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You Belong to Me is a creative project that unites photography, creative writing, phenomenology, queer theory, and cultural analysis to form a cohesive picture of the nature of transgender identity, the values of fictive kinship and community building, and the (hyper)visibility and erasure as visual metaphors. My project begins with

You Belong to Me is a creative project that unites photography, creative writing, phenomenology, queer theory, and cultural analysis to form a cohesive picture of the nature of transgender identity, the values of fictive kinship and community building, and the (hyper)visibility and erasure as visual metaphors. My project begins with Marta Cunningham's 2013 documentary "Valentine Road", which takes on the February 2008 murder of Lawrence "Larry" King, who was killed by another student. This is a source from which I gather my foundational thoughts about the institutionalized violence faced by gender non-conforming, queer, and transgender students, paying particular focus to Larry's life as one representative of those most in need of institutional and communal support. I then translate my analysis through my own photographic endeavors, which include returning to Oxnard, Californa, where the shooting took place, as a means of physically documenting my conception of queer recursivity. This theoretical framework informs my visual work and acts as a lens through which I locate other queer and transgender creatives with whom I was able to connect only through experiencing the trauma of Larry's murder. I utilize Maggie Nelson's invocation of "the many gendered mothers of my heart" in order to craft a family that inhabits a self-created and self-defined space where marginalized identities are able to exist. I conclude that this project is the first step in a larger dialogue about the aforementioned themes, necessitating material and sustainable changes in the lives of vulnerable youth who witness violence from multiple angles via legal, medical, and social institutions.
ContributorsMarks, Brandon David (Author) / Anderson, Lisa M. (Thesis director) / Lennon, Tara (Committee member) / School of Social Transformation (Contributor) / School of Politics and Global Studies (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
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Description
"Becoming Travesti: A Partial History of Ontoformation" explores the discursive production of the figure of travesti, defined broadly as male-assigned technologies of feminization, as it circulates within public discourse in Mexico. In other words, through ontoformation this project highlights the historical and sociopolitical associations that congeal, through repetition, to give

"Becoming Travesti: A Partial History of Ontoformation" explores the discursive production of the figure of travesti, defined broadly as male-assigned technologies of feminization, as it circulates within public discourse in Mexico. In other words, through ontoformation this project highlights the historical and sociopolitical associations that congeal, through repetition, to give an identitarian category -travesti- a sense of essence. In order to do so, this project analyzes articles within the mainstream Mexican press, ranging from the colonial period to the present. The first phase of this project involved the compilation and analysis of all twenty-first century articles mentioning travesti in the three newspapers with the widest circulation in Mexico in order to determine the primary constitutive elements of the contemporary figure of travesti. The second phase, in turn, involved a historical exploration of these constitutive elements by way of analyzing mainstream news sources dating back to the colonial period. As such, this project explores the work performed by ontoformative narratives that congeal to give the identitarian category of travesti a sense of essence. Among the narratives explored are the detravestification of homosexuality and continued homosexualization of travesti, the criminality of travesti, the spectacularization of travesti, the disposability of travesti, and the affective registers mobilized by and through travesti. Moreover, this project explores the consolidation of the contemporary figure of travesti in relationship to other identitarian categories of sexual and gendered non-normativity in Mexico, such as the homosexual, the transsexual and the transgénero (transgender), suggesting that travesti has been instrumental in the historical production and sanitization of these categories.
Contributorsde la Maza Pérez Tamayo, Andrea (Author) / Koblitz, Ann H. (Thesis advisor) / Quan, H.L.T. (Committee member) / Aizura, Aren Z. (Committee member) / Gomez, Alan E. (Committee member) / Arizona State University (Publisher)
Created2017
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Description
If democracy is the best way to rule why then is it limited only to the political sphere? This question is central to economic democracy which is the theory that economic activities should be governed by democratic principles. In America, ESOPs are used for a variety of reasons, and I

If democracy is the best way to rule why then is it limited only to the political sphere? This question is central to economic democracy which is the theory that economic activities should be governed by democratic principles. In America, ESOPs are used for a variety of reasons, and I believe that they can be used for the development of democratic firms. My thesis looks at current ESOPs to see if they are democratic, and suggests how they can be used to develop democratic firms.
ContributorsHeth, Zachary Fredrick (Author) / Simhony, Avital (Thesis director) / Lennon, Tara (Committee member) / Barrett, The Honors College (Contributor) / Department of Chemistry and Biochemistry (Contributor) / School of Politics and Global Studies (Contributor) / School of Life Sciences (Contributor)
Created2014-05