Matching Items (7)
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- All Subjects: Queer
- Creators: Sturges, Robert
- Creators: Van Engen, Dagmar
Description
This thesis examines Christopher Marlowe's poem Hero and Leander and George Chapman's Continuation thereof through a theoretical lens that includes theories of intimacy, sexuality and touch taken from Lee Edelman, Daniel Gil, James Bromley, Katherine Rowe and others. Hands are seen as the privileged organ of touch as well as synecdoche for human agency. Because it is all too often an unexamined sense, the theory of touch is dealt with in detail. The analysis of hands and touch leads to a discussion of how Marlowe's writing creates a picture of sexual intimacy that goes against traditional institutions and resists the traditional role of the couple in society. Marlowe's poem favors an equal, companionate intimacy that does not engage in traditional structures, while Chapman's Continuation to Marlowe's work serves to reaffirm the transgressive nature of Marlowe's poem by reasserting traditional social institutions surrounding the couple. Viewing the two pieces of literature together further supports the conclusion that Marlowe's work is transgressive because of how conservative Chapman's reaction to Hero and Leander is.
ContributorsHardman, Katherine (Author) / Fox, Cora (Thesis advisor) / Ryner, Bradley (Committee member) / Sturges, Robert (Committee member) / Arizona State University (Publisher)
Created2012
Description
Aside from uplifting and tearing down the mood of a young LGBTQ+ kid, journalistic media has the potential to alter the way audiences understand and react to individuals of the LGBTQ+ community. Looking at the rhetorical approaches, frameworks, and expanded narratives of news sources, this project engages with the concepts of same-sex marriage, lifestyles, bans, and children in education in order to attain an understanding of what media messages are being shared, how they are being communicated, and what the implications of such rhetoric are. Summary of the findings:
• Same-sex marriage as the win that cannot be repeated.
Infamously known as the central legal battle for the LGBTQ+ community, same-sex marriage finds itself in many political speeches, campaigns, and social commentaries. Interestingly, after being legalized through a Supreme Court decision in the United States, Same-Sex Marriage finds itself framed as the social inevitability that should not be repeated in politics or any legal shift. In other words, “the gays have won this battle, but not the war.”
• There are risks around the “LGBTQ+ lifestyle” and its careful catering to an elite minority and the mediation through bans.
The risks of the LGBTQ+ “lifestyle” date back far, with many connotations being attached to being LGBTQ+ (AIDS epidemics, etc.). In modern journalism, many media outlets portray LGBTQ+ individuals to be a tiny minority (.001% according to some) that demands the whole society to adhere to their requests. This framework portrays the LGBTQ+ community as oppressors and obsessed advocates that can never “seem to get enough” (ex: more than just marriage). The bans are framed as the neutralizing factor to the catering.
• LGBTQ+ children and topics in academic and social spaces are the extreme degree.
When it comes to LGBTQ+ issues and conversations as they revolve around children, media outlets have some of the most passionate opinions about them. Often portrayed as “the line that shouldn’t be crossed,” LGBTQ+ issues, as they find themselves in schools and other spaces, are thus portrayed as bearable to a certain degree, never completely. Claims of indoctrination are also presented prominently even when institutional efforts are to protect LGBTQ+ kids.
• Same-sex marriage as the win that cannot be repeated.
Infamously known as the central legal battle for the LGBTQ+ community, same-sex marriage finds itself in many political speeches, campaigns, and social commentaries. Interestingly, after being legalized through a Supreme Court decision in the United States, Same-Sex Marriage finds itself framed as the social inevitability that should not be repeated in politics or any legal shift. In other words, “the gays have won this battle, but not the war.”
• There are risks around the “LGBTQ+ lifestyle” and its careful catering to an elite minority and the mediation through bans.
The risks of the LGBTQ+ “lifestyle” date back far, with many connotations being attached to being LGBTQ+ (AIDS epidemics, etc.). In modern journalism, many media outlets portray LGBTQ+ individuals to be a tiny minority (.001% according to some) that demands the whole society to adhere to their requests. This framework portrays the LGBTQ+ community as oppressors and obsessed advocates that can never “seem to get enough” (ex: more than just marriage). The bans are framed as the neutralizing factor to the catering.
• LGBTQ+ children and topics in academic and social spaces are the extreme degree.
When it comes to LGBTQ+ issues and conversations as they revolve around children, media outlets have some of the most passionate opinions about them. Often portrayed as “the line that shouldn’t be crossed,” LGBTQ+ issues, as they find themselves in schools and other spaces, are thus portrayed as bearable to a certain degree, never completely. Claims of indoctrination are also presented prominently even when institutional efforts are to protect LGBTQ+ kids.
ContributorsNieto Calderon, Ramon Antonio (Author) / Himberg, Julia (Thesis director) / Sturges, Robert (Committee member) / Department of English (Contributor) / Barrett, The Honors College (Contributor)
Created2018-05
Description
“The Moral Sense of Touch: Teaching Tactile Values in Late Medieval England” investigates the intersections of popular science and religious education in the late fourteenth and fifteenth centuries. Taking an interdisciplinary approach, the project draws together a range of textual artifacts, from scientific manuals to private prayerbooks, to reconstruct the vast network of touch supporting the late medieval moral syllabus. I argue that new scientific understandings of the five senses, and specifically the sense of touch, had a great impact on the processes, procedures, and parlances of vernacular religious instruction in late medieval England. The study is organized around a set of object lessons that realize the materiality of devotional reading practices. Over the course of investigation, I explore how the tactile values reinforcing medieval conceptions of pleasure and pain were cultivated to educate and, in effect, socialize popular reading audiences. Writing techniques and technologies—literary forms, manuscript designs, illustration programs—shaped the reception and user-experience of devotional texts. Focusing on the cultural life of the sense of touch, “The Moral Sense of Touch” provides a new context for a sense based study of historical literatures, one that recovers the centrality of touch in cognitive, aesthetic, and moral discourses.
ContributorsRussell, Arthur J. (Author) / Newhauser, Richard G (Thesis advisor) / Sturges, Robert (Committee member) / Malo, Robyn (Committee member) / Arizona State University (Publisher)
Created2016
Description
Jason Bryant Queering Home: Domestic Space and Sexuality in Postmodern American Fiction This dissertation explores narratives of homosexuals and trans men and women occupying domestic spaces, discerning the ways that “home” shapes understandings about sexuality and examining the ways that understandings of sexuality shape how domestic spaces are occupied. Queer artists and intellectuals have deconstructed the legacy of normativity that clings to the metaphor of the domestic realm. Queering Home argues that writers have used the discursive concept of home to cultivate sociopolitical communities (Audre Lorde, Zami) while also insisting upon material spaces of shelter and comfort for individuals queered by gender performance, sexual orientation, and resultant adverse economic conditions (Feinberg, Stone Butch Blues). Two novels, Dorothy Allison's Bastard Out of Carolina and Mike Albo's Hornito, challenge the coming-of-age tradition of narrating childhood/adolescence through the redeeming prism of the confident, queer adult; in particular, these novels trouble the problematic notion of domesticated maturation as a heteronormative condition that continues to cling to much contemporary American lesbian, gay, bisexual, and transgender (LGBT) politics. The third chapter examines Marilyn Hacker's sonnet collection, Love, Death, and the Changing of the Seasons in correspondence with Carl Phillips's collection, Cortège, as they queer the concept of domestic bliss, the goal toward which romantic partners are “supposed” to be committed. Hacker and Phillips revise the same-sex couple as a processing of gay ways of life, which resists positing normative, married futures for lesbians and homosexuals. Finally, the study investigates Terrence McNally's play, Lips Together, Teeth Apart and a series of still life paintings by Joey Terrill for their depiction of narratives of domestic spaces (pools, open-concept design, medicine cabinets), which condition the subjectification and desubjectification of gay male sexuality and domesticity in the era of HIV/AIDS. Throughout, this dissertation draws energy by challenging the “given” and “inevitable” heteronorms that condition domesticity, sexuality, and space, demonstrating how late twentieth century writers and artists have queered the home.
ContributorsBryant, Jason (Author) / Clarke, Deborah (Thesis advisor) / Sturges, Robert (Committee member) / Bebout, Lee (Committee member) / Arizona State University (Publisher)
Created2013
Description
Speculative fiction and fantasy media have abundant power to portray alternative realities or imagined futures for minority groups. Buffy the Vampire Slayer, from the late 1990s-early 2000s, and Wynonna Earp, from the late 2010s, are two fantasy television shows that produce this often-progressive, impactful representation, particularly for lesbians and bisexual people. Drawing on Queer and Monster Theories from Susan Stryker, Marilee Lindemann, Harry Benshoff, and Alexis Lothian, this thesis examines queer representation in these TV shows and how it contributes to the normalization of LGBTQ+ individuals whilst simultaneously honoring the shows’ queer fans. Normalizing non-cishetero genders and sexualities helps rewrite the narrative of LGBTQ+ people being considered “deviant” and threatening societal order; and holding true to queer roots of challenging social norms prevents the power of the queer community from being influenced by the pressures of compulsory heterosexuality.
ContributorsCardona, Lauren (Author) / Van Engen, Dagmar (Thesis director) / Mack, Robert (Committee member) / Barrett, The Honors College (Contributor) / Chemical Engineering Program (Contributor)
Created2022-05
Description
This thesis seeks provide queer scholarship with first steps to take toward decolonizing its current conceptions of queerness, including what queer advocates stand to gain from reading the works of Indigiqueer and Two-Spirit authors. I revisit Indigenous history and the longstanding relationship Indigenous communities, queer communities, and modern systems have with colonialism to convey why the queer community needs to concern itself with Indigenous issues. With an emphasis on Indigenous speculative fiction, I analyze select stories from Joshua Whitehead’s Love After the End: An Anthology of Two-Spirit & Indigiqueer Speculative Fiction (2021) and Qwo-Li Driskill et al.’s Sovereign Erotics: A Collection of Two-Spirit Literature (2011). Using Grace Dillon’s theory from Walking the Clouds (2012), I make clear how these pieces decolonize gender, sexuality, and queer identity and demonstrate that these anthologies are important for the advancement of queer scholarship. I then present takeaways from each piece for queer advocates and scholars to begin to apply within the real world. This thesis concludes that it is time for queer scholarship to merge itself with Two-Spirit and Indigiqueer speculative fiction.
ContributorsMartinez, Monica (Author) / Van Engen, Dagmar (Thesis director) / Stanley, B. Liahnna (Committee member) / Barrett, The Honors College (Contributor) / School of Social and Behavioral Sciences (Contributor)
Created2022-05
Description
This thesis utilizes Black queer studies and speculative fiction as an analytical framework for examining issues of racialized homophobia and the policing of sexuality, specifically in the context of Lil Nas X and his music videos. By contrasting the evolution first of Lil Nas X himself and second of the reception to his "Old Town Road" and "Montero (Call Me By Your Name)" music videos, this thesis reveals the intricacies of the relationship between predominant white, cisheteronormative, patriarchal, capitalist society and representations of Black queer sexuality. Through his music videos, Lil Nas X performs elements of Black queer worldmaking, futurity, and imagination in ways that actively disrupt normative notions of gender, identity, and sexuality in mainstream popular culture. Analyzing Lil Nas X’s music videos through the framework of Black queer studies and speculative fiction reveals how these elements function to subvert limited notions of humanism and freedom while cultivating the potential for alternative ways of being.
ContributorsWinner, Kylee (Author) / Van Engen, Dagmar (Thesis director) / Ward, Mako (Committee member) / Barrett, The Honors College (Contributor) / Department of Psychology (Contributor) / School of Social Transformation (Contributor)
Created2022-05