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Historians often characterize first ladies in the Progressive Era as representatives of the last vestiges of Victorian womanhood in an increasingly modern society. This dissertation argues that first ladies negotiated an image of themselves that fulfilled both traditional and modern notions of womanhood. In crafting these images, first ladies constructed

Historians often characterize first ladies in the Progressive Era as representatives of the last vestiges of Victorian womanhood in an increasingly modern society. This dissertation argues that first ladies negotiated an image of themselves that fulfilled both traditional and modern notions of womanhood. In crafting these images, first ladies constructed images of their celebrity selves that were uniquely modern. Thus, images of first ladies in the Progressive Era show them as modest and feminine but also autonomous, intelligent, and capable. Using the historian Charles Ponce de Leon's research on modern human-interest journalism, I contend that first ladies in the Progressive Era worked with the modern press in a symbiotic relationship. This relationship allowed the press exclusive access to what was, ostensibly, the first lady's private, and therefore authentic, self. By purporting to reveal parts of their private lives in the press, first ladies showed themselves as down-to-earth despite their success and fulfilled by their domestic pursuits despite their compelling public lives. By offering the press exclusive access to their lives, first ladies secured the opportunity to shape specific images of themselves to appeal, as broadly as possible, to their husbands and parties' constituents and the American public. First ladies in the Progressive Era thus acted as political figures by using both public and private, or what historian Catherine Allgor terms, "unofficial spaces" to support and reflect their husbands and parties' political agendas. In examining representations of first ladies in popular magazines and newspapers from 1901 to 1921 in tandem with letters, memoirs, and other personal papers from these women, a clear pattern emerges. Despite personal differences, first ladies in the Progressive Era represented themselves according to a specific formula in the modern press. The images, constructed by first ladies in this time period, reflect shifts in economic, social, and political life in Progressive Era America, which called for women to be independent and intelligent yet still maintain their femininity and domesticity.
ContributorsHorohoe, Jill (Author) / Gullett, Gayle (Thesis advisor) / Longley, Rodney K (Committee member) / Warren-Findley, Jannelle (Committee member) / Arizona State University (Publisher)
Created2011
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When the United States’ Central Intelligence Agency recently declassified documents relating to the 1953 Coup in Iran, it was discovered that American involvement was much deeper than previously known. In fact, the CIA had orchestrated the coup against democratically-elected Mohammed Mossadegh. This action was sold to the United States public

When the United States’ Central Intelligence Agency recently declassified documents relating to the 1953 Coup in Iran, it was discovered that American involvement was much deeper than previously known. In fact, the CIA had orchestrated the coup against democratically-elected Mohammed Mossadegh. This action was sold to the United States public as being essential to democracy, which seems contradictory to its actual purpose. U.S. political leaders justified the coup by linking it to what Charles Mills calls “racial liberalism,” a longstanding ideological tradition in America that elevates the white citizen to a place of power and protection while making the racial noncitizens “others” in the political system. Political leaders in the United States relied on bribing the American media to portray the Shah as the white citizen and Mossadegh as a racial other, the white citizen was restored to power and the racial other was overthrown.
ContributorsAnderson, Kira C (Author) / Forrest, M. David (Thesis advisor) / Murphy Erfani, Julie (Committee member) / Behl, Natasha (Committee member) / Arizona State University (Publisher)
Created2016
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Conducting an auto-ethnographic power analysis of a Service Industry Union (SIU) I use a feminist methodology to examine the ways women of color workers are accounted for, empowered, erased, silenced, or disempowered within advocacy organizations. As I examine the micro and macro structures of power between the SIU and the

Conducting an auto-ethnographic power analysis of a Service Industry Union (SIU) I use a feminist methodology to examine the ways women of color workers are accounted for, empowered, erased, silenced, or disempowered within advocacy organizations. As I examine the micro and macro structures of power between the SIU and the grocery store, janitorial, slaughterhouse, and union workers who compose this institution, I write with the goal of amplifying the voices silenced and lost in the translation of power in our everyday lives. Critical to this analysis are notions of advocacy, home, voice, and empowerment.
In “Voices: Power and Powerlessness in Experiences of the Self,” I write about my authoethnographic journey and the complicated sense of power I had within this organization, which often became a source of penalty. Throughout my work, I play on the etymology of advocacy—to give voice to another—and the idea of advocacy groups as “voices” for the seemingly disempowered. Concepts of voice and voiceless-ness, who can give voice to another, how, and if we should even be a voice for others, are a constant theme. In “Shadowing: Blurring the lines between Empowerment and Disempowerment Roles,” I explore moments where my translator role as a bilingual, among other roles, became imperative to my understanding of my own actions and those of others within the SIU’s advocacy. Lastly in “Speaking and Speaking Over: Getting tangled in the Web of the Relations of Power,” and in “Erasure and Representation: the Silences between the lines,” I capture a few of the ways the voices of others and myself were either amplified, spoken for, or erased whilst the Union attempted to advocate (“give voice to,” “call forth”) for workers using what I perceived to be a classic business-unionism model.
From my observations of the relations between workers and the union employees, I argue that the SIU operated within systems of power, and was often on par with corporations in terms of power. Then, I theorize that what is needed is a third-world feminist approach to unity and unions that seeks to dismantle all systems of oppression and reorganize the systems of power to end all kinds of oppression—not just class-based, worker versus corporation, oppression. This would be a solution to the problems of speaking for, silencing, and erasure that the union encountered. As I use a full-force combination of theory and activism in my “Praxis” chapter to make such claim, I delve into feminist of color ideals of solidarity. In a feminist solidarity, individuals are united by their differences, not by homogeneous experience or identity. I advocate for a third-world feminist approach to unionism through feminist solidarity, and I emphasize love and friendship as the backbone of such an endeavor.
ContributorsHernandez, Carolina Renne (Author) / Behl, Natasha (Thesis director) / Watrous, Lisa (Committee member) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
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This paper examines the intersections of faith, patriarchy, feminism, and institutional failure in the Church of Jesus Christ of Latter-Day Saints. Members of the faith believe the paternal structure of the organization is God's plan. The paper focuses on home, church, and the public sphere to provide a more complete

This paper examines the intersections of faith, patriarchy, feminism, and institutional failure in the Church of Jesus Christ of Latter-Day Saints. Members of the faith believe the paternal structure of the organization is God's plan. The paper focuses on home, church, and the public sphere to provide a more complete understanding of the ways in which the practices of the Church of Jesus Christ of Latter-Day Saints blur the lines between public and private and asks how women, most centrally the author, navigate contradictions in the doctrine and the institution of the Church of Jesus Christ of Latter-Day Saints. Finally, this paper examines the tension between critical thought from a feminist perspective and being a devout member in the eyes of the church.Data was collected and presented using interpretivist methodology, ethnography and autoethnography. The author draws upon her experience as a member of the Church of Jesus Christ of Latter-Day Saints and examines the ways power is layered and instrumental to the patriarchal teachings which are often contradictory and in tension with women developing full personhood.
ContributorsLunt, Sue (Author) / Colbern, Allan (Thesis advisor) / Goksel, Nisa (Committee member) / Behl, Natasha (Committee member) / Arizona State University (Publisher)
Created2021
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Every day we pass people without thinking everyone has a story. If an individual looks “normal,” any struggles faced living with an invisible disability are left without words or thoughts due to the dominant norm—ableism. Conversely, a more visible disability may not be dismissed as quickly. Who

Every day we pass people without thinking everyone has a story. If an individual looks “normal,” any struggles faced living with an invisible disability are left without words or thoughts due to the dominant norm—ableism. Conversely, a more visible disability may not be dismissed as quickly. Who are unseen, ignored, and misunderstood are those who live with invisible disabilities not only in a dominant able-bodied society, but also within academic scholarship as well, because they do not fit into the dominant definition of disability. In turn, binaries form between power relations and within knowledge production that create exclusion. This thesis is an intersectional analysis on expanding the definition of disability, specifically invisible disability, in order to deconstruct, challenge, and transform the hegemonic conceptualization of disability and break binaries in order to give voice to ignored and misunderstood narratives of invisible disabilities as well as foster and create nuanced understanding within knowledge production and power itself. I particularly use an autoethnographic approach to conduct this analysis of my own everyday, lived experience as a young, mixed race woman living with an invisible disability, or chronic illness, on how ableism operates in the medical sphere and at the academy, further exploring what it means to be a “good” or “bad” chronic illness patient and categorized and labeled by the stigmas attached to the definition of disability.
ContributorsGarcia, Jordan Marie (Author) / Behl, Natasha (Thesis director) / Watrous, Lisa (Committee member) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2019-05