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In this project, I get at the finer details of what altruism really is, and when an act really counts as altruistic. I draw upon many articles and books that discuss the topic, but some left many questions unanswered. I conducted several close readings of the manga, One Piece, to

In this project, I get at the finer details of what altruism really is, and when an act really counts as altruistic. I draw upon many articles and books that discuss the topic, but some left many questions unanswered. I conducted several close readings of the manga, One Piece, to answer these questions. Through the thematic relevance of the series, I discovered more reliable forms of emotional motivation, identified and analyzed highly similar altruistic imposters, and presented a more comprehensive image of the topic by analyzing egotism.

ContributorsLord Ender Laing, James (Author) / Schmidt, Peter (Thesis director) / Wilson, Bradley (Committee member) / Computer Science and Engineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05
Description
This paper serves to explore how comic books have managed to become a pillar of today’s pop culture, yet the core product, the comic books themselves, continually fails to find their way into the hands of a populace receptive and willing to purchase them, as a result of a mismanagement

This paper serves to explore how comic books have managed to become a pillar of today’s pop culture, yet the core product, the comic books themselves, continually fails to find their way into the hands of a populace receptive and willing to purchase them, as a result of a mismanagement of marketing, with a focus on digital platforms like social media, and the use of Marvel Entertainment as a primary example. In addition to this analysis, I have endeavored to carry out a reading unit designed in collaboration with Lynne Molina of Boulder Creek High School, as a means to poll over 130+ students for responses pertaining to both their ability to consume and respond to a graphic novel in a similar manner to that of a typical piece of literature, as well as their exposure to marketing for comics for the creative project portion of the thesis.
ContributorsStarkey, Gage Robert (Author) / Wallace, Julia (Thesis director) / Gohr, Michelle (Committee member) / Walter Cronkite School of Journalism & Mass Comm (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05
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"The Silver Age of American Comics, Then and Now" is an exploration of a certain period in the history of American comics. It began with the creation of the Comics Code Authority in 1954, which censored comics to stamp out any content that might incite children to delinquency. Even today,

"The Silver Age of American Comics, Then and Now" is an exploration of a certain period in the history of American comics. It began with the creation of the Comics Code Authority in 1954, which censored comics to stamp out any content that might incite children to delinquency. Even today, though the era has passed and the Code is defunct, its effects continue to influence how the general public understands comics. Why was censorship deemed necessary? What stories were created in response to the new paradigm? Why did it go away? What does it even matter now? All these questions and more are explored herein.

ContributorsKingery, Ash (Author) / Arena, Paul (Thesis director) / Schmidt, Peter (Committee member) / Barrett, The Honors College (Contributor) / School of Art (Contributor)
Created2021-12