Matching Items (5)
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- All Subjects: Women's Studies
- Creators: Colbern, Allan
Description
The increasing job opportunities abroad as spa therapists attract significant numbers of young Indonesian women. Although the placement process is conducted by licensed recruitment agents and supervised by government officials, migrant workers might be at high risk of experiencing work exploitation and physical or sexual abuse. To investigate the phenomenon of documented, yet still vulnerable, female migrant workers, this research conducts interviews with several former spa therapists who were working in Malaysia and some civil servants. This study highlights that individual or personal resistances could be a collective political struggles. Specifically, this research connects individual experiences with the bigger picture of social, economic, and political condition, which, together, constitutes a gender-based labor migration system. To do this, the research employs qualitative-interpretive research methods through discourse analysis and in-depth and open-ended interviews. It also employs an intersectional feminist approach to data analysis to reveal how Indonesian female migrant workers are marginalized and oppressed and the power dynamics at play.
ContributorsNabila, Asma Zahratun (Author) / Colbern, Allan (Thesis advisor) / Behl, Natasha (Thesis advisor) / Goksel, Nisa (Committee member) / Arizona State University (Publisher)
Created2021
Description
Interrogating Rusticism utilizes concepts from postcolonial theory and studies in cosmopolitanism to examine the relationship between the country and the city in nineteenth-century Britain. The project considers the way in which rural people, places, and cultures were depicted in popular literature and introduces two new terms that help inform one’s understanding of rural and urban interaction. “Rusticism” refers to a discourse reminiscent of Orientalism that creates an “us and them” dichotomy through characterizations that essentialize rural experience and cast it as distinct from urban living. “Extrapolitanism” evokes a cultural practice similar to rooted cosmopolitanism that entails traveling back and forth between the country and the city, engaging in both urban and rural cultural practices, and not committing oneself solely to the social and political causes of either the country or the city. Because rusticist stereotypes regarding rural life, such as the notion that rural labourers possess an energy and love for their work but are also uneducated and backward, have persisted into the twenty-first century, studying the more nuanced, less-rusticist aspects of rural life in nineteenth-century Britain is an often overlooked, but still very important, endeavor. Interrogating Rusticism closely examines literature by authors known for imbuing their works with rusticist portrayals of country life, and seeks to illuminate how, in addition to perpetuating rusticist discourse, those authors also cultivate an extrapolitan type of mindset when they do depict more nuanced aspects of rural life.
Each chapter follows a similar methodological approach that involves looking at a specific rusticist notion, the binary distinctions that help construct it, the historical background that contributed to its rise, a critically overlooked work that informed the writing process of a commonly studied piece, and how the commonly studied piece challenges the rusticist notion by revealing that the binary distinctions actually inform one another. Chapter 1 focuses on the rusticist idea that rural communities are pastoral, pre-modern sites untouched by the effects of modernity, the repeal of the Corn Laws, which eventually led to rampant poverty in the countryside, George Eliot’s travel memoir “Recollections of Ilfracombe” (1856) that chronicles her visit to a rural, sea-side community, and her first novel, Adam Bede (1859). Chapter 2 turns to the comparison that was often made between rural workers and nonhuman animals, the negative connotations it carried, which became even more pronounced following the publication of Charles Darwin’s On the Origin of Species in 1859, Charles Dickens and Wilkie Collins’s dramatized account of their 1857 walking tour of rural England, The Lazy Tour of Two Idle Apprentices, and Dickens’s Our Mutual Friend (1864-65). The final chapter examines the expectation for male rural workers to be hearty, highly masculine figures, which was emphasized by both the use of the derogatory term Hodge to refer to rural workers and the passing of the Representation of the People Act 1884, Richard Jefferies’s post-apocalyptic novel After London (1885), and Thomas Hardy’s Jude the Obscure (1895). Interrogating Rusticism helps elucidate often overlooked aspects of rural life in nineteenth-century Britain that can and should inform rural and urban interaction today as long-held stereotypes regarding rural life still persist and the world becomes increasingly more urban.
Each chapter follows a similar methodological approach that involves looking at a specific rusticist notion, the binary distinctions that help construct it, the historical background that contributed to its rise, a critically overlooked work that informed the writing process of a commonly studied piece, and how the commonly studied piece challenges the rusticist notion by revealing that the binary distinctions actually inform one another. Chapter 1 focuses on the rusticist idea that rural communities are pastoral, pre-modern sites untouched by the effects of modernity, the repeal of the Corn Laws, which eventually led to rampant poverty in the countryside, George Eliot’s travel memoir “Recollections of Ilfracombe” (1856) that chronicles her visit to a rural, sea-side community, and her first novel, Adam Bede (1859). Chapter 2 turns to the comparison that was often made between rural workers and nonhuman animals, the negative connotations it carried, which became even more pronounced following the publication of Charles Darwin’s On the Origin of Species in 1859, Charles Dickens and Wilkie Collins’s dramatized account of their 1857 walking tour of rural England, The Lazy Tour of Two Idle Apprentices, and Dickens’s Our Mutual Friend (1864-65). The final chapter examines the expectation for male rural workers to be hearty, highly masculine figures, which was emphasized by both the use of the derogatory term Hodge to refer to rural workers and the passing of the Representation of the People Act 1884, Richard Jefferies’s post-apocalyptic novel After London (1885), and Thomas Hardy’s Jude the Obscure (1895). Interrogating Rusticism helps elucidate often overlooked aspects of rural life in nineteenth-century Britain that can and should inform rural and urban interaction today as long-held stereotypes regarding rural life still persist and the world becomes increasingly more urban.
ContributorsHohner, Max (Author) / Bivona, Dan (Thesis advisor) / Tromp, Marlene (Committee member) / Free, Melissa (Committee member) / Arizona State University (Publisher)
Created2016
Description
Did the Victorians live in a “rape culture”? London between 1870 and 1890 was certainly a place in which sexual violence was publicly condemned as an overall concept (W. T. Stead’s “The Maiden Tribute of Modern Babylon, for example). Yet, in contrast to the moral denunciation, the historical archive demonstrates excuses constantly condoned sexual violence (as evidenced in parliamentary debates, criminal transcripts, newspaper crime coverage, and social campaigns like those of Josephine Butler). Forensic medical doctors, police, coroners, journalists, illustrators, and editors all contributed and reinforced a system that sustained and condoned rape as evidenced by the newspaper crime reports; but, to blame them for their actions, as if each action was performed with malicious intent, would hide the greater system of oppression that operated both blatantly and in the shadows. When one demographic holds significant power over another – as men did over women in Victorian England – those power relations become embedded into its culture in ways that are never clearly transparent and continue to haunt the future until exposed and rectified. To this end, my dissertation investigates newspaper crime narratives to reveal the heterocryptic ghosts and make their multiple legacies visible.
Murder of women by men are significantly linked via cultural perceptions. Anna Clark discovered this with Mary Ashford’s rape and murder in 1817. Though Ashford died from drowning, the narratives rewrote her death as if it was the rape that had killed her. Based on this correlation, this study focuses on six cases of unsolved female murder and dismemberment. The decision to use unsolved cases stems from the hypothesis that more gendered assumptions would manifest in the crime narratives as the journalists (and police, coroners, and forensic doctors) tried to discern the particulars of the crime within contexts that made sense to them. Analytical coding of the data demonstrates the prevalence of rape myths operating within the narratives in conjunction with misogynistic and classist beliefs. From initial discovery to forensic inspections to inquest verdicts and beyond a number of myriad historical materializations are exposed that continue to haunt the present.
Murder of women by men are significantly linked via cultural perceptions. Anna Clark discovered this with Mary Ashford’s rape and murder in 1817. Though Ashford died from drowning, the narratives rewrote her death as if it was the rape that had killed her. Based on this correlation, this study focuses on six cases of unsolved female murder and dismemberment. The decision to use unsolved cases stems from the hypothesis that more gendered assumptions would manifest in the crime narratives as the journalists (and police, coroners, and forensic doctors) tried to discern the particulars of the crime within contexts that made sense to them. Analytical coding of the data demonstrates the prevalence of rape myths operating within the narratives in conjunction with misogynistic and classist beliefs. From initial discovery to forensic inspections to inquest verdicts and beyond a number of myriad historical materializations are exposed that continue to haunt the present.
ContributorsBoyd, Monica (Author) / Lussier, Mark (Thesis advisor) / Tromp, Marlene (Thesis advisor) / Bivona, Dan (Committee member) / Free, Melissa (Committee member) / Arizona State University (Publisher)
Created2020
Description
Do adult women survivors of childhood sexual abuse see their past victimization as having any relation to or impact on their current political engagement? While it is important to know how having experienced childhood sexual abuse (CSA) impacts women survivors’ adult personal relationships, health, and wellbeing, more research must be done on how these abuse experiences affect women survivors’ political engagement. Nearly 25,900,000 women voters in the United States have likely experienced childhood sexual abuse (National Sexual Violence Resource Center 2011), therefore it is imperative and participation. This interpretive autoethnographic and ethnographic study examines the narratives of six women CSA survivors currently attending a counselling support group, and employs feminist methodology to conceptualize the women’s beliefs and feelings on the impact of CSA on their political participation. The findings of this study, however, do not seek to be generalizable to all women survivors of CSA, but instead reveal how six adult women survivors of CSA cope with and interpret their victimization as having an impact on their adult political engagement and participation. Utilizing interpretive concepts of power, citizenship, and civil society, this study finds that adult women survivors of CSA may be more politically active if they have a safe space to disclose their abuse experiences to fellow survivors of CSA. This study suggests that a civil society community of adult CSA survivors might be beneficial for survivors and may encourage survivors to see political engagement as a viable avenue for healing from the trauma of CSA.
ContributorsDykstra, Joelle (Author) / Behl, Natasha (Thesis advisor) / Colbern, Allan (Committee member) / Murphy Erfani, Julie (Committee member) / Arizona State University (Publisher)
Created2020
Description
This paper examines the intersections of faith, patriarchy, feminism, and institutional failure in the Church of Jesus Christ of Latter-Day Saints. Members of the faith believe the paternal structure of the organization is God's plan. The paper focuses on home, church, and the public sphere to provide a more complete understanding of the ways in which the practices of the Church of Jesus Christ of Latter-Day Saints blur the lines between public and private and asks how women, most centrally the author, navigate contradictions in the doctrine and the institution of the Church of Jesus Christ of Latter-Day Saints. Finally, this paper examines the tension between critical thought from a feminist perspective and being a devout member in the eyes of the church.Data was collected and presented using interpretivist methodology, ethnography and autoethnography. The author draws upon her experience as a member of the Church of Jesus Christ of Latter-Day Saints and examines the ways power is layered and instrumental to the patriarchal teachings which are often contradictory and in tension with women developing full personhood.
ContributorsLunt, Sue (Author) / Colbern, Allan (Thesis advisor) / Goksel, Nisa (Committee member) / Behl, Natasha (Committee member) / Arizona State University (Publisher)
Created2021