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Art on the border: political dialogue and the use of visual art in the U.S.-Mexico border debate

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This thesis seeks to answer the question: "What do artistic representations add to the dialogue about the U.S.-Mexico border and immigration beyond political rhetoric and popular media portrayals?" Drawing on political communications (as put forth by Edelman and Altheide), socio-political construction (particularly the White Racial Frame put forth by Feagin),…

This thesis seeks to answer the question: "What do artistic representations add to the dialogue about the U.S.-Mexico border and immigration beyond political rhetoric and popular media portrayals?" Drawing on political communications (as put forth by Edelman and Altheide), socio-political construction (particularly the White Racial Frame put forth by Feagin), and collective memory theory (especially those of Halbwachs and Pollak), this thesis uses a dual-coding, content analysis to examine the linguistic and visual messages disseminated through news media. Then, interviews with and the work of six immigrant artists are examined for their contribution to the information put forth in the news media. This study finds that news reporting bias falls along a continuum from pro-immigration to extreme anti-immigration (labeled "fearful" reporting). The news media skew strongly toward anti-immigration to fearful in bias, and there is no opposite pro-immigration bias. Through observations of artists' work, the study concludes that artistic representations of the border can fill this strongly pro-immigration void on this bias continuum.
ContributorsMcCarty, Kelly Erin (Author) / Téllez, Michelle (Thesis advisor) / Stancliff, Michael (Committee member) / Segura, Joseph (Committee member) / Arizona State University (Publisher)
Created2011
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(Re)Mapping the Border: Mobility and Survival Across a Geography of Borders

Description
This dissertation examines the San Diego border region to understand migrant construction worker’s mobility, autonomy, and labor power. San Diego County is enclosed by a network of internal immigration checkpoints and roving patrol operations that constrain migrant worker’s labor power to the territorial boundaries of the county. The project uses…

This dissertation examines the San Diego border region to understand migrant construction worker’s mobility, autonomy, and labor power. San Diego County is enclosed by a network of internal immigration checkpoints and roving patrol operations that constrain migrant worker’s labor power to the territorial boundaries of the county. The project uses ‘differential mobility’ as a strategic concept to highlight the ways in which borders differentiate, sort, and rank among noncitizen migrant construction workers to meet local labor demands. The project reveals worker’s collective struggle to evade and cross border enforcement operations to maintain consistent employment across a border region that is marked by internal immigration checkpoints, roving patrol stops, and state surveillance measures. In addition, the project examines migrant men’s emerging workplace narratives about the body and penetration that symbolize workers’ understanding of social domination in a global economy. These expressions open up a critical space from which migrant men begin to critique a global economy that drives men northbound for employment and southbound for retirement—inhibiting a future that is neither entirely in the United States or Mexico.
ContributorsAvalos, Diego (Author) / Gomez, Alan (Thesis advisor) / Quan, H.L.T. (Committee member) / Yellow Horse, Aggie (Committee member) / Téllez, Michelle (Committee member) / Arizona State University (Publisher)
Created2020