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This dissertation is a cultural history of the frontier stories surrounding an Arizona politician and Indian trader, John Lorenzo Hubbell. From 1878 to 1930, Hubbell operated a trading post in Ganado, Arizona--what is today Hubbell Trading Post National Historic Site. During that time, he played host to hundreds of visitors who trekked into Navajo country in search of scientific knowledge and artistic inspiration as the nation struggled to come to terms with industrialization, immigration, and other modern upheavals. Hubbell became an important mediator between the Native Americans and the Anglos who came to study them, a facilitator of the creation of the Southwestern myth. He lavished hospitality upon some of the Southwest's principle myth-makers, regaling them with stories of his younger days in the Southwest, which his guests remembered and shared face-to-face and in print, from novels to booster literature. By applying place theory to Hubbell's stories, and by placing them in the context of the history of tourism in the Southwest, I explore the relationship between those stories, the visitors who heard and retold them, and the process of place- and myth-making in the Southwest. I argue that the stories operated on two levels. First, they became a kind of folklore for Hubbell's visitors, a cycle of stories that expressed their ties to and understanding of the Navajo landscape and bound them together as a group, despite the fact that they must inevitably leave Navajo country. Second, the stories fit into the broader myth- and image-making processes that transformed the Southwest into a distinctive region in the imaginations of Americans. Based on a close reading of the stories and supporting archival research, I analyze four facets of the Hubbell legend: the courteous Spanish host; the savior of Native American arts and crafts; the fearless conqueror and selfless benefactor of the Navajos; and the thoroughly Western lawman. Each incarnation of the Hubbell legend spoke to travelers' relationships with Navajo country and the Southwest in different ways. I argue, however, that after Hubbell's death, the connection between his stories and travelers' sense of place weakened dramatically.
ContributorsCottam, Erica, 1985- (Author) / Pyne, Stephen (Thesis advisor) / Szuter, Christine (Committee member) / Osburn, Katherine (Committee member) / Arizona State University (Publisher)
Created2014
Description
This thesis explores the story behind the long effort to achieve Native American suffrage in Arizona. It focuses on two Arizona Supreme Court cases, in which American Indians attempted, and were denied the right to register to vote. The first trial occurred in 1928, four years after the Indian Citizenship Act granted citizenship to all Native Americans born or naturalized in the United States. The Arizona Supreme Court rejected the Native American plaintiff's appeal to register for the electorate, and subsequently disenfranchised Native Americans residing on reservations for the next twenty years. In 1948, a new generation of Arizona Supreme Court Justices overturned the court's previous ruling and finally awarded voting rights to all qualified Native Americans in the state. However, voting rights during the Civil Rights era did not necessarily mean equal voting rights. Therefore, this thesis also investigates how the Voting Rights Act of 1965 greatly reduced the detrimental effects of voter discrimination. This study examines how national events, like world war and the Great Depression influenced the two trials. In particular, this thesis focuses on the construction of political and social power in Arizona as it related to Native American voting rights. In addition, it discusses the evolution of native citizenship in the United States at large and for the most part within Arizona. The thesis also considers how the goal of native assimilation into American society affected American Indian citizenship, and how a paternalistic and conservative American Indian policy of the 1920s greatly influenced the outcome of the first trial. Another thread of this story is the development of mainstream white views of Native Americans. Lastly, this thesis identifies the major players of this story, especially the American Indian activists and their supporters whose courage and perseverance led to an outcome that positively changed the legal rights of generations of Native Americans in Arizona for years to come.
ContributorsBassett, Jenna (Author) / Fixico, Donald (Thesis advisor) / Osburn, Katherine (Committee member) / Sturgeon, Melanie (Committee member) / Warren-Findley, Jannelle (Committee member) / Arizona State University (Publisher)
Created2011
Description
In this thesis, I examine the inclusion of American Indians as museum subjects and participants in Charles Willson Peale's Philadelphia Museum. To determine the forces that informed Peale's curatorship, I analyze Peale's experiences, personal views on education and scientific influences, specifically Carl Linnaeus, George-Louis Leclerc, Comte de Buffon and Thomas Jefferson. Peale created a polarized natural history narrative divided between Anglo-Americans and races that existed in a “natural state.” Within the museum's historical narrative, Peale presented Native individuals as either hostile enemies of the state or enlightened peacekeepers who accepted the supremacy of Americans. Peale's embrace of Native visitors demonstrated a mixture of racial tolerance and belief in racial hierarchy that also characterized democratic pedagogy. I derive the results by examining Peale's correspondence, diaries and public addresses, as well as administrative documents from the museum such as accession records, guidebooks, lectures and museum labels. I conclude that although Peale believed his museum succeeded in promoting tolerance and harmony among all cultures, his message nevertheless promoted prejudice through the exaltation of “civilized men.” By studying the social and intellectual constraints under which Peale operated, it is possible to see the extent to which observation of and commentary on ethnic and racial groups existed in America's earliest public culture and shaped early American museum history. Contemporary museums strive for cultural preservation and tolerance, therefore analysis of Peale's intentions and effects may increase the self-awareness of today's museum professionals.
ContributorsKeller, Laura (Author) / O'Donnell, Catherine (Thesis advisor) / Toon, Richard (Thesis advisor) / Osburn, Katherine (Committee member) / Arizona State University (Publisher)
Created2015