Matching Items (7)
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- All Subjects: Women's Studies
- All Subjects: Hispanic American women
- Creators: Fahlman, Betsy
- Status: Published
Description
The vigorous efforts of advocates to help victims of domestic violence have resulted in the criminalization of domestic violence in the United States and in various countries around the world. However, research studies indicate mixed success in the protection of victims through the use of the legal system. This study examines the experiences of 16 victims/survivors and their perspectives on the criminal justice system's (CJS) response to domestic violence through in-depth interviews throughout the state of Arizona. This comparative study analyzes the experiences of U.S. born non-Latinas, U.S. (mainland and island) born Latinas and foreign born (documented and undocumented) Latinas who are victims/survivors of domestic violence. The empirical cases reveal that at the root of the contradictory success of the criminal justice system are a legal culture of rationalization and a lack of recognition of the intersection of systems of power and oppression such as gender, class, race/ethnicity, and of essence to this study, legal status.
ContributorsSalcido, Maria Olivia (Author) / Menjivar, Cecilia (Thesis advisor) / Cruz-Torres, Maria L. (Committee member) / Varsanyi, Monica (Committee member) / Arizona State University (Publisher)
Created2011
Description
Social stereotypes in industrial countries have long regarded women as lacking the capacity for understanding the intricacies of machines, from appliances to cars. A major barrier excluding women from technology was the specialized language spoken by those in the industry. It is through my unique perspective as a female Automotive Master Technician that I explore the photographs, paintings, and prints during the interwar period between World War I and World War II created by female artists from a technical point of view. The First World War had artists such as Olive Edis who recorded female ambulance drivers while Dorothy Stevens, Henrietta Mabel May and Anna Airy showcased the skillset of the women machinists. During the interwar period Elsie Driggs rendered monumental structures while capturing the essence of the airplane all in the Precisionist style as Sonia Delaunay used her theory of Simultanism on the inner workings of the Spitfire airplane. For WWII, photographers M. Thérèse Bonney and Ann Roesner both snapped pictures of women operators of the lathe and drill press. Ethel Gabain’s prints displayed women machining parts and Edna Reindel depicted women in shipyards. During the New Deal and WWII, Barbara Wright shot over 2,600 images of women. Finally, Laura Knight painted portraits of award winning women and to uplift the spirits of the public. These artists proved that women were more than capable of understanding this complex language of machines.
ContributorsLanakai, Diem (Author) / Fahlman, Betsy (Thesis advisor) / Brown, Claudia (Committee member) / Reilly, Maura (Committee member) / Cohen, Liz (Committee member) / Arizona State University (Publisher)
Created2021
Description
This thesis expands the scope of literature surrounding the work of Juno Calypso, Christina Quarles, and Lisa Yuskavage by increasing the scope of their theoretical interpretations. Juno Calypso’s case requires establishing a critical foundation for her interrogations of domestic space, her subversions of feminine performance—particularly through accusatory address of the gaze—and her demonstrations of the new-hysterical process that I argue for via her alter-ego, “Joyce.” Similarly, I emphasize Christina Quarles’ subversions of art historical traditions, such as the gaze, meta-framing, and figural language, instead of her explorations into race and linguistic titular play. Finally, Lisa Yuskavage’s inclusion will bring discussions of her contemporary artworks fully into the present, leaving behind the scandalous-or-not questions plaguing her oeuvre in favor of contemporary figural reinterpretation. Through comparisons of each one’s approach to contemporary, artistic feminist theories and dilemmas, the artists convey informative insights into today’s visual culture. The thesis brings these ruminations to light through study of Calypso’s, Quarles’, and Yuskavage’s shared themes and characteristics, including subconsciously-influenced practices, multiplicity, and uncanny space. I account for one of Calypso’s most crucial yet divergent strategies of spatial uncanniness—gendered space. Calypso, Quarles, and Yuskavage are also linked by their ostensibly domestic spaces and featuring feminized figures. Yuskavage uses hyperfeminine performance as means of questioning the conventional and the pleasure one expected to receive from it; Quarles instead uses ambiguity to challenge the traditional white femininity assigned to subjecthood in order to reinforce her dissolution of race and gender. Unanswered performance and gaze questions of femininity, feminine performance and feminine rituals drive Calypso’s photographs, in which an onlooker’s voyeurism is highlighted by their mid-procedure state. Yuskavage uses the home as extension of cheesy self, a site of performance, but Quarles uses domestic spaces as sites or causes of internal struggle. Calypso is closer aligned to Yuskavage’s intersectional-feminist anxieties than Quarles’ post-pandemic ones. The temporal span of the artworks’ creation (2015-2022) is reflective of the dramatic social paradigm shifts experienced by Western societies post-BLM and other social movements, and post-COVID pandemic; the arguments made by this essay will contribute to the understanding of ongoing change experienced by women.
ContributorsBugno, Celia (Author) / Fahlman, Betsy (Thesis advisor) / Anderson, Lisa (Committee member) / Hoy, Meredith (Committee member) / Arizona State University (Publisher)
Created2023
Description
Counter-Landscapes: Performative Actions from the 1970s – Now presents a group of artists working in both natural and urban environments whose work exploits the power of place to address issues of social, environmental, and personal transformation. Through a focused selection of key works made between 1970 and 2019, which extend beyond traditional categories, Counter-Landscapes illuminates how the methodologies created by women artists in the 1970s and 1980s are employed by artists today, both men and women alike. Developing a practice of performative actions, these artists countered the culture that surrounded and oppressed them by embodying the live elements of performance art in order to push for social change. Looking back to the 1960s and the counter-culture mindset of the times, I approach the histories of land, performance, and conceptual art through feminist studies. Then I apply the same feminist approach to philosophical histories of landscape, place, and space. Through a discussion of an extensive range of works by 25 artists, this research seeks to demonstrate the indelible influence of feminist art practice on contemporary art. It brings the work of an innovative generation of women artists—Marina Abramović, Eleanor Antin, Agnes Denes, VALIE EXPORT, Rebecca Horn, Leslie Labowitz, Suzanne Lacy, Ana Mendieta, Adrian Piper, Lotty Rosenfeld, Bonnie Ora Sherk, Beth Ames Swartz, and Mierle Laderman Ukeles—together with more recent work by artists who have adopted and extended their methods. These artists, both male and female, include Allora & Calzadilla, Francis Alÿs, Angela Ellsworth, Ana Teresa Fernández, Maria Hupfield, Saskia Jordá, Christian Philipp Müller, Pope.L, Sarah Cameron Sunde, Zhou Tao, and Antonia Wright.
ContributorsMcCabe, Jennifer (Author) / Fahlman, Betsy (Thesis advisor) / Hoy, Meredith (Committee member) / Asmall Willsdon, Dominic (Committee member) / Arizona State University (Publisher)
Created2020
Description
Provides initiatives that leverage the inclusion of Latinas in computer science education.
ContributorsRodriguez, Sarah, Dr. (Author) / Ramirez, Daisy, M.A. (Author) / Lehman, Kate, Dr. (Author) / Sax, Linda J., 1967- (Author) / Women of Color in Computing Research Collaborative (Contributor)
Created2021 (year uncertain)
Description
Briefly explains how lack of monetary savings serves as a barrier to accessing to finance capital for women of color seeking to launch their own tech startup.
ContributorsBrodock, Kate (Author) / Women of Color in Computing Research Collaborative (Contributor)
Created2021 (year uncertain)
DescriptionProvides results of a national study of digital technology use among African American teens and their parents.
ContributorsRideout, Victoria J. (Author) / Scott, Kimberley A., Ed.D. (Author) / Clark, Kevin A., Ph.D. (Author) / Arizona State University. Center for Gender Equity in Science and Technology (Contributor)
Created2016