Matching Items (394)
ContributorsDelaney, Erin (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-03-18
Description
This thesis argues for the utility of syntactic cartography in representing and analyzing the disputed language of legal statutes. It presents an analysis of two appellate court cases, Flores-Figueroa v. United States (2009) and In re Sanders (2008). Each case involves a difference of opinion with respect to the position and function of prepositions found in 18 U.S.C. § 1028A(a)(1) and 11 U.S.C. § 1328(f), respectively. Informing the tree structures are Merlo and Ferrer's (2006) six diagnostics for PP attachment: head dependence, optionality, iterativity, ordering, copular paraphrase, and deverbal nouns. In Flores-Figueroa, the analysis yields a conclusion that affirms the court's decision, as does the analysis in Sanders, although it only concurs in part. Implications of the study and the overall cartography approach are discussed, including how it could impact the drafting of jury instructions and future legislation. The paper also addresses the unique heritage of legal language, the ways in which it contrasts with civic, non-legal English, and how its characteristics give rise to ambiguity and vagueness, two suitable phenomena for linguistic analysis. Further, it discusses the potential for providing linguistic input on active cases to the Supreme Court and other judicial bodies.
ContributorsPetersen, Justin Bruce (Author) / Gelderen, Elly van (Thesis advisor) / Renaud, Claire (Committee member) / Adams, Karen (Committee member) / Arizona State University (Publisher)
Created2017
Description
This dissertation draws upon modern Chomskyan theory to address issues surrounding the development of a unified, minimalist account of language as a mental and biological object, both in terms of its generation and historic change. Towards that end, I investigate, apply, and advance the labeling approach to generative syntax. Labeling is a hypothetical process, operating within the confines of phase theory, which is thought to prepare constructed syntactic objects for interpretation at relevant mental interfaces. I argue a number of points applicable to both synchronic and diachronic linguistics: 1) Labeling failures happen as a matter of course during a derivation, forcing re-evaluation of labeled syntactic structures which ultimately leads to a successful derivation. 2) Labeling and its errors do not happen in real-time, but are bounded by phases. This has consequences for how researchers ought to look at notions and limitations of phasal memory. 3) Labeling not only drives an individual’s mature syntax, but has an effect on how children acquire their syntax, causing them in some cases to alter structures and create new categories. This is responsible for many cases of language change, and I support this argument by investigating data from the history of Chinese and Macedonian that are sensitive to labeling-based phenomena. 4) Research into labeling can help us speculate about the evolution of language generally. Although recursion is sometimes thought to be a defining feature of Universal Grammar, labeling in fact is a much more likely candidate in this regard.
ContributorsSanatana-LaBarge, Robert E. (Author) / Gelderen, Elly van (Thesis advisor) / Ingram, David (Committee member) / Piattelli-Palmarini, Massimo (Committee member) / Arizona State University (Publisher)
Created2016
Description
ABSTRACT Many musicians, both amateur and professional alike, are continuously seeking to expand and explore their performance literature and repertory. Introducing new works into the standard repertory is an exciting endeavor for any active musician. Establishing connections, commissioning new works, and collaborating on performances can all work together toward the acceptance and success of a composer's music within an instrument community. For the flute, one such composer is Daniel Dorff (b. 1956). Dorff, a Philadelphia-based composer, has written for symphony orchestra, clarinet, contrabassoon, and others; however, his award-winning works for flute and piccolo are earning him much recognition. He has written works for such illustrious flutists as Mimi Stillman, Walfrid Kujala, and Gary Schocker; his flute works have been recorded by Laurel Zucker, Pamela Youngblood and Lois Bliss Herbine; and his pieces have been performed and premiered at each of the National Flute Association Conventions from 2004 to 2009. Despite this success, little has been written about Dorff's life, compositional style, and contributions to the flute repertory. In order to further promote the flute works of Daniel Dorff, the primary focus of this study is the creation of a compact disc recording of Dorff's most prominent works for flute: April Whirlwind, 9 Walks Down 7th Avenue, both for flute and piano, and Nocturne Caprice for solo flute. In support of this recording, the study also provides biographical information regarding Daniel Dorff, discusses his compositional methods and ideology, and presents background information, description, and performance notes for each piece. Interviews with Daniel Dorff regarding biographical and compositional details serve as the primary source for this document. Suggestions for the performance of the three flute works were gathered through interviews with prominent flutists who have studied and performed Dorff's pieces. Additional performance suggestions for Nocturne Caprice were gathered through a coaching session between the author and the composer. This project is meant to promote the flute works of Daniel Dorff and to help establish their role in the standard flute repertory.
ContributorsRich, Angela Marie (Contributor) / Novak, Gail (Pianist) (Performer) / Buck, Elizabeth Y (Thesis advisor) / Hill, Gary W. (Committee member) / Holbrook, Amy (Committee member) / Schuring, Martin (Committee member) / Arizona State University (Publisher)
Created2010
ContributorsChen, Zuoquan (Performer) / Jiang, Zhou (Performer) / ASU Library. Music Library (Publisher)
Created2018-04-02
ContributorsDavis, Kelly (Performer) / Novak, Gail (Pianist) (Performer) / ASU Library. Music Library (Publisher)
Created2018-11-18
ContributorsLee, Ji Young (Performer) / ASU Library. Music Library (Publisher)
Created2019-04-06
ContributorsBrouwer, Monique (Performer) / Hickman, Miriam, 1955- (Performer) / Schimming, Paul (Performer) / ASU Library. Music Library (Publisher)
Created2003-04-26
ContributorsCarter, Deborah (Performer) / Smith, William (Performer) / ASU Library. Music Library (Publisher)
Created1985-02-11
ContributorsChavis, Dawnya (Performer) / Baker, Dian (Performer) / ASU Library. Music Library (Publisher)
Created2008-04-20