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ContributorsPilafian, Sam (Director) / Boatman, Armand (Performer) / Kocour, Mike (Performer) / Concert Jazz Band (Performer) / ASU Library. Music Library (Publisher)
Created2008-01-27
ContributorsKocour, Mike (Director) / Jazz Combo (Performer) / ASU Library. Music Library (Publisher)
Created2006-11-01
ContributorsKocour, Mike (Performer) / O'Neill, Deater (Performer) / Crotty, Mike, 1950- (Performer) / Pilafian, Sam (Performer) / Friesen, David (Performer) / Spencer, Joel (Performer) / ASU Library. Music Library (Publisher)
Created2005-02-15
ContributorsBailey, Wayne (Conductor) / Smart, James (Conductor) / Pilafian, Sam (Conductor) / Kocour, Mike (Director) / Canser, Jelani (Director) / Wind Ensemble (Performer) / Jazz Repertory Band (Performer) / ASU Library. Music Library (Publisher)
Created2007-03-01
ContributorsKocour, Mike (Director) / Oatts, Dick (Performer) / Spencer, Joel (Performer) / Jazz Repertory Band (Performer) / ASU Library. Music Library (Publisher)
Created2007-10-23
ContributorsNovak, Gail (Pianist) (Performer) / Nielsen, Walt (Performer) / Sandell, Ryan (Performer) / Georges, Julia (Performer) / Harger, Stefanie (Performer) / Lehr, Natalie (Performer) / Gardner, Joshua (Performer) / Chuang, Yen-Ting (Performer) / ASU Library. Music Library (Publisher)
Created2006-10-01
ContributorsMiracle, Matthew (Performer) / Novak, Gail (Pianist) (Performer) / Gardner, Joshua (Performer) / Gardner, Stefanie (Performer) / Vaughan, Melissa (Performer) / DeBoer, Andrew (Performer) / Georges, Julia (Performer) / ASU Library. Music Library (Publisher)
Created2010-10-20
ContributorsGardner, Joshua (Performer) / Novak, Gail (Pianist) (Performer) / Harrison, Jacob (Conductor) / Bowlin, Sarah (Performer) / Bacanu, Cristinel (Performer) / Teachout, Kim (Performer) / Stein, Derek (Performer) / ASU Library. Music Library (Publisher)
Created2008-01-31
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Description
This project uses fourteen transcriptions of Pete Fountain’s solos as examples to

demonstrate traditional jazz clarinet techniques and language in terms of motives,

patterns, and a variety of articulations. This project also includes guidelines on how to

practice jazz improvisation as well as how to apply Fountain’s techniques and jazz

language to one’s own

This project uses fourteen transcriptions of Pete Fountain’s solos as examples to

demonstrate traditional jazz clarinet techniques and language in terms of motives,

patterns, and a variety of articulations. This project also includes guidelines on how to

practice jazz improvisation as well as how to apply Fountain’s techniques and jazz

language to one’s own improvisation. Though there are countless musicians who have

made remarkable contributions to the development of the jazz language, Pete Fountain’s

unique style is particularly worthy of study due to his massive media presence, effortless

playing techniques, unique tone quality, and showmanship throughout his career.
ContributorsWu, Shengwen (Author) / Spring, Robert (Thesis advisor) / Gardner, Joshua (Thesis advisor) / Carpenter, Ellon (Committee member) / Kocour, Michael (Committee member) / DeMaris, Brian (Committee member) / Arizona State University (Publisher)
Created2019
Description
The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for

The primary objective of this research project is to expand the clarinet repertoire with the addition of four new pieces. Each of these new pieces use contemporary clarinet techniques, including electronics, prerecorded sounds, multiphonics, circular breathing, multiple articulation, demi-clarinet, and the clari-flute. The repertoire composed includes Grant Jahn’s Duo for Two Clarinets, Reggie Berg’s Funkalicious for Clarinet and Piano, Rusty Banks’ Star Juice for Clarinet and Fixed Media, and Chris Malloy’s A Celestial Breath for Clarinet and Electronics. In addition to the musical commissions, this project also includes interviews with the composers indicating how they wrote these works and what their influences were, along with any information pertinent to the performer, professional recordings of each piece, as well as performance notes and suggestions.
ContributorsCase-Ruchala, Celeste Ann (Contributor) / Gardner, Joshua (Thesis advisor) / Spring, Robert (Thesis advisor) / Hill, Gary (Committee member) / Rogers, Rodney (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2016