Matching Items (7)
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- All Subjects: Linguistics
- All Subjects: Autobiography
- Creators: Long, Elenore
Description
This dissertation theorizes nineteenth-century public performance of spiritual media as being inherent to the production of autobiography itself. Too often, dominant social discourses are cast as being singular cultural phenomena, but analyzing the rhetorical strategies of women attempting to access public spheres reveals fractures in what would otherwise appear to be a monolithic patriarchal discourse. These women's resistant performances reap the benefits of a fractured discourse to reveal a multiplicity of alternative discourses that can be accessed and leveraged to gain social power. By examining the phenomena of four nineteenth- century Spiritualists' mediumship from a rhetorical perspective, this study considers how female spirit mediums used their autobiographies to operate as discursive spaces mediating between private and public spheres; how female mediums constructed themselves in the public sphere as women and as spiritual authorities; how they negotiated entry into volatile and unpredictable publics; how they conceived of the vulnerability of the female body in the public sphere; and how they coped with complications inherent to Victorian era constructions of feminine corporeality. In conclusion, this dissertation offers a highly situated performative theory of subaltern publicity.
ContributorsLowry, Elizabeth (Author) / Daly Goggin, Maureen (Thesis advisor) / Long, Elenore (Committee member) / Miller, Keith (Committee member) / Arizona State University (Publisher)
Created2012
Description
This dissertation examines collaborative inquiry as a form of graduate mentoring. To investigate this issue, I analyze the research and writing process of a team of five multilingual graduate students and their mentor as they collaboratively design, implement, and report a study based in their local writing program over the course of two years. Through a qualitative activity analysis of team meetings, participant interviews, and the team’s written drafts and email correspondence, I investigate the ways in which self-sponsored, team-based collaborative research and writing supports participants’ learning and development of a professional identity.
Key findings show that unanticipated obstacles in the research context present participants with “real-world” dilemmas that call forth disciplinary alignments, reinforce existing disciplinary practices, and, most importantly, generate new practices altogether. An example of this process is reflected in the research team's frequent need to adjust their research design as a result of constraints within the research environment. The team's ability to pivot in response to such constraints encouraged individual members to view the research enterprise as dynamic and fluid, leading ultimately to a heightened sense of agency and stronger awareness of the rhetorical challenges and opportunities posed by empirical research. Similarly, participants’ demonstrated an ability to recognize and resolve tensions stemming from competing demands on their time and attention during the course of their graduate study. Actively constructing resonances across various domains of their graduate worlds—coursework, teaching, and non-curricular research and professionalization activities—served to clarify purposes and increase motivation.
An additional aspect of this study is the way graduate students leverage their language resources in the collaborative process. This dissertation extends the disciplinary conversation by investigating ways in which language resources function as rhetorical tools within the research context. This focus on language, in concert with collaboration and rhetorical stances to inquiry, challenges persistent views of authorship, apprenticeship, and language norms, while simultaneously lending insight into how graduate students invent new ways of participating in their professional worlds.
Key findings show that unanticipated obstacles in the research context present participants with “real-world” dilemmas that call forth disciplinary alignments, reinforce existing disciplinary practices, and, most importantly, generate new practices altogether. An example of this process is reflected in the research team's frequent need to adjust their research design as a result of constraints within the research environment. The team's ability to pivot in response to such constraints encouraged individual members to view the research enterprise as dynamic and fluid, leading ultimately to a heightened sense of agency and stronger awareness of the rhetorical challenges and opportunities posed by empirical research. Similarly, participants’ demonstrated an ability to recognize and resolve tensions stemming from competing demands on their time and attention during the course of their graduate study. Actively constructing resonances across various domains of their graduate worlds—coursework, teaching, and non-curricular research and professionalization activities—served to clarify purposes and increase motivation.
An additional aspect of this study is the way graduate students leverage their language resources in the collaborative process. This dissertation extends the disciplinary conversation by investigating ways in which language resources function as rhetorical tools within the research context. This focus on language, in concert with collaboration and rhetorical stances to inquiry, challenges persistent views of authorship, apprenticeship, and language norms, while simultaneously lending insight into how graduate students invent new ways of participating in their professional worlds.
ContributorsBommarito, Daniel Vincent (Author) / Matsuda, Paul Kei (Thesis advisor) / Long, Elenore (Committee member) / Rose, Shirley K. (Committee member) / Arizona State University (Publisher)
Created2015
Description
This study offers a critical discourse analysis of four Saudi newspapers, examining their coverage of two particular incidents relating to the Committee for the Promotion of Virtue and the Prevention of Vice. Following van Dijk’s framework, the study examines the ideological role of language within media discourse. The tools of analysis include headlines, leads, lexical choices, reported speech, unnamed sources, and silenced texts. The findings of the study show that there are differences between the four newspapers in the coverage of the two incidents. The analysis also reveals different ideological attitudes among writers.
ContributorsAlshalawi, Hamad (Author) / Adams, Karen L (Thesis advisor) / Long, Elenore (Committee member) / Prior, Mathew (Committee member) / Arizona State University (Publisher)
Created2016
Description
The aim of this study was to investigate the issue of Saudi women’s right to drive through a critical analysis of the Saudi online discourse on women’s right to drive. In the study, the attempt was made to provide a critical contrastive analysis of the online debate for and against Saudi women’s right to drive. A review of the literature indicated that very little research has been done about critical discourse analysis (CDA) of online texts focusing on the representation and rights of Saudi women. Employing Fairclough’s three-dimensional framework, a corpus of written posts on the right to drive, written by Saudi women, was analyzed at three levels: (a) textual analysis, (b) discursive practice analysis, and (c) sociocultural practice. The findings of the analysis on the textual and discursive practice levels showed that the theme of ingroup and outgroup presentation was significant in the data. The findings also indicated that ideologies were expressed linguistically by means of naming, presuppositions, predication, and intertextuality. At the sociocultural practice level, the controversial struggle about the right to drive was situated in its broader sociocultural context, in which the complexity of the sociocultural practice of the Saudi Society was revealed.
ContributorsAlharbi, Badr (Author) / Adams, Karen L (Thesis advisor) / Long, Elenore (Committee member) / Warriner, Doris (Committee member) / Arizona State University (Publisher)
Created2016
Description
This dissertation posits that a relationship between a feminist rhetorical pedagogical model and autobiographical theoretical tenets engage students in the personal writing process and introduce them to the ways that feminism can change the approach, analysis, and writing of autobiographical texts. Inadequate attention has been given to the ways that autobiographical theory and the use of non-fiction texts contribute to a feminist pedagogy in upper-level writing classrooms. This dissertation corrects that by focusing on food memoirs as vehicles in a feminist pedagogical writing course. Strands of both feminist and autobiographical theory prioritize performativity, positionality, and relationality (Smith and Watson 214) as dynamic components of identity construction and thus become frames through which this class was taught and studied. I theorize these “enabling concepts” (Smith and Watson 217) as identity pathways that lead to articulation of identity and experience in written work.
This study posits that Royster and Kirsch’s four feminist rhetorical practices— Critical Imagination, Social Circulation, Strategic Contemplation, and Globalizing Point of View (19)—taken together offer a model for instruction geared to help learners chart identity pathways in the context of one semester of their undergraduate rhetorical education. This model is operationalized through a writing classroom that focused on feminist ideals, using a food memoir, The Language of Baklava by Diana Abu-Jaber, as the vehicle of inquiry. This study offers a starting point for analysis of food memoirs in university writing classrooms by focusing specifically on the ways that students understood and applied the framework, model, and vehicle of the study. This dissertation prioritizes the composition and valuing of individual and communal lived experiences expressed through the articulation of identity pathways. Teachers and scholars can use the knowledge and takeaways gained in the study to better support and advocate for the inclusion of the students lived experiences in writing classrooms and pedagogy.
This study posits that Royster and Kirsch’s four feminist rhetorical practices— Critical Imagination, Social Circulation, Strategic Contemplation, and Globalizing Point of View (19)—taken together offer a model for instruction geared to help learners chart identity pathways in the context of one semester of their undergraduate rhetorical education. This model is operationalized through a writing classroom that focused on feminist ideals, using a food memoir, The Language of Baklava by Diana Abu-Jaber, as the vehicle of inquiry. This study offers a starting point for analysis of food memoirs in university writing classrooms by focusing specifically on the ways that students understood and applied the framework, model, and vehicle of the study. This dissertation prioritizes the composition and valuing of individual and communal lived experiences expressed through the articulation of identity pathways. Teachers and scholars can use the knowledge and takeaways gained in the study to better support and advocate for the inclusion of the students lived experiences in writing classrooms and pedagogy.
ContributorsBruce, Kayla Ann (Author) / Daly Goggin, Maureen (Thesis advisor) / Boyd, Patricia (Committee member) / Long, Elenore (Committee member) / Arizona State University (Publisher)
Created2017
Description
Much of the public discourse promoting Navajo (Diné) language revitalization and language programs takes place in English, both on and off the reservation, as in many other indigenous communities whose heritage languages are endangered. Although Navajo language is commonly discussed as being central to the identity of a Navajo person, this ideology may lie in contradiction to the other linguistic and social means Navajos use to construct Navajo identities, which exist within a wide spectrum of demographic categories as well as communities of practice relating to religion, occupation, and other activities (Field, 2009; Baker & Bowie, 2010).
This dissertation examines two sets of data: 1) interviews with eight Navajo individuals whose interests, academic studies, and/or occupations relate to the promotion of Navajo language use in connection with cultural and linguistic revitalization; and 2) public statements made in online forums discussing the language used by Navajos. The interview data gathered consist of ten sociolinguistic (and open-ended conversational) interviews, culminating in over 13 hours of recorded interviews. The findings of this study show enregistered (i.e., imbued with social meaning) features of the dialect of Navajo English as well as insights into the challenges Navajos face while advocating for programs and policies supporting the teaching of their heritage language.
This dissertation examines two sets of data: 1) interviews with eight Navajo individuals whose interests, academic studies, and/or occupations relate to the promotion of Navajo language use in connection with cultural and linguistic revitalization; and 2) public statements made in online forums discussing the language used by Navajos. The interview data gathered consist of ten sociolinguistic (and open-ended conversational) interviews, culminating in over 13 hours of recorded interviews. The findings of this study show enregistered (i.e., imbued with social meaning) features of the dialect of Navajo English as well as insights into the challenges Navajos face while advocating for programs and policies supporting the teaching of their heritage language.
ContributorsMoss, Meredith Genevieve (Author) / Adams, Karen L (Thesis advisor) / Gelderen, Elly van (Committee member) / Long, Elenore (Committee member) / Arizona State University (Publisher)
Created2015
Description
Screenplays and novels are similar in that they both tell a story. However, the two are not the same. Screenplays and novels have a significantly different function and purpose from one another. With that being said, this thesis conducts a register analysis to discover the prominent linguistic differences in each register. Overall, this study finds that novels and screenplays do in fact have linguistic features that differ from one another. The linguistic features distinctive to a screenplay are: shorter sentences, more non-standard sentences, and more nouns. Longer sentences, independent clause coordination constituents, phrasal constituents, and reduced predicate adjective phrases are the linguistic features present in the novel.
ContributorsLuna, Elaina (Author) / Van Gelderen, Elly (Thesis advisor) / James, Mark (Committee member) / Long, Elenore (Committee member) / Arizona State University (Publisher)
Created2022