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Guantánamo: The Amen Temple of Empire connects the fetishization of the trauma of nine/eleven with the co-constitution of subjects at Guantánamo—that of the contained Muslim terrorist prisoner silhouetted against the ideal nationalistic military body—circulated as ‘afterimages’ that carry ideological narratives about U.S. Empire. These narratives in turn religiously and racially

Guantánamo: The Amen Temple of Empire connects the fetishization of the trauma of nine/eleven with the co-constitution of subjects at Guantánamo—that of the contained Muslim terrorist prisoner silhouetted against the ideal nationalistic military body—circulated as ‘afterimages’ that carry ideological narratives about U.S. Empire. These narratives in turn religiously and racially charge the new normative practices of the security state and its historically haunted symbolic order. As individuals with complex subjectivities, the prisoners and guards are, of course, not reducible to the standardizing imprimatur of the state or its narratives. Despite the circulation of these ‘afterimages’ as fixed currency, the prisoners and guards produce their own metanarratives, through their para-ethnographic accounts of containment and of self. From within the panopticon of the prison, they seek sight lines, and gaze back at the state. This dissertation is thus a meditation on US militarism, violence, torture, race, and carceral practices, revealed thematically through metaphors of hungry ghosts, nature, journey and death, liminality, time, space, community, and salvage. Based on a multi-sited, empirical and imaginary ethnography, as well as textual and discourse analysis, I draw on the writing and testimony of prisoners, and military and intelligence personnel, whom I consider insightful para-ethnographers of the haunting valence of this fetishized historical event.
ContributorsColeman, Diana (Diana Murtaugh) (Author) / Talebi, Shahla (Thesis advisor) / Matustik, Martin (Committee member) / Fessenden, Tracy (Committee member) / Arizona State University (Publisher)
Created2018
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Iron City Magazine is an online and print journal devoted entirely to writing and art from the prison world. It is our hope that through this creative platform, incarcerated artists and writers find value in their stories, fuel for personal growth, and pride in their accomplishments. Inmates are, first and

Iron City Magazine is an online and print journal devoted entirely to writing and art from the prison world. It is our hope that through this creative platform, incarcerated artists and writers find value in their stories, fuel for personal growth, and pride in their accomplishments. Inmates are, first and foremost, people. They own stories worthy of telling and sharing. Iron City Magazine aims to highlight these stories in a way more permanent than a private journal. In addition, we serve to remind the general public that inmates can make meaningful contributions to their communities. So often, this potential is forgotten or overshadowed by their crimes. By validating inmates' humanity through writing and art, we encourage a culture of understanding and transformation.
ContributorsVolin, Natalie Esther (Author) / Wells, Cornelia (Thesis director) / Berry, Shavawn (Committee member) / College of Letters and Sciences (Contributor) / School of International Letters and Cultures (Contributor) / Barrett, The Honors College (Contributor)
Created2016-05
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Ankle monitors are not the bright, kind alternative to incarceration that they are made to be. Advocates propose them as a solution to overcrowded carceral sites and excessive federal expenditure on public corrections agencies. Their logic being we can release certain incarcerated people to reduce prison, jail, and detention center

Ankle monitors are not the bright, kind alternative to incarceration that they are made to be. Advocates propose them as a solution to overcrowded carceral sites and excessive federal expenditure on public corrections agencies. Their logic being we can release certain incarcerated people to reduce prison, jail, and detention center populations and require them to pay for their monitoring to reduce prison expenditures. While there is potential for ankle monitors to achieve these aspirations, it is necessary to recognize how and where they can produce harm. Rather than being an alternative to incarceration, ankle monitors are a method of incarceration. They serve the same functions and hold the same power as prisons and jails with a more elusive form. In the current implementation of ankle monitors, we see individual bodies being transformed into sources of data to be capitalized upon by the government and private companies. Along with this, there is a shift of the financial burden of incarceration from prisons to the person being punished. This acts to further perpetuate the cycles of poverty and financial oppression that are seen within traditional forms of incarceration. Ankle monitor advocates also claim ankle monitors allow incarcerated people to enjoy freedom beyond prison walls and reintegrate into society. In reality, this is an oversimplification of freedom. Individuals with ankle monitors find themselves to be limited in their freedoms by restricted movement and stigmatization. They are unable to live a “normal” life because their ankle monitors prevent them from doing so. These people cannot move as they please, they cannot find and hold employment, and they cannot interact with people like they normally would. Ankle monitor usage must be critically examined and altered if it is to be considered a meaningful, gentle alternative to incarceration.

ContributorsNg, Alexa (Author) / Brian, Jennifer (Thesis director) / Stevens, Nikki (Committee member) / Harrington Bioengineering Program (Contributor) / Barrett, The Honors College (Contributor)
Created2021-05