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This thesis discusses the intersection of Christian and Blues exegesis and hermeneutics in the life and lyrics of Eddie "Son" House, a Baptist and Methodist preacher and Blues singer who was born in Lyon, Mississippi. It is intended as a biographical case study that highlights and explores the complex and

This thesis discusses the intersection of Christian and Blues exegesis and hermeneutics in the life and lyrics of Eddie "Son" House, a Baptist and Methodist preacher and Blues singer who was born in Lyon, Mississippi. It is intended as a biographical case study that highlights and explores the complex and multifaceted relationship between Black Protestant Preaching and Blues Singing/Preaching. In doing so, it critically appropriates Religious Studies theoretical and methodological considerations, orientations, and insights--particularly those from Charles Long and Paul Ricoeur--to examine the life, artistry, ministry, and lyrics of House in light of his expressed religious orientations and dual, often conflicting roles as a Christian Minister and Blues Preacher.
ContributorsBroyles, Michael (Author) / Moore, Moses (Thesis advisor) / Ali, Souad (Committee member) / Anderson, Lisa (Committee member) / Arizona State University (Publisher)
Created2013
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The ancient religious practices and beliefs of the indigenous people of Northern Scandinavia, known as the Sámi, have been misrepresented and misinterpreted by well meaning ethnographers and researchers who view such practices and beliefs through an Descartes-Cartesian, objective-subjective lens. This thesis develops a more accurate, intersubjective paradigm that is used

The ancient religious practices and beliefs of the indigenous people of Northern Scandinavia, known as the Sámi, have been misrepresented and misinterpreted by well meaning ethnographers and researchers who view such practices and beliefs through an Descartes-Cartesian, objective-subjective lens. This thesis develops a more accurate, intersubjective paradigm that is used to illuminate more clearly the religious workings of the 17th-18th Century Sámi. Drawing upon the intersubjective theories presented by A. Irving Hallowell, Tim Ingold and Kenneth Morrison, ethnographic examples from the writings of early Lutheran missionaries and priests demonstrate that the Sámi lived in a world that can be best understood by the employ of the categories of Person (ontology), Power (epistemology) and Gift (axiology).
ContributorsGoettl, Eric Daniel (Author) / Gereboff, Joel (Thesis advisor) / Swanson, Todd (Committee member) / Kristiansen, Roald E. (Committee member) / Arizona State University (Publisher)
Created2014
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Over the course of more than half a century, Rabbi Dr. Irving Greenberg has developed a distinctive theology of intra- and inter-group relations. Deeply influenced by his experiences in the Christian-Jewish dialogue movement, Greenberg's covenantal theology and image of God idea coalesce into what I refer to as Hybrid Judaism,

Over the course of more than half a century, Rabbi Dr. Irving Greenberg has developed a distinctive theology of intra- and inter-group relations. Deeply influenced by his experiences in the Christian-Jewish dialogue movement, Greenberg's covenantal theology and image of God idea coalesce into what I refer to as Hybrid Judaism, a conceptualization that anticipated key aspects David Hollinger's notion of Postethnicity. As such, Greenberg's system of thought is mistakenly categorized (by himself, as well as others) as an expression of pluralism. The twentieth century arc of social theories of group life in America, from Melting Pot to Postethnicity by way of Cultural Pluralism, serves to highlight the fact that Greenberg is better located at the latter end of this arc (Postethnicity), rather than in the middle (Pluralism). Central to Greenberg's proto-postethnic theology is the recognition of the transformative power of encounter in an open society. Greenberg's ideas are themselves the product of such encounters. Understood fully, Hybrid Judaism has great relevance for American Jewish identity in the twenty-first century.
ContributorsKleinberg, Darren, 1976- (Author) / Gereboff, Joel (Thesis advisor) / Fessenden, Tracy (Committee member) / Moore, Moses (Committee member) / Arizona State University (Publisher)
Created2014
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This dissertation takes the material culture of New Orleans’ Spiritual Churches as its point of the construction and application of academic categories in studies of religions of the African diaspora. Because I am interested in what emic explanations reveal about scholarly categories and methods, a dialogic approach in which I

This dissertation takes the material culture of New Orleans’ Spiritual Churches as its point of the construction and application of academic categories in studies of religions of the African diaspora. Because I am interested in what emic explanations reveal about scholarly categories and methods, a dialogic approach in which I consult practitioners’ explanations to test the appropriateness of academic categories is central to this work. Thus, this study is grounded in an ethnographic study of the Voodoo Spiritual Temple, which was founded and is operated by Priestess Miriam Chamani, a bishop in the Spiritual Churches. The Spiritual Churches first emerged in the early twentieth century under the leadership of Mother Leafy Anderson. Voodoo, Pentecostalism, Spiritualism, and Roman Catholicism have been acknowledged as their primary tributary traditions. This study examines the material culture, such as statues and mojo bags, at the Voodoo Spiritual Temple as it reflects and reveals aspects of Temple attendees’ world views. In particular, material culture begins to illuminate attendees’ understandings of non-human beings, such as Spirit and spirits of the dead, as they are embodied in a variety of ways. Conceptions of Spirit and spirits are revealed to be interconnected with views on physical and spiritual well-being. Additionally, despite previous scholarly treatments of the Spiritual Churches as geographically, socially, and culturally isolated, the material culture of the Voodoo Spiritual Temple reveals them to be embedded in transnational and translocal cultural networks.
ContributorsBilinsky, Stephanie (Author) / Moore, Moses (Thesis advisor) / Astor-Aguilera, Miguel (Committee member) / Bruner, Jason (Committee member) / Arizona State University (Publisher)
Created2016
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Description
On the Antichrist (CPG 3946) is an eschatological sermon historically attributed to Efrem the Syrian. Composed in Koine Greek, On the Antichrist is not an authentic Efremic sermon but is attributed to the construct Greek Efrem, often called in the literature ‘Ephraem Graecus’. Sometime around the 12th century, Slavic Christians

On the Antichrist (CPG 3946) is an eschatological sermon historically attributed to Efrem the Syrian. Composed in Koine Greek, On the Antichrist is not an authentic Efremic sermon but is attributed to the construct Greek Efrem, often called in the literature ‘Ephraem Graecus’. Sometime around the 12th century, Slavic Christians translated the work into Old Church Slavonic.

As its goal, this study employs On the Antichrist to investigate how religions (e.g. Christianity) employ religio-cultural constructs and either refine, or redefine, them for new audiences and circumstances. To accomplish this, the author transcribes and translates one of the most important manuscript witnesses of this sermon (labelled Ov1), translates it, compares it with other early witnesses, and analyzes the differences between the Greek and OCS versions of the text in order to ascertain the variations in the versions and to posit why such variations might have arisen in the transmission of this sermon. Finally, the critical edition is interrogated to propose a date of the autographic text-form of On the Antichrist to the 6th to 8th centuries.

This dissertation finds that multiple recensions of the sermon evolved from the earliest recension, the A Recension. The Old Church Slavonic recension of On the Antichrist falls squarely within the A Recension and seems to share a common ancestral tradition with the other A Recension manuscripts and help to reconstruct the early history of On the Antichrist. Thus, this dissertation provides one necessary step in preparation for the difficult task of preparing a critical edition of this sermon.

The sermon draws heavily upon 2 Thessalonians 2 and the Little Apocalypse. Two manuscripts overtly indicate multiple meters for the sermon, but two others only hint at such divisions, and the nature of the meters (Aramaic or Byzantine) is uncertain. The sermon itself references no datable historical events. The Greek of the sermon analyzing to a Late Koine/Early Byzantine cusp language datable to between the 6th to 8th centuries. For all the uncertainties and puzzles this sermon presents, the evidence clearly points to at least one conclusion: Efrem the Syrian (d.373) cannot have authored this work, and there is no way currently to ascertain the author.

Finally, this dissertation adduces an argument that Byzantine and Slavic Christians preserved On the Antichrist because of its emphasis upon humility and penitence, which allowed for the sermon to be incorporated into Orthodox liturgy by the 10th century.
ContributorsMcAvoy, Shawn (Author) / Clay, J. Eugene (Thesis advisor) / Moore, Moses (Committee member) / Swanson, Todd (Committee member) / Tueller, Michael (Committee member) / Arizona State University (Publisher)
Created2019