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This dissertation examines the influential relationships between popular culture depictions of superheroes and the substantive, malleable, and real possibilities of human body transformation. Cultural discourses condition and constrain the ways in which identity and bodies are formed and expressed. This includes popular culture texts that, through their evocative narratives, provide

This dissertation examines the influential relationships between popular culture depictions of superheroes and the substantive, malleable, and real possibilities of human body transformation. Cultural discourses condition and constrain the ways in which identity and bodies are formed and expressed. This includes popular culture texts that, through their evocative narratives, provide guidance or solutions for dealing with real world problems. From the perspective of communication studies, this project involves examining ways people project and perform fantastic future versions of humanity in relation to popular culture artifacts, like superheroes, but also examines how such projections are borne out of and get expressed through our everyday, less than extraordinary experiences. Key theoretical tensions regarding identity and culture are elucidated. These tensions are then developed discursively into a genealogy of body transcendence that features the historicizing of social functions to determine from where such tensions and changes manifest, and how they ultimately affect us. Several key artifacts are introduced to help inform the investigation, including eight specific superhero body types that provide an ideal perspective through which transformative power can be observed. The superhero discourse is particularly relevant because it offers a utopian/dystopian tension regarding how the splendor and seduction of the discourse materializes in both liberating and problematic ways. Another aspect of this embodied approach involves adopting the alternate superhero persona of Ethnography Man. By undertaking my own identity transformations, I am better able to investigate spaces that encourage such identity slippage and play, such as the annual San Diego Comic Con International. The once strongly held perception that our bodies are fixed and stable is fast disappearing. In bridging the body with culture through a genealogy, it becomes much more apparent how body transformations will continue to manifest in the future. Therefore, from the experiences and analysis contained herein, implications regarding powerful discursive conditions and constraints that influence our ability to change take form in revealing, problematic, and sometimes unexpected ways. More specifically, implications of who has power, how it is exercised, and the effects of power will materialize and indicate whether or not everyday humans have the potential to become superheroes.
ContributorsBoras, Scott Daniel (Author) / McDonald, Kelly (Thesis advisor) / Goodall, Jr., H. L. (Committee member) / Gilfillan, Daniel (Committee member) / Arizona State University (Publisher)
Created2012
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This thesis covers second language acquisition in regards to age, examining the difference between elementary and high school students. The primary language of all the students tested was English. The second language being tested in this study is German. The general age range in the elementary students observed was 7-12

This thesis covers second language acquisition in regards to age, examining the difference between elementary and high school students. The primary language of all the students tested was English. The second language being tested in this study is German. The general age range in the elementary students observed was 7-12 years old. The high school students' ages were between 14-18 years old. The environment consisted of a physical education atmosphere, which includes: gyms, outside recreational areas, fitness equipment, fields, etc. Methods used to conduct this study were visual and auditory/verbal approaches. No direct instruction was provided to the students, they were assessed based on their ability to absorb the information when provided to them indirectly in a traditional classroom atmosphere. In addition, direct instruction is also not conducive to a physical education setting as it has the potential to detract from the necessary lesson content.
ContributorsMarch, Ashley Taylor (Author) / Pangrazi, Connie (Thesis director) / Gilfillan, Daniel (Committee member) / School of International Letters and Cultures (Contributor) / College of Health Solutions (Contributor) / Division of Teacher Preparation (Contributor) / Barrett, The Honors College (Contributor)
Created2017-05
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Description
Fifty years after the beginning of the modern feminist movement, there is still much to criticize when looking at female representations in all types of media through a feminist lens. With the enormous popularity of the superhero genre in so many media \u2014 comic books, films, television, comic-cons \u2014 now

Fifty years after the beginning of the modern feminist movement, there is still much to criticize when looking at female representations in all types of media through a feminist lens. With the enormous popularity of the superhero genre in so many media \u2014 comic books, films, television, comic-cons \u2014 now is the time to ask: how much has the depiction of female superheroes changed? Due to the huge amount of superhero media, there is a wide range of depictions of female characters. Will new audiences be presented with empowering female protagonists or simply new variations on the same basic character types? This thesis will explore that question by, first, presenting an historical overview of superheroes in their various media. It then turns to the history of female superheroes, comparing them to their male counterparts to trace the ways in which they were presented as characters in their own right, or as merely appendages to the male characters. Some female superheroes represented a new type of female protagonist: powerful, independent, and committed to fighting justice. In others, the female superheroes were simply retreads of already existing perceptions and expectations of women. They were less powerful than their male counterparts, dependent and clingy, and fighters of injustice only because it made them better girlfriends, wives, or prospective wives. The thesis also looks at the visual depictions of women, who never seem to have fully broken away from the oldest dichotomy in Western culture: the virgin or whore. Female superheroes have, for the most part, been drawn as either demure, modest, girlish figures, or as highly sexualized, sometimes borderline pornographic, figures. After completing this historical overview, the thesis turns to an examination of what many have hailed as the most progressive contemporary depiction of the female superheroine: the recent television series Jessica Jones. For many fans, the character breaks important ground in the superhero genre. Jessica is a realistic, multi-dimensional character who channels strength by overcoming her PTSD and defeating her former abuser. She is not dependent on male characters, and her interactions with others show that she is a self-sufficient, compassionate person who can both control her own sexuality as well as pick up a minivan. While the character herself is not overtly feminist, her characteristics, interactions with others, and the story itself have feminist overtones. Jessica Jones shows us that it is possible to have a multi-dimensional, lead female protagonist in a superhero show.
ContributorsSwartz, Alex Cole (Author) / Gruber, Diane (Thesis director) / Kolomyjec, Wanda (Committee member) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
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This thesis investigates colonialism’s legacy on contemporary Liberia’s language practices and self-understandings. Liberia was colonized by freed American slaves under the auspices of the American Colonization Society, established in 1816, which sought to establish a Christian colony in Africa as part of its plan to save the black race. The

This thesis investigates colonialism’s legacy on contemporary Liberia’s language practices and self-understandings. Liberia was colonized by freed American slaves under the auspices of the American Colonization Society, established in 1816, which sought to establish a Christian colony in Africa as part of its plan to save the black race. The freed slaves who realized this dream imposed their master’s language and religion upon the indigenous people they encountered while establishing the Liberian nation-state. This thesis delineates and explores three distinct data sets in order to identify contemporary vestiges and legacies of these colonial strategies, including interview data from Liberian immigrants, memoirs written by Liberians, and social media posts by Liberian immigrants. The study uses discourse analysis to analyze how Liberian immigrants represent themselves and their cultural practices drawing upon both colonial and indigenous identities. Findings revealed people with light skinned color (referred to as white) were viewed as beautiful and dark skinned people (referred to Africans) were considered as ugly. The study also revealed that speaking local languages is equated with illiteracy while the ability to speak English was seen as a sign of literacy. However, there was also a contradictory imperative that demonstrated resistance against the colonizing narrative. Liberia immigrants who experienced American culture fantasized about what they called true African identity and culture, revalorizing what previously had been negated.
ContributorsWento, Christiana Tally (Author) / Nadesan, Majia (Thesis advisor) / Mean, Lindsey (Committee member) / Gruber, Diane (Committee member) / Arizona State University (Publisher)
Created2017
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The decade of the 1930s was a tumultuous time for the world at large, but even more so in Germany. With the ascension to power of the National Socialist German Worker's Party (NSDAP) much of German academia was purged, and the remainder was under significant strain to present ideas consistent

The decade of the 1930s was a tumultuous time for the world at large, but even more so in Germany. With the ascension to power of the National Socialist German Worker's Party (NSDAP) much of German academia was purged, and the remainder was under significant strain to present ideas consistent with nationalist ideology. It was during this period, in 1938, that linguist professor Adolf Bach published his chapter "Sprache und Nation" as the conclusion to the book Geschichte der Deutschen Sprache. It is this chapter which the following thesis seeks to translate and analyze briefly, for the purpose of gaining further insight into the landscape of scholarly work in linguistics during the period. The chapter summarizes the content of the book, providing a brief history of the unification of the German language before launching into a discussion of the merits of the German language and race. Bach contends that the unique strength of the German language and people is deserving of protection from outside influence and at the close of his chapter calls for a struggle for the existence and purity of the people.
Created2016-05
Description
For the sake of this thesis, two scholarly collections edited by Dr. Robin S. Rosenberg – Our Superheroes, Ourselves (2013) and The Psychology of Superheroes: An Unauthorized Exploration (2008) – were reviewed. From these two collections and the multitude of psychological theories they cite, those most relevant to adolescent character

For the sake of this thesis, two scholarly collections edited by Dr. Robin S. Rosenberg – Our Superheroes, Ourselves (2013) and The Psychology of Superheroes: An Unauthorized Exploration (2008) – were reviewed. From these two collections and the multitude of psychological theories they cite, those most relevant to adolescent character development are considered. Three broad theories are examined first: positive psychology, equity theory, and attachment style. Then, six additional specific theories that define temperament (behavioral activation system and behavioral inhibition system), personality theory, duel identity, media identification, parasocial interaction, and comparison theory are reviewed. After reviewing each theory, Heroes in Crisis (2019) , a recent bestselling DC offering that addresses superhero trauma, is analyzed through the lens of these psychological theories in order to provide insight into the psychology or both superheroes and their adolescent fans.
ContributorsGutierrez, Jairo Gerardo (Author) / Gruber, Diane (Thesis director) / Amparano, Julie (Committee member) / School of Social and Behavioral Sciences (Contributor) / Barrett, The Honors College (Contributor)
Created2020-05