mute master Al Grey have been overlooked. This document fills that void, combining historical context with thirteen transcriptions of Grey's trombone features and improvisations. Selection of transcribed materials was based on an examination of historically significant solos in Al Grey's fifty-five-year career. The results are a series of open-horn and plunger solos that showcase Grey's sound, technical brilliance, and wide range of dynamics and articulation. This collection includes performances from a mix of widely available and obscure recordings, the majority coming from engagements with the Count Basie Orchestra. Methods learned from the study of Al Grey's book Plunger Techniques were vital in the realization of his work. The digital transcription software Amazing Slow Downer by Roni Music aided in deciphering some of Grey's more complicated passages and, with octave displacement, helped bring previously inaudible moments to the foreground.
ContributorsHopkins, Charles E (Author) / Pilafian, Sam (Thesis advisor) / Stauffer, Sandra (Committee member) / Solís, Ted (Committee member) / Ericson, John (Committee member) / Kocour, Michael (Committee member) / Arizona State University (Publisher)
Created2011
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Description
This project covers the transcription of Three Suites for Cello, opp. 72, 80, and 87, by Benjamin Britten, for guitar. These suites were chosen because of the influence of Bach, which is seen in the texture of the pieces, and because they can be played on guitar with very few

This project covers the transcription of Three Suites for Cello, opp. 72, 80, and 87, by Benjamin Britten, for guitar. These suites were chosen because of the influence of Bach, which is seen in the texture of the pieces, and because they can be played on guitar with very few changes. Music for unaccompanied cello has a history of being transcribed for guitar, including the Bach cello suites, and is a means for guitarists to expand the repertoire. In addition to documenting the changes made in adapting these pieces for guitar, a brief biographical sketch of the composer and descriptions of each movement are included. Also explained are articulation symbols and terminologies that are uncommon in music written for the guitar, and suggestions on how to perform the multitude of ornaments Britten has written in the score.
ContributorsHigginbotham, Joseph Aaron (Author) / Koonce, Frank (Thesis advisor) / Aspnes, Lynne (Committee member) / Jiang, Danwen (Committee member) / Mclin, Katie (Committee member) / Rogers, Rodney (Committee member) / Arizona State University (Publisher)
Created2012
ContributorsSchildkret, David (Conductor) / Chamber Singers (Performer) / ASU Library. Music Library (Publisher)
Created2018-02-10
ContributorsSchildkret, David (Conductor) / Kanicsar, Chelsea (Performer) / Chen, Yen-Fang (Performer) / Collins, Clarice (Performer) / Witt, Juliana (Performer) / Gong, Yuerong (Performer) / Carey, Dana (Performer) / Brand, Spencer (Performer) / McCauley, Laura (Performer) / Nguyen, Karen (Performer) / Chamber Singers (Performer) / ASU Library. Music Library (Publisher)
Created2017-10-14
ContributorsGlenn, Erica (Conductor) / Evans, Bartlett R. (Conductor) / Oh, Eun-Mi (Conductor) / Thompson, Jason D. (Conductor) / Schildkret, David (Conductor) / Concert Choir (Performer) / Arizona Statesmen (Performer) / Women's Chorus (Performer) / Gospel Choir (Performer) / Barrett Choir (Performer) / Chamber Singers (Performer) / Choral Union (Performer) / ASU Library. Music Library (Publisher)
Created2017-11-30
ContributorsKocour, Mike (Performer) / Monce, Dennis (Performer) / Pilafian, Sam (Performer) / Smith, J. B., 1957- (Performer) / ASU Library. Music Library (Publisher)
Created2009-01-25
ContributorsSchildkret, David (Conductor) / White, Jamilyn (Performer) / Krison, Danielle (Performer) / Barefield, Robert (Performer) / FitzPatrick, Carole (Performer) / Chamber Singers (Performer) / Choral Union (Performer) / Symphonic Chorale (Performer) / University Symphony Orchestra (Performer) / ASU Library. Music Library (Publisher)
Created2007-04-26
ContributorsLeek, Anne (Performer) / Spring, Robert (Performer) / Rausch, Jack (Performer) / Bacon, Thomas (Performer) / Spinosa, Frank, 1930- (Conductor) / Kliewer-Britton, Darleen (Performer) / May, Judy (Performer) / Doan, Jerry (Performer) / Peterson, Craig C. (Director) / Chamber Singers (Performer) / Chamber Orchestra (Performer) / ASU Library. Music Library (Publisher)
Created1991-09-14
ContributorsSpring, Robert (Performer) / Sellheim, Eckart (Performer) / Schuring, Martin (Performer) / Lyman, Jeffrey (Performer) / Pilafian, Sam (Performer) / Smith, J. B., 1957- (Performer) / ASU Library. Music Library (Publisher)
Created2000-09-10
ContributorsPeterson, Trygve (Performer) / Novak, Gail (Pianist) (Performer) / Schuring, Martin (Performer) / Lyman, Jeffrey (Performer) / Koonce, Frank (Performer) / ASU Library. Music Library (Publisher)
Created2000-02-17