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Description
Digital to analog converters (DACs) find widespread use in communications equipment. Most commercially available DAC's which are intended to be used in transmitter applications come in a dual configuration for carrying the in phase (I) and quadrature (Q) data and feature on chip digital mixing. Digital mixing offers many benefits

Digital to analog converters (DACs) find widespread use in communications equipment. Most commercially available DAC's which are intended to be used in transmitter applications come in a dual configuration for carrying the in phase (I) and quadrature (Q) data and feature on chip digital mixing. Digital mixing offers many benefits concerning I and Q matching but has one major drawback; the update rate of the DAC must be higher than the intermediate frequency (IF) which is most commonly a factor of 4. This drawback motivates the need for interpolation so that a low update rate can be used for components preceding the DACs. In this thesis the design of an interpolating DAC integrated circuit (IC) to be used in a transmitter application for generating a 100MHz IF is presented. Many of the transistor level implementations are provided. The tradeoffs in the design are analyzed and various options are discussed. This thesis provides a basic foundation for designing an IC of this nature and will give the reader insight into potential areas of further research. At the time of this writing the chip is in fabrication therefore this document does not contain test results.
ContributorsNixon, Cliff (Author) / Bakkaloglu, Bertan (Thesis advisor) / Arizona State University (Publisher)
Created2013
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Description
This project aims to produce repertoire that will help bridge the gap between classical music and jazz, particularly focusing on some of the obstacles that female classical saxophonists face when playing jazz. By commissioning six new works for saxophone and piano written by female jazz composers, this project facilitates an

This project aims to produce repertoire that will help bridge the gap between classical music and jazz, particularly focusing on some of the obstacles that female classical saxophonists face when playing jazz. By commissioning six new works for saxophone and piano written by female jazz composers, this project facilitates an entry-level experience with improvised materials that will help break down this barrier for interested saxophonists. The compositions are From A to Z: Two Women’s Journeys by Ayn Inserto, Sunlit Dream by Annie Booth, Taking Flight by Katelyn Vincent, Des-Dunes by Sam Spear, Jogo by Yoko Suzuki, and Impromptu by Aida De Moya. For each work, this project provides recordings, performance guides, improvisation guides, biographical contents, and program notes. I hope to encourage young female saxophonists to explore their interests in jazz without fear or reservation through performance of these pieces.
ContributorsZelenak, Kristen (Author) / Creviston, Christopher (Thesis advisor) / Kocour, Michael (Committee member) / Saucier, Catherine (Committee member) / Arizona State University (Publisher)
Created2022
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Description
William “Count” Basie (1904-1984) is one of the most beloved and imitated figures in American music. His name has long been ubiquitous among jazz scholars, critics, and practitioners. Basie’s sparse, minimalistic piano idiolect is immediately recognizable, and the 4/4 swing aesthetic of his Kansas City-born jazz orchestra is a cornerstone

William “Count” Basie (1904-1984) is one of the most beloved and imitated figures in American music. His name has long been ubiquitous among jazz scholars, critics, and practitioners. Basie’s sparse, minimalistic piano idiolect is immediately recognizable, and the 4/4 swing aesthetic of his Kansas City-born jazz orchestra is a cornerstone of the big band idiom. “Stories and Significations” critically examines prevailing narratives about Basie’s biography and musical output, many of which have not been substantively reconsidered since the 1980s. Through an interdisciplinary synthesis of methods ranging from Afrodiasporic modes of musical analysis, archival research, critical historiography, and African American literary theory, this project serves to enrich Basie’s legacy while also critiquing the mythology surrounding it. By signifying on the traditional “Life and Music” paradigm of jazz biography, in “Stories and Significations” I use preexisting scholarly and critical discourses as points of departure for critique while also offering scholars and practitioners new ways to write, talk, and think about Basie. In doing so, I bring Basie, the stories of his life, and the Significations in his music into the rich scholarly discourse of the New Jazz Studies that has added such valuable depth and detail to the legacies of numerous other figures in jazz history such as Louis Armstrong, Duke Ellington, and Miles Davis.
ContributorsDavis, Jayson Owen (Author) / Wells, Christi J (Thesis advisor) / Kocour, Michael (Committee member) / Saucier, Catherine (Committee member) / Schmelz, Peter (Committee member) / Arizona State University (Publisher)
Created2023